creative writing grants 2021

25 Of The Best Grants For Writers To Fund Their Craft

You’ve heard about government grants for writers , but you don’t know where to find them or whether you even qualify for any of them.

True, some of them are for residents of a specific state. And some are for applicants of a specific demographic.

But plenty of them only require that you submit high-quality work for their consideration. And the need-based ones don’t even require that.

To help you find the best grant options for you, we’ve collected 23 of the best grants for writers living in the United States.

25 Writers’ Grants to Fund Your Next Project

Carnegie Fund for Authors (US)

Elizabeth George Foundation

Freelancers relief fund.

Karen and Philip Cushman Late Bloomer Award

PEN American Writers Emergency Fund

PEN/Phyllis Naylor Grant for Children and Young Adult Novelists

SFWA Emergency Medical Fund

Speculative Literature Foundation (6 Grants)

What the Fund (Worldwide)

Asja writers emergency assistance fund, coronavirus rolling grant for freelance journalists, pen/jean stein grant for literary oral history, whiting creative nonfiction grant.

Eleanor Taylor Bland Crime Fiction Grand
Ernest J. Gaines Award for Literary Excellence

Queer Writers of Color Relief Fund

Daisy Pettles’ Women Writing Residency and Grant

Mary Wollstonecraft Shelley Scholarship

Money for Women by the Barbara Deming Memorial Fund

Sustainable Arts Foundation Award

While many states have their own grants for resident writers, the grants listed here are for writers who live in the United States, regardless of their particular state of residency.

Many are need-based while some are specificaly for female writers or writers of color. You’ll see the more specific ones grouped accordingly.

Creative Writing Grants

Along with grants for fiction witers, these can include book writing grants and poetry grants, as well as funds for screenwriters, playwriters, and fiction freelancers.

Carnegie Fund for Authors (US)

This fund is open to any American author who’s published at least one book of reasonable length commercially (with evidence of reader acceptance) and whose current circumstances have placed them in need of emergency financial assistance.

The Carnegie Fund is open to both fiction and nonfiction authors, even if their work has only been published in ebook or printed format. Applicants must provide documentation to support their claim of financial need.

This foundation offers artistic grants to unpublished fiction writers, poets, and emerging playwrights, as well as organizations that benefit disadvantaged youth.

They welcome writers of all ages and background, seeking in particular those who show passion for their work, talent in their use of language, and the discipline to write every day.

You begin the application process by requesting a brochure by mail. The deadline for applications is July 1st.

During difficult times, freelancers face the prospect of financial hardship from canceled or postponed contract work without the benefit of paid sick leave or unemployment compensation.

The Freelancers Relief Fund offers grants of up to $1,000 per freelancer to help cover lost income and essential expenses. If freelance work is your primary source of income, and you’ve lost 50%+, join their Freelancer’s Union to receive updates and apply for the grant.

Karen and Philip Cushman Late Bloomer Award

The Late Bloomer Award is for authors over the age of fifty who write children’s literature but have not been traditionally published.

Newbery Award winner and Newbery Honor Book recipient Karen Cushman and her husband Philip Cushman established this grant with the Society of Children’s Book Writers and Illustrators (SCBWI).

The winner receives $500 and free tuition to any SCBWI conference anywhere in the world.

PEN America has expanded its longstanding Writer’s Emergency Fund to support more writers at a time when so many face risks to their health and livelihood.

The organization offers grants of $500 to $1,000, based on need, using a streamlined process to more quickly respond to the needs of writers. Fiction and nonfiction authors based in the U.S. can apply on their website .

PEN/Phyllis Naylor Grant for Children and Young Adult Novelists

PEN member and author of more than 140 books, Phyllis Reynolds Naylor makes this grant possible for authors of children’s and YA fiction.

The purpose of the $5,000 award is to enable the winning author to focus on completing their latest novel and to let the author know that a panel of expert judges has faith in the quality of their writing.

Submissions for each yearly cycle are welcome from April 1 to August 1 of the previous year.

The Science Fiction and Fantasy Writers of America (SFWA) has established an Emergency Medical Fund (EMF) to help writers pay medical expenses not covered by their insurance policies.

While only meant to cover short-term or emergency situations that affect the applicant’s ability to write, the fund helps SFWA members to meet critical needs when work is interrupted.

All requests must specify the recipient and the amount needed, along with a description of the writer’s situation.

Speculative Literature Foundation (6 Grants)

The Speculative Literature Foundation offers six different grants, none of which charge an application fee. Give them a look if you enjoy writing speculative literature (fiction, poetry, drama, or creative nonfiction ) or are researching for a current project in this genre .

