Themes and Analysis

By lois lowry.

'The Giver' is, at times, a dark and disturbing novel, touching on themes of loss and control.

Emma Baldwin

Article written by Emma Baldwin

B.A. in English, B.F.A. in Fine Art, and B.A. in Art Histories from East Carolina University.

At the same time, it’s also a novel of hope , depicted through the beauty of colors seen for the first time and joys never before experienced. It’s a novel that ends with an image that alludes to the enduring nature of the human spirit and future possibilities.

The Giver Analysis

The Giver Themes 

Memory .

It’s through memory in The Giver that the community leaders exert control over everyone else. Collective memory is a thing of the past. Wars, loves, hate, joy, and any remnant of the time before the community is lost. Lowry was interested in using this novel to explore what happens when all memories disappear. Does a happier community emerge when the dark parts of human history are lost?

Despite the community’s desire to leave their past behind, the elders also understood the age-old proverb that those who forget the past are doomed to repeat it. This meant that someone had to remember. The Giver plays the role, and Jonas was meant to take it up after him. He’s there to make sure that no one starts down a dangerous path that might lead to consequences known only to him. 

Free Will/Control 

Jonas’s community is nothing without control. The community leaders exert control by making everyone believe that total obedience is the only way to live. The rules are their lives, and there is no choice but to follow them. There are rules for every part of life, ensuring that free will is surprised and the individual. 

The Individual 

This final theme is tied directly to the other most prominent themes in the novel. There are moments in Lois Lowry’s novel where Jonas notes the individuality of his friends, family members, and most importantly himself. Jonas feels different than his friends do, and he knows he sees the world differently as well. This is something that proves to be correct when at the Ceremony of the Twelve, he’s singled out to be the new Receiver of Memory. It’s the first time in his life, and in the lives of the other children, that they’ve had their differences highlighted. Some are more suited for one job or another.

Jonas only becomes more of an individual, something the community doesn’t encourage, as the novel progresses. He’s given memories, something unique in his world.  One of the more powerful moments of the novel comes at the end when Jonas realizes that he’s making memories of his own, ones that belong only to him. 

Analysis of Key Moments in The Giver 

  • Jonas sees an airplane, learning that there’s life outside the community. 
  • His father brings Gabriel home. 
  • Jonas feels the “stirrings.”  
  • Jonas goes to the Ceremony of the Twelve and becomes the next Receiver of Memory. 
  • Jonas meets the Giver and learns about good and bad experiences.  
  • He gives Gabriel memories to calm him down. 
  • Jonas starts to see colors. 
  • He learns about the Giver’s daughter, the previous receiver of memory, and her release. 
  • Jonas learns what “releasing” means . 
  • The Giver and Jonas make a plan for him to escape the community. 
  • Jonas runs away with Gabriel. 
  • Jonas and Gabriel sled down the hill towards Elsewhere. 

Style, Literary Devices, and Tone in The Giver 

Lowry’s narrative style in The Giver is straightforward and clear. It comes across as a simple recitation of events, almost journalistic. The plot progresses from the beginning to the end of the story with very few exceptions. Lowry uses clear language that’s easy to understand throughout the book, solidifying her choice to direct this novel towards young adults. Additionally, the simple language helps describe the simple lives of Jonas, his family, and his friends. Everyone lives preplanned, organized lives, similar to how Lowry’s writing depicts them. This is also how one might describe the tone. It is direct in most parts of the novel and, as it progresses, becomes more emotional and distressed as Jonas learns more about his community. 

It’s not until the Giver comes into the narrative and starts relaying memories to Jonas that the style changes at all. The memories are moving, mysterious, and strange. This changes the way that Lowry writes and the images she creates. In these passages, and in all those in which Jonas is thinking about his world, Lowry uses rhetorical questions. These are questions to which the speaker does not expect an answer. Jonas is filled with them regarding every element of his life. 

Lowry makes use of several other literary devices in The Giver as well. These include euphemisms or phrases that stand-in for something uncomfortable or difficult. For example, “release” is used instead of kill. This is a great example of how the language Lowry selected for the community reveals something about them as much as it tries to hide the truth. When the families gather together to share their feelings, they’re doing the exact opposite. Lowry employs a cliff hanger at the end of the book when she chooses not to reveal what happens to Jonas and Gabe. 

Symbols in The Giver

The apple .

The apple is a symbol for all that’s missing in the community. Its red color, something that’s lost to everyone in the community except Jonas, represents freedom, human nature, and emotions. The red of the apple also appears in other parts of his life. It comes to represent desire when he sees it in Fiona’s hair, and then later. It features in the rainbow that the Giver shares with him. It reemphasizes the entire range of human experiences and emotions that Jonas, his friends, and family members are missing out on.