The Working Class Writers Grant — for working class, blue-collar, poor, and homeless writers ($1,000)
The A.C. Bose Grant — South Asian / South Asian diaspora writer ($1,000)
The Older Writers Grant — writers 50 years of age or older ($1,000)
The Diverse Writers Grant — writers from underrepresented groups ($500)
The Diverse Words Grant — work that presents a diverse world ($500)
The Gulliver Travel Research Grant — supporting research for writers of spec lit ($1,000)

This is a Patreon-supported fund created to support writers impacted by the COVID-19 outbreak. Now more than ever, people depend on artists, writers, and other creatives to keep them entertained and to inspire them to create their own art.

The program is open to any creator, anywhere in the world, whose income has suffered as a result of COVID-19. The fund also accepts donations via PayPal.

Nonfiction Writing Grants

The following grants benefit nonfiction writers specifically, whether this involves ghostwriting nonfiction books, writing articles and blog posts, or journalism.

The American Society of Journalists and Authors created this fund to help professional freelance writers who cannot work because they’re currently ill, disabled or because they’re caring for someone who is.

Writers who can’t work due to a natural disaster or an extraordinary professional crisis are also welcome to apply.

While you don’t have to be an ASJA member to be considered, you will need to provide proof of having worked as a professional freelance nonfiction writer for a number of years.

The Fund for Investigative Journalism (FIJ) established this rolling grant specifically for professional journalists who write groundbreaking stories on the coronavirus and its impact on the world — especially work that exposes wrongdoing in the public or private sector.

Grants average $5,000 but can go as high as $10,000, with the first half paid on approval and the second on receipt of the finished project.

If you have a nonfiction work in progress that “uses oral history to illuminate an event, individual, place, or movement,” this grant pays $10,000 annually to support the project’s completion.

Visit the website for complete guidelines on how to apply and what to expect. There is no application fee.

This $40,000 annual grant goes to as many as eight writers of meticulously-researched creative nonfiction.

Whiting welcomes artfully written works of history, cultural or political reportage, philosophy, criticism, the sciences, biography, memoir , food or travel writing, graphic nonfiction, and personal essays.

Projects must be under contract with a US publisher to be considered. Writers of underrepresented groups are particularly encouraged to apply.

Grants for Writers of Color

Most of the grants in this post welcome applicants of color, but the following three have the specific aim of recognizing new writers of color and supporting them in their work.

Eleanor Taylor Bland Crime Fiction Grand

This $2,000 grant supports emerging writers of color with crime fiction writing and career developoment activities. Unpublished applicants are preferred, though they also accept those with several pieces of short fiction and/or up to two self-published or traditionally-published books.

The work sample you submit for the grant application must be unpublished, and the submission period for 2020 ends on June 8th.

Ernest J. Gaines Award for Literary Excellence

This grant honors Louisiana’s famed storyteller, Ernest J. Gaines, in its ongoing support of emerging African-American fiction writers. The annual $15,000 award helps its recipients cover expenses while focusing on their writing.

The Baton Rouge Area Foundation sponsors each winners travel to Baton Rouge for an awards ceremony attended by Ernest Gaines, with an author reading and reception.

This fund is for queer writers of color only. Their stated goal is to raise $100,000 to help at least 100 writers, and they dispense funds for writers according to the amount they receive in donations.

At this time of this writing, they’re able to dispense a minimum $100 and a maximum $500 to every approved applicant.

Grants for Female Writers

Daisy pettles’ women writing residency and grant .

This grant supports female writers of 40 years or more with a $1,000 grant and month-long rent-free residency in the Daisy Pettles Writer’s House in Bedford Indiana.

The house is handicapped-accessible and all on one floor, with wide hallways and doorways and a walk-in tiled shower.

Published and unpublished writers of all backgrounds are welcome to apply.

If you’re a female writer of horror novels, the Mary Shelley Scholarship awards $2,500 a year for winning writers to spend on approved writing education.

The aim of the Horror Writers Association (HWA) is to encourage more female writers to enter the horror genre and aid in its continuing development. They have another scholarship open to all HWA members, regardless of gender.

Money for Women by the Barbara Deming Memorial Fund

As the oldest ongoing feminist granting agency, the Barbara Deming Memorial Fund supports feminist writers and visual artists. Named after feminist writer Barbara Deming, the foundation is in its fourth decade and is still proudly feminist and willing to take risks.

Grants for Parents

If you’re a parent of a child under 18 years of age, and you’re a writer or artist, you’re welcome to apply for this award for timely and transformative works of art and literature.

The Sustainable Arts Foundation makes annual unrestricted grants to individuals, at least half of which are applicants of color.