Gabriel 

Gabriel is different as Jonas is different . This is something that Jonas recognizes right away. He has pale eyes (later revealed to be blue, like Jonas’s), and Jonas can tell he’s far more thoughtful. The child represents innocence and acts as a powerful contrast to the emotionless community that chooses to kill him. For Jonas, Gabriel also represents hope. Hope for a better life, one filled with love, and one where a child can grow up without the threat of being “released.” 

Sled Ride 

The sled rid is the first memory that Jonas receives from the Giver. It’s one of pure joy, untouched by anything unpleasant. It’s a wonderful experience that does not prepare him for the terrible memories to follow. After receiving the memory, Jonas dreams about the sled ride and the unknown destination at the hill’s bottom. There’s something in the distance that he’s riding towards, but he doesn’t know what it is. It symbolizes his future and the new life that waits for him when he escapes the community at the end of the novel. 

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Emma Baldwin

About Emma Baldwin

Emma Baldwin, a graduate of East Carolina University, has a deep-rooted passion for literature. She serves as a key contributor to the Book Analysis team with years of experience.

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Introduction to The Giver

Summary of the giver, major themes in the giver, major characters in the giver, writing style of the giver, analysis of the literary devices in the giver, related posts:, post navigation.

by Lois Lowry

The giver essay questions.

What does the ending of The Giver mean for our interpretation of the text?

Answer: Lowry has left the ending ambiguous. The more likely approach is to decide that Jonas did die and was merely hallucinating at the end of the novel, which could imply a pessimistic ending that completes our image of a dystopia that cannot provide its citizens with both safety and independence. Under this interpretation, we also see the difficulty of separating oneself from the collective; successful resistance requires more than just one or two people. One might decide instead that Jonas coincidentally finds the sled and Elsewhere at the conclusion of the novel. This development might suggest the ability of the human spirit to survive centuries of suppression and hint that Jonas's society will recover from the adverse effects of Sameness. It is important to note that in a later novel, Messenger , Lowry resolves the ambiguity by suggesting that Jonas survived, but this does not invalidate the possible interpretation that Jonas died.

What is the significance of snow in The Giver ?

Answer: Jonas's experiences with his memories are intimately connected with the idea of snow, from his first received transmission of sledding through snow on a hillside to his experience of a broken leg and finally to his real encounter with it at the novel's conclusion. As with many other things that have been eradicated through Sameness, snow involves the dangers that the community chose to end in its quest for safety. At the same time, however, it brings Jonas great joy, through his exhilaration in his first memory and in his apparent recognition of the existence of Elsewhere in the last chapter. Snow is neither good nor bad, but the novel implies that its absence takes some essential aspect away from the world. Removing a risk involves removing the benefits that could have resulted from taking the risk.

What meanings does the phrase "back and back and back" hold within the novel?

Answer: The phrase represents the traditional role of The Receiver within Jonas's community, and it gives a sense of history and continuity to the position of Receiver. Yet, as Jonas notes later in the novel, it also represents the burden and constraints that the society has given to The Receiver in the search for safety and Sameness. Whereas The Receiver is forced to remember "back and back and back" and understand all the pains of humanity, the rest of the community has no sense of history and thus loses both the positive and negative aspects of retaining a common history. For the community, the earlier times were times of hurt and danger, "backward" times that the people do not want to remember or relive.

How does The Giver's acquaintance with Jonas change The Giver's outlook on life?

Answer: Although most people read The Giver 's relationship to Jonas in terms of The Giver's teachings to Jonas--The Giver is in control, helping Jonas develop wisdom to augment his intelligence and courage--The Giver also gains some wisdom himself over the course of their relationship. Prior to meeting Jonas, The Giver had resigned himself to the stagnant nature of both the community and his role within the society, judging that the society was supreme and that he was powerless. However, by seeing the changes that his memories and teachings effect in Jonas, he learns that he also has the ability to teach others and perhaps reverse the oppression of individuals. By talking to Jonas about the problems of their society, he gains the resolve to make a difference and affect the society's future course.

Discuss how the idea of release is used in The Giver.