They also support artist residencies. The foundation is based in San Francisco, California.

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Grants are the free money everyone wants. Here you’ll find grants that cover a simple conference fee or a six-month retreat to write and get away from it all. Some pay for specifically designed projects and others exercise your ability to match writing with a social cause. No two are alike, so keep coming back to see what might suit your fancy.

These grants are legitimate. But like any market or contest, read the guidelines to make sure you fit the mold. While some of them are for big dreamers who face stiff competition, others provide new talent with opportunity. Find out why FundsforWriters is the specialist on grants available to freelance writers.

PLEASE NOTE : FundsforWriters is headquartered in the United States. We are familiar with grants in the US, Canada, the UK and sometimes Australia. However, we are NOT familiar with grant availability in Africa, the Far East, the Middle East, or the Caribbean. We are not an international grant provider. We do not directly give grants. If asked, we will not find you a list of grants without compensation for the service.

TO POST YOUR GRANT/FELLOWSHIP/SCHOLARSHIP/CROWDFUNDING: Email [email protected] with the link for consideration.

More Q&A on Grants

JAMES CASTLE HOUSE RESIDENCIES https://www.jamescastlehouse.org/residencies/the-residencies/ Deadline August 9, 2024 . Residencies offer artists, curators, writers, performers, and other creative individuals an opportunity to live and work at the James Castle House. Visitors are invited to explore works by our residents, and engage through tours, talks, and workshops. Location Boise, Idaho.

HYPATHIS-IN-THE-WOODS RESIDENCIES https://hypatiainthewoods.org/apply/ Deadlines August 15, 2024 and November 1, 2024. Women in the arts, academe, and entrepreneurship may apply for a residency of from one to three weeks. While in residence at Hypatia-in-the-Woods, we offer residents the opportunity to give a public reading, a book signing, showing of works, or appropriate venue for a performance. Holly House is the cottage where a guest stays during her residency at Hypatia-in-the-Woods. Nestled in several acres of Pacific Northwest second growth forest on Washington State’s Olympic Peninsula, the retreat center provides an ideal setting for women to find solitude and time for their creative work.

LA PORTE PEINTE RESIDENCIES https://laportepeinte.com/ Applications are accepted on a rolling basis. Please note that July, August and September are the most sought-after residency periods. If you are applying for a partnership residency such as a Themed Residency, a Mentored Residency, or an Invitational Residency, please indicate this on the form in the “Further Information” section. If you are applying for an Emergency Residency due to war, natural disaster, or some other grave situation, please indicate this on the form in the “Further Information” section. La Porte Peinte is an international arts centre located in Noyers sur Serein, a medieval village in Burgundy that is recognized as one of the 100 most beautiful villages in France.

SARASVATI SPACE RESIDENCIES https://www.sarasvati.space/residency-overview Fees $200 to $850 per week. Writers, artists, graphic designers, and creatives of all walks of life are welcome, even part-time creative peeps, and are encouraged to coordinate your time in this supportive environment where you can hug donkeys, pet cats, laugh with Chickens. The residency fee includes all access to the land, unlimited interactions with the animals, and a designated studio, if needed. You’ll be surrounded indoors by creatively designed spaces that have been organized as conducive to your work, and outdoors by all of the natural splendor that is slowly being curated in tamed and untamed ways. Located halfway between Hohenwald and Waynesboro, TN.

SOMERSET COUNTY ARTS COUNCIL https://www.socoarts.org/individual-artist-grant Ongoing deadline. The Somerset County Arts Council (Massachusetts) annually awards grants to talented individual artists. The purpose of these grants is to honor, support, and strengthen individual artists living and working in the area. Artists may apply for up to $1,000.

CONROY CENTER WRITER’S RESIDENCY https://marshsongcottage.com/ Deadline August 26, 2024. Coinciding with the annual Pat Conroy Literary Festival, the nonprofit Pat Conroy Literary Center will offer our ninth Conroy Center Writer’s Residency this coming fall, available to writers of all prose genres. Located on a salt marsh, the residency at MarshSong Cottage provides an inspirational, creative space in the heart of Pat Conroy’s beloved lowcountry. The residency location is a guest cottage on St. Helena Island, South Carolina, approximately 15 minutes from downtown Beaufort and 15 minutes from the beach at Hunting Island State Park. The residency dates will be October 30 to November 6, 2024, overlapping with the Literary Festival, which the selected writer will be invited to attend.

INDIANA PRO BONO LEGAL HELP https://indianalegalhelp.org/ Pro Bono Indiana’s Lawyers for the Arts project provides legal assistance at no cost to artists and small arts organizations. To obtain help, please call 812.402.6303. Calls from artists and small arts organizations are taken on Tuesdays and Thursdays from 9:00 a.m. to 11:00 a.m. (Central Time). Support for this service is provided by the Indiana Bar Foundation.