Answer: Because the nature of release is not revealed until very late in the novel--at a point that could be considered the climax of the plot--the continued references to the mysterious process of release unsettle us and lead us to suspect that it is intentionally hidden because of moral cracks in the society. The narrative introduces us to the idea of release in the first chapter as an apparently excessive punishment for a pilot's innocent mistake while indicating the presence of fear, which sets the tone for the rest of the novel. The novel then proceeds to both soothe and unnerve as it alternates examples of people who are happy to be released with those who are banished from the community for wrongdoing or for simply being weak. Considering that the Old are eventually released, it is not hard to figure out that being released means being euthanized. When the process of release is finally revealed, we are not surprised to see that it is lethal injection. The long period before the novel's revelation adds to its significance in revealing the problems in the community's structure. If the society has really done away with the troubles of this world, why do they still call euthanasia a release? Figuratively, people are being released from the bondage of the oppression in this tightly controlled society, but of course they do not see it in this way.

Discuss the role of family in The Giver .

Answer: Over the course of the novel, Jonas forms in a sense a second family. The first one consists of his family unit, and the second is a new family including Gabriel and perhaps also The Giver, who are joined to him by the transference of memories. The first unit serves as a foil for the second, as its apparent functionality is shown to be somewhat lacking in real love or permanent attachment. Most families are tightly controlled for the sake of the society (compare Plato's treatment of families in the Republic ). In contrast, Jonas's relations with The Giver and with Gabriel are more suggestive of the love that he feels in the memory of family and grandparents, and the novel suggests that their ability to feel true emotions such as love represents what is lacking in the rest of the community.

How do Asher and Fiona illuminate our understanding of Jonas's character?

Answer: Asher and Fiona serve as foils throughout the novel for Jonas. Initially, Asher's character description in particular highlights Jonas's characteristics of intelligence and thoughtfulness. Later in the novel, however, as Jonas's training begins to alienate him from the community, Asher's and Fiona's behavior during the war game shows the lack of understanding that results from their lack of historical awareness. The revelation that Fiona is training in release serves as a final indication of how Jonas has grown apart from the conventions and cruelties of his society.

Discuss the role of solitude or isolation in Jonas's experiences.

Answer: At one point in the novel, Lowry references the positive aspects of solitude as learned by Jonas through transmitted memories. However, for the most part, the effect of Jonas's role as Receiver-in-Training is to isolate him and make him experience the more negative aspects of his society. Because he has been trained to act always as a member of a group, he now learns that to honor The Receiver increases his burdens by adding the pain of loneliness to the weight of his memories. In his role as sage, he will always stand apart. He will develop his own sense of right and wrong, of good and evil, based on unique experiences that the regular society never has. His distanced vantage point allows him to critique the society more fully than he would have been able to do had he remained a normal member of the collective.

Write a second ending for The Giver that tells the fate of the community after Jonas's departure.

Answer: This question asks you to engage in a creative exercise. One might address the community's reaction to the loss of Jonas and what the people and The Giver are thinking as the people search for him. More importantly, one might consider the community's reaction to the return of their memories and about The Giver's attempt to help them. Such an ending could be written from the perspective of The Giver or the perspective of one of the members of the community, such as Jonas's sister Lily or his friend Asher. The narrative could then describe whether the community chose to reject or keep Sameness or what small risks the community began to take in order to appreciate individuality and the chance of developing a stronger, more free society.

How does Jonas's training as The Receiver of Memory serve as a coming-of-age story?

Answer: Jonas and his society proceed from the assumption that after the Ceremony of Twelve, all of the new Twelves are no longer mere children, although they stay with their family units and continue their schooling. However, Jonas's training reveals that after just twelve years of life, he has not acquired the wisdom necessary to approach his life as an adult. In his interactions with The Giver, he acquires this wisdom and mentally ages rapidly through his experiences of war, death, and starvation. This approach to development contrasts with that of Fiona and Asher, both of whom remain in a sense like children because their experiences do not grant them self-awareness and maturity.

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The Giver Questions and Answers

The Question and Answer section for The Giver is a great resource to ask questions, find answers, and discuss the novel.

How does the author begin showing that Jonas may not quite fit in or not agree with everything in his community? How might these details contribute to the conflict in the story going forward?

Jonas interperets events like the jet at the beginning as the stringent rules differently than others. Jonas asks questions and doesn't take things at face value. He also begins to see colour which others do not see. Jonas eventually questions the...

What do you think of the morning dream telling ritual?

This question calls for your opinion. There is no right or wrong answer. In my opinion, dream telling is rather ridiculous. We all know that dreams are inexplicable for the most part.... and most dreams disappear when we wake up.

Should Jonas have asked them to stop playing the game of bad guys and good guys? CHAPTER 17

No, I don't think Jonas should ask them to stop playing. These kids cannot handle the emotional trauma  of forgetting their lunch let alone understanding emotions behind war and death. They simply would not comprehend what Jonas is talking...

Study Guide for The Giver

The Giver study guide contains a biography of Lois Lowry, literature essays, quiz questions, major themes, characters, and a full summary and analysis of The Giver.