ESSERE WRITING RESIDENCY https://essereresidency.org/ Deadline October 31, 2024 (this has been extended). The Essere Writer & Artist Residency is a two-week, multi-disciplinary program held in a medieval estate in Tuscany, Italy from Sept 13-27, 2025. The residency is open to writers of all genres and all levels of their careers. Residents are housed on-site in historic homes. The cost of the residency, which includes 11 three-course dinners, workshops, mentorship and more is $3,600 for a private bedroom and $3,100 for a shared bedroom. Travel expenses are not included. The Essere Special Fellowship for Emerging Voices is available in the amount of $1000 (applied toward residency fees) for an emerging writer with demonstrable financial need.

JUNEAU COMMUNITY FOUNDATION INDIVIDUAL ARTIST AWARD PROGRAM https://www.juneaucf.org/announcements/juneau-community-foundations-arts-vibrancy-endowment-2024-individual-artist-award-application-is-available/ Deadline August 15. 2024. The program offers four awards at $2,500 each and one $5,000 award. Artists working in art forms and idioms including, but not limited to, visual arts, dance, music, fabric arts, photography, theater, and literary arts are eligible. To be eligible, applicants must be at least 18 years or older and a full-time Juneau resident, living in the city and borough of Juneau for the past two years at the time of the application, and remain a resident for the duration of the grant period.

TRILLIUM ARTS RESIDENCIES https://www.trilliumartsnc.org/artist-residencies Deadline August 16, 2024 . Trillium Arts residencies offer secluded space for rejuvenation and creating in a beautiful, remote setting in the Blue Ridge Mountains. Our location is ideal for an individual artist to complete an existing work, or develop and incubate new material. Our current facilities are best suited to the disciplines of literary arts, photography, visual arts and arts administration. Individual artists who do not require a rehearsal studio (such as writers and photographers) are encouraged to apply for a one week residency. All 2024 residencies are modestly priced and one week in length. A limited number of work exchange scholarships are available. Location Mars Hill, NC.

BRIDPORT PRIZE BURSARIES https://bridportprize.org.uk/writers-room/bursaries-for-under-represented-writers Deadline August 16, 2024 . Our bursary scheme gives under represented writers a free entry to the Bridport Prize competition in any category. In order to support as many writers as possible, applications are limited to one per year, per writer. Bursary applications for our memoir competition are now open. Our short story, poetry, flash fiction and memoir competitions are open to international applicants, whilst the novel award is open to writers living in Britain and Ireland, British and Irish writers living overseas and writers living in British Overseas Territories.

RHODE ISLAND TEACHING ARTIST ROSTER https://arts.ri.gov/grants/rhode-island-teaching-artist-roster A directory of teaching artists who have been approved by public panels to work in educational settings. The State’s Arts Council has endorsed the teaching artists’ skills and credentials when they are added to the Roster. Educational sites and individuals use the Roster as a resource to engage an artist for an arts learning project. Once accepted, writers are paid by the arts council for appearances.

ASJA EMERGENCY FUND https://www.asja.org/what-we-do/weaf/weaf-application/ WEAF offers grants to professional freelance writers who, because of illness, disability, natural disaster, or extraordinary professional crisis, are unable to work.

INDY ARTS MENTAL HEALTH & WELLNESS GRANTS https://indyarts.org/grants/mental-health/ Indy Arts Council is now offering Mental Health & Wellness Grants to support artists and creative workers in navigating and preventing addiction and substance abuse. These grants aim to help artists who are experiencing social and emotional challenges, but don’t have sufficient means to obtain treatment. Applications are due on the last day of each month and will be reviewed on a monthly basis. Must be a resident of Boone, Hamilton, Hancock, Hendricks, Marion, Morgan, Johnson, or Shelby County in Indiana.

INTERNATIONAL ARMENIAN LITERARY ALLIANCE GRANTS https://armenianweekly.com/2024/04/16/iala-announces-its-2024-annual-grants-for-creative-writing-and-translation/ The International Armenian Literary Alliance (IALA) is pleased to announce its three new annual grants for one writer and two translators whose works-in-progress show exceptional literary and creative ability. Applications open on September 1 until September 30, 2024 , and winners will be announced in December 2024.

THE ONION WRITER FELLOWSHIP https://jobs.gusto.com/postings/the-onion-the-onion-fellowship-49bc77b7-6c97-42b2-a5e4-49c7900f25ed America’s Finest News Source, The Onion, is seeking talented writers and creators to join The Onion Writing Fellowship. The Fellowship is a six-month-long intensive and esteemed program beginning Late August that has produced the majority of The Onion’s current writers and numerous former writers and editors. This is a full-time, in-office position. $35,000, paid on a semi-monthly payroll schedule (or the equivalent to $70,000 per year). Full eligibility for our benefits offering, including Medical, Vision, Dental, Disability, and Life Insurance. (We fully cover the cost of our base medical insurance for the employee.) We also offer Unlimited PTO, in consultation with your Manager. There are two fellowship positions available this session.

MILES MORLAND FOUNDATION https://milesmorlandfoundation.com/entry-requirements/ To help meet this need the MMF annually awards a small number of Morland Writing Scholarships, with the aim being to allow each Scholar the time to produce the first draft of a completed book. The Scholarships are open to anyone writing in the English language who was born in Africa, or both of whose parents were born in Africa. The Foundation welcomes both fiction and non-fiction proposals.

MY TIME FELLOWSHIPS FOR PARENT WRITERS https://www.writerscolony.org/fellowships Deadline August 5, 2024 . Writers who are parents of dependent children under the age of 18 are invited to apply. Work may be any literary genre: poetry, fiction, plays, memoirs, screenplays, or nonfiction. The successful application will demonstrate literary merit and the likelihood of publication. Prior publication is not a requirement. Four fellowship winners will receive a one-week residency to allow the writer to focus completely on their work. A $500 stipend will be provided to cover childcare and/or travel costs for each recipient. Location Eureka Springs, Arkansas.

MID-AMERICA ART ALLIANCE https://www.maaa.org/artists-grants-fellowships/artist-inc/ Artist INC is a cutting-edge professional development program that empowers artists to take control of their careers and create opportunities they’ve only imagined. Artist INC addresses the specific business needs and challenges artists of all disciplines face every day. In its full iteration, Artist INC Live, participants gather for one night a week for eight weeks to learn business skills specific to their art practice and how to apply those skills cooperatively with their peers. Using a groundbreaking class design, artists learn and grow together through artist facilitator mentoring, small group application activities, as well as large group discussion and multi-media workshop. Artist INC has been offered in communities—large and small—across M-AAA’s region and beyond, including Arkansas, Texas, Iowa, Missouri, Kansas, Nebraska, New Mexico, and Oklahoma.

SOUTH ARTS EXPRESS GRANTS https://www.southarts.org/grants-opportunities/express-grants Distributed on a first-come, first-serve basis, Express Grants support rural organizations and communities with expedited grants of up to $3,000. Express Grants are an opportunity for organizations in South Arts’ nine-state region to receive fee support to present Southern guest film directors, visual and performing artists, or writers from inside or outside of the presenter’s state. Projects must include both a public presentation (film screening, performance, reading, or exhibition) and an educational/community engagement component. Based on the artist fee, the maximum request is $3,000. The grant requires a dollar-for-dollar cash match (for example, an applicant that requests $3,000 must provide a $3,000 cash match for a project with a $6,000 artist fee). Must be within South Arts’ nine-state service area (AL, FL, GA, KY, LA, MS, NC, SC, or TN).

SOUTH ARTS PROFESSIONAL DEVELOPMENT GRANTS https://www.southarts.org/grants-opportunities/professional-development-and-artistic-planning-grants These grants offer up to $1,000 to support artistic planning and the professional development needs of Southern presenters, programmers, or curators. Must be within South Arts’ nine-state service area (AL, FL, GA, KY, LA, MS, NC, SC, or TN).

LITERARY SOCIETY OF THE SOUTHWEST GRANT https://literarysoc.com/page-1075299 Opens September 1, 2024. The society celebrates contemporary literature and authors and promotes literacy in Arizona.

ABOUT HER CULTURE MICRO GRANT https://aboutherculture.com/micro-grant-opportunities/ For the rest of 2024, we are giving away a few $500 USD micro grants to women of African and Caribbean descent, based anywhere in the world, who are entrepreneurs, nonprofit founders and creatives.

AWESOME GRANTS https://www.awesomefoundation.org/en/about_us The Awesome Foundation is a global community advancing the interest of awesome in the universe, $1000 at a time. Each fully autonomous chapter supports awesome projects through micro-grants, usually given out monthly. These micro-grants, $1000 or the local equivalent, come out of pockets of the chapter’s “trustees” and are given on a no-strings-attached basis to people and groups working on awesome projects.