  • About The Giver
  • The Giver Summary
  • The Giver Video
  • Character List

Essays for The Giver

The Giver essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Giver by Lois Lowry.

  • The Cost of Security
  • A Lonely Mind With a Heavy Burden: Hope in The Giver
  • Is the Society of The Giver a Utopia?
  • Reproductive Regulation and the Construction of Relationships for Populace Control in The Giver and “Pop Squad”

Lesson Plan for The Giver

  • About the Author
  • Study Objectives
  • Common Core Standards
  • Introduction to The Giver
  • Relationship to Other Books
  • Bringing in Technology
  • Notes to the Teacher
  • Related Links
  • The Giver Bibliography

Wikipedia Entries for The Giver

  • Introduction

the giver reflection essay

“The Giver”: a Reflection on Lois Lowry’s Dystopian Vision

This essay about “The Giver” by Lois Lowry examines the novel’s exploration of a seemingly utopian society where pain and choice are eradicated. It highlights the journey of Jonas, the protagonist, who discovers the critical role of emotions, memories, and choice through his apprenticeship with the Giver. The narrative is analyzed as a reflection on the human condition, emphasizing the importance of individuality, the richness of human experience, and the dangers of conformity and control. The essay discusses the use of memory as a pivotal theme, illustrating how it serves both as a source of wisdom and a burden. It concludes by considering the implications of Jonas’s decision to leave the community, positing the novel as both a cautionary tale and a hopeful narrative about the indomitability of the human spirit and the essential nature of freedom and love in human existence.

How it works

Lois Lowry’s opus, “The Bestower,” presents a captivating tale unfolding within a facade of utopia, where anguish, torment, and the weight of decision vanish. This narrative, narrated through the lens of a juvenile named Jonas, unfurls the intricate strata of human sentiments, autonomy, and the significance of recollection in sculpting our essence. This discourse endeavors to dissect the thematic constituents of the narrative, delving into Lowry’s craft in fashioning a narrative that is as ruminative as it is disconcerting.

Central to this community lies the dearth of what constitutes the crux of human existence: hue, sentiment, and cognition of antiquity. These lacunae elude Jonas initially, who, akin to all others in his milieu, has never encountered existence in any other guise. Nonetheless, as he commences his apprenticeship under the enigmatic Giver, the exclusive custodian of the community’s recollections, Jonas is initiated into the vibrant tableau of veracity—the splendor of nature, the profundity of affection, and the ache of bereavement. This enlightenment propels him onto a trajectory of profound inner discord, ultimately propelling Jonas to scrutinize the bedrock of his civilization.

“The Bestower” adroitly employs the premise of remembrance as a two-edged instrument. On one facet, recollections serve as the conduit to empathy, ardor, and comprehension. They embellish Jonas’s existence, endowing him with the spectrum and sentiments that were absent from his reality. However, they also expose him to agony and inequity, prompting him to realize that the subjugation of choice and sentiment in his milieu is an exercise in dominion, not safeguarding.

Lowry’s narration is a contemplation on the toll of utopia. The society in “The Bestower” has bartered humanity for constancy, singularity for conformity. Through Jonas’s odyssey, Lowry beckons readers to ruminate on the worth of sentiment and remembrance, notwithstanding their innate hazards. She posits a query that reverberates profoundly in our increasingly regimented and sanitized realm: does the obliteration of affliction and sorrow merit the forfeiture of our profoundest raptures and profoundest bonds?

As Jonas’s enlightenment deepens, so does his resolve to emancipate himself from the fetters of his society. His audacious resolution to depart the community, escorting with him the infant Gabriel, whom the community had adjudged undeserving of life, epitomizes a repudiation of the notion that a life devoid of choice and sentiment is a life worth embracing. It constitutes a formidable proclamation of the indomitable spirit of humanity and our innate craving for liberty and affection.

In summation, “The Bestower” transcends mere narrative rebellion against a regimented society. It constitutes an expedition into the essence of humanity. Lois Lowry crafts a narrative that is both a caveat and an aspiration—a warning against the seduction of a painless existence at the expense of our humanity, and a testimony to the potency of individual volition. Through Jonas’s vantage point, we are reminded that the faculty to sense, to recollect, and to elect is what renders life vibrant and consequential. “The Bestower” urges us to embrace the entire spectrum of human existence, comprehending that the allure of life lies not in the dearth of agony, but in the capacity to endure and unearth bliss amidst it.

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Home / Essay Samples / Literature / The Giver / Reading Reflection On The Giver By Lois Lowry

Reading Reflection On The Giver By Lois Lowry

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