THE IRELAND FUNDS MONACO https://irelandfunds.org/chapters/worldwide/monaco/bursaries/ Deadline October 2, 2024 . The Ireland Funds Monaco Bursaries were established to enable literary and academic writers born or living on the island of Ireland to pursue a current project during a one-month residency at The Princess Grace Irish Library in Monaco. The Bursaries are aimed at writers in each category who have already published some work of note and are currently engaged in a work-in-progress which would benefit in some regard from holding the award.

SUPPORT FOR AUSTRALIAN PUBLISHERS https://www.copyright.com.au/support-for-australian-publishers/ The Cultural Fund offers support for a small number of publishers’ commissions for work by First Nations and diverse writers. The publisher agrees to match the Cultural Fund’s contribution and all money must be paid to the authors. This does not replace royalties or an advance on royalties. Publishers must be Australian-based and books must be distributed nationally. Standard royalties must be paid to authors. Authors who self-publish their work are not eligible to apply.

SC INDIE GRANTS FOR SHORT FILMS https://www.indiegrants.org/indie-grants Deadline August 5, 2024. As part of Indie Grants prep, the South Carolina Film Commission will be holding a one-day INDIE FILM DEVELOPMENT workshop on Saturday, June 1, at Trident Technical College in North Charleston. Ideal for feature-films, webisodics, proof-of-concepts, docs and shorts, it will serve as a comprehensive primer on the mechanics of developing, creating, and selling content, especially in the independent film space.

THE SALTY QUILL SCHOLARSHIP FOR WRITERS RETREAT http://www.thesaltyquill.com/salty-quill-scholarships-1.html Fall scholarship applications will be available upon request after April 15th. The scholarship award is based primarily on your writing sample, with special attention given to writers with financial need. We hope to attract writers who would benefit from the kind of uninterrupted time and space achievable at McGee Island, alongside a supportive community of fellow writers, and those who otherwise could not afford to attend. Location McGee Island, Maine.

VIRGINIA CENTER FOR THE CREATIVE ARTS https://www.vcca.com/apply/financial-information/financial-assistance/ Writers, visual artists, and composers who request financial assistance on their residency applications can receive full or partial funding from a variety of sources. Virginia Center for the Creative Arts (VCCA), one of the leading artists communities in the world with locations in Amherst, Virginia, and Auvillar, France, hosts more than 400 visual artists, writers, and composers each year.

PORCHES WRITING RETREAT – Michael Kenneth Smith Fellowship https://www.porcheswritingretreat.com/ Deadline is in November . Location Virginia on the James River. Open to women 35 and older who have not yet published a novel.

TENNESSEE ROLLING GRANTS https://tnartscommission.org/news/rolling-grants-remain-available-for-arts-activities/ Tennessee Arts Commission fiscal Year 2024 Rolling Grants remain available to cover a range of arts activities and arts services throughout the state between now and June 2024. Applicants are encouraged to apply for projects that range from a focus on serving an underrepresented population to professional development, arts learning, or engaging audiences in performances and hands-on artmaking.

ODYSSEY WORKSHOP SCHOLARSHIPS https://www.odysseyworkshop.org/2019-odyssey-writing-workshop-scholarship-opportunities/ Financial aid and scholarships are made available by supporters, alumni, various organizations, and Odyssey itself. Scholarships are awarded based on financial need, merit, or the specific criteria listed below. They range in size from several hundred dollars to over $4000.

CALIFORNIA ARTS SEEKING GRANT PANELISTS https://arts.ca.gov/grants/panels/ The California Arts Council has opened its call for applicants to serve on peer-review panels for the 2024 grant season. The state art agency is seeking arts and cultural practitioners from disparate communities statewide to volunteer for a critical role in the grant application process as grant review panelists. Individuals who complete their panel service will receive a $300 honorarium to subsidize them for their attendance at two to three virtual meetings and rank submission activities.

ENTRY FEES FOR POETS https://www.poetrybulletin.com/poetry-fee-support This group pays entry fees for poets attempting to submit their manuscripts to publishers that charge to submit. Submission fees for poetry chapbooks and full-length poetry manuscripts only. A maximum of three submissions per poet.

TEXAS TOURING ROSTER https://www.arts.texas.gov/artroster/roster/ Performing arts companies and artists from throughout the state apply to be included on the Texas Touring Roster. These artists must have a history of touring and must be willing to travel outside of their community to do a performance.

NJ ARTISTS IN EDUCATION https://www.nj.gov/state/njsca/dos_njsca_grants.html Practicing professional artists are placed in long-term residencies (20+ days) in schools across the state. Residencies are offered in all disciplines and at all grade levels. All NJ PreK-12 schools can apply for one-year residencies.

INDIANA ARTS PROJECT SUPPORT https://www.in.gov/arts/programs-and-services/funding/arts-project-support/#tab-225218-About_the_Program Arts Project Support (APS) provides funding to 501c3 nonprofits, units of government, and schools to support arts projects during July 1, 2024 – June 30, 2025. Eligible projects include a one-time art event, a single performance, an exhibition, an educational workshop, or series of related arts activities such as classes or training sessions that are open to the public whether free or for a fee. Applicants may request up to $4,000. WRITERS: Coordinate with these entities to design an event for you.

CASA UNO RESIDENCY https://mostlydance.com/1830-2 The ideal participant is an artist who wanting to be able to devote time to a project for three weeks in a beautiful nurturing environment in Costa Rica. Participants may be a writer, visual artist, photographer, filmmaker, storyteller, poet, composer, performer or dancer/choreographer. Artists who are going through career changes or developing a new aspect to their work are strongly encouraged to apply. There is no fee for the residency. The participating artist is responsible for travel to and from Costa Rica. (Thanks ErikaDreifus.com)

AUDIBLE EMERGING PLAYWRIGHTS FUND https://www.audible.com/ep/audible-theater The Fund specifically supports the creation of original dramatic work, written with audio in mind, but theatrical in spirit. Any applicant over the age of 18 may submit a Script. Typical response time is 6-8 months.

DGF EMERGENCY GRANT https://dramatistsguildfoundation.submittable.com/submit For dramatists (playwrights, composers, lyricists, librettists) to apply for emergency financial assistance from the Dramatists Guild Foundation. If you hold a minimum of $15,000 in your combined bank accounts, we kindly ask that you refrain from re-applying at this time.

DGF HOUSING ASSISTANCE GRANT https://dramatistsguildfoundation.submittable.com/submit The Dramatists Guild Foundation’s (DGF) Housing Assistance Grants are one-time awards that assist professional dramatists (playwrights, composers, lyricists, librettists) with housing expenses. DGF is committed to preventing eviction and displacement among theater writers and to help dramatists rebuild their lives during the pandemic recovery period. Theater writers should apply for immediate financial assistance with the following: outstanding mortgage and rent payments, sudden increases to rent prices, overdue utility bills, outstanding costs related to moving, or credit card debt related to any of the aforementioned reasons. If you hold a minimum of $15,000 in your combined bank accounts, we kindly ask that you refrain from applying at this time.

INEVITABLE FOUNDATION FELLOPSHIPS https://www.wgfoundation.org/fellowship-writing-programs-for-screenwriters-masterlist No deadline. Inevitable Foundation started the Screenwriting Fellowship to substantially increase the number of disabled screenwriters working in film and TV. The Fellowship is for disabled screenwriters working in the industry with ample talent and ambition. Fellows receive $25,000, which is meant to cover 4-6 months of living expenses, and the money is unrestricted—you can use it to cover living expenses and other project-related fees.

PATRICK HENRY HISTORY FELLOWSHIP https://www.washcoll.edu/learn-by-doing/starr/Fellowships/patrick_henry_fellowship/index.php The Center’s Patrick Henry History Fellowship includes a $45,000 stipend, health benefits, faculty privileges, a book allowance, and a nine-month residency (during the academic year) in a historic 18th-century house in Chestertown, Md. Applicants should have a significant project currently in progress — a book, film, oral history archive, podcast series, museum exhibition, or similar work. The project should address the history and/or legacy – broadly defined – of the U.S. founding era and/or the nation’s founding ideas.

PERSEPHONE MIEL FELLOWSHIPS https://pulitzercenter.org/grants-fellowships/opportunities-journalists/persephone-miel-fellowships The Persephone Miel Fellowship is designed to support journalists from outside the U.S. and Western Europe who are pursuing ambitious reporting projects and enable them to bring their work to a broader global audience. Grants are open to all journalists: writers, photographers, radio producers, and filmmakers; staff journalists as well as freelancers. We support veteran reporters who have been widely published, but also back younger applicants who are looking for help to jumpstart their careers. A diversity of voices— gender, ethnicities, backgrounds and nationalities—is important to us. The Pulitzer Center on Crisis Reporting will provide a grant of $5,000 for a reporting project on topics and regions of global importance, with an emphasis on issues that have gone unreported or underreported in the mainstream media.

WISCONSIN HUMANITIES https://wisconsinhumanities.org/grants/grants-for-humanities-programs/ An applicant must be a nonprofit organization. This includes historical societies, libraries, colleges, schools, civic organizations, or an ad hoc group with a nonprofit serving as fiscal sponsor. Grants are $2,000 to $10,000. Humanities programs should be reflective experiences that engage the public. Programs can take many forms including exhibitions, performances, community discussions, guest speakers, workshops, oral history projects, panels, town halls, films, and more.

FISHTRAP WRITER-IN-RESIDENCE – OREGON https://fishtrap.org/fishtrap-writer-in-residence/ Are you an experienced teaching artist looking to spend time immersed in the community and beauty of rural Wallowa County? Fishtrap Writers in Residence have the opportunity to get some creative work done and help inspire local writers of all ages through teaching in local schools, sharing a public reading, and offering your own Fishtrap writing workshop. Residence lasts from six to eight weeks during the months of April and May, and includes a stipend, travel allowance, and lodging. While you are here, Fishtrap will work with you to schedule up to eight hours a week of classroom time in Wallowa County schools. You will be asked to lead a one-day adult workshop as part of our local writing workshop series. You’ll also have the opportunity to hold a public reading event at Fishtrap’s new home in the historic Bowlby Building. The rest of the time is yours to use to write, be explore the county, and connect with the many local writers in the Fishtrap community. Since a Fishtrap Writer in Residence will be spending significant time in Wallowa County schools, proven teaching and classroom management experience, especially at the secondary level, is required. Location Enterprise, OR.

MISSISSIPPI ARTIST ROSTER https://arts.ms.gov/artist-roster/?view=mississippi The Mississippi Arts Commission’s Artist Roster is a listing of artists who have been accepted to the Teaching Artist Roster, the Mississippi Artist Roster, or both. Each artist or arts group applied and went through a thorough review by a panel of artists, presenters and educators. Grant funds are available to organizations for presenting Roster Artists (see Minigrants for Organizations). Individual artists may apply to be included in the Roster for a three-year term. Their fees are paid by the Mississippi Arts Commission.

NEW WRITING NORTH https://newwritingnorth.com/vacancies/ New Writing North are looking for experienced writer facilitators to run sessions with our North East Novelists group. The sessions should be focused on the practical craft of creative writing and suitable for novelists already published or under contract to publish, and who are already represented by an agent. Starting October 2023, there will be one session on the first Wednesday evening of every month, in a central Newcastle venue. We can offer a fee of £125 per session, and up to £50 to cover travel costs. If you are interested, please send a short pitch about yourself and the session to [email protected] .

GEORGIA WRITERS REGISTRY https://www.georgiawriters.org/georgia-writers-registry https://www.georgiawriters.org/literary-events-grant-of-georgia Once selected, you get the lucrative opportunity to be contacted by one of GWA’s local venues for a chance to host an event, workshop, or reading of your process and/or the work you’ve completed during your writing process. The quality of an applicant’s credentials will be evaluated by a peer review panel based on a writing sample and the listed criteria. Literary Event Grants of Georgia (LEGG) supports the writers’ fees for literary events in underserved communities across the state. Literary events include readings, workshops, presentations, and performances. They provide grants of $50-$250 for a literary event.

THE EMERGING PLAYWRIGHTS FUND https://www.audible.com/ep/audible-theater A program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Any applicant over the age of 18 may submit a Script. Submissions are accepted year-round. The Fund specifically supports the creation of original dramatic work, written with audio in mind, but theatrical in spirit. Contact: [email protected]

18TH STREET ARTS CENTER https://18thstreet.org/residency-program/ The Visiting Artist Residency Program accepts applications from working, professional artists who demonstrate a deep commitment to their practices. The program is open to artists of all generations, nationalities, and disciplines. Applicants are required to cover studio rental costs themselves. Although we primarily support visual artists, 18th Street Arts Center will consider applications from performing artists, writers, and filmmakers as well. Hosts artists from across the United States and from around the world.

OHIO ARTISTS WITH DISABILITIES GRANTS https://oac.ohio.gov/grants/10-grant-opportunities/40-artists-with-disabilities-access-program Deadlines November 1 and May 1 each year. The Artists with Disabilities Access Program (ADAP) provides funding that gives individual artists with disabilities the resources they need to further their artistic development. Creative expression by artists of all abilities is essential to building dynamic and diverse communities throughout Ohio. ADAP awards help artists with disabilities advance their artistic practices, making Ohio a more accessible and inclusive place to build an artistic career. Grants are awarded to individual artists at both the emerging artist level ($500) and professional artist level (up to $2,500), with no cash match required.

BLUEDOT LIVING https://bluedotliving.com/ Pitch Leslie Garrett, Editor at [email protected] . Seeking great solutions-focused climate stories to share about what’s happening in your community. Pays $175 for “dispatches”—reporting about a specific project/initiative in a community. Dispatches run 400-800 words. Features run 800-1,500 words, and we pay anywhere from $400-$750 depending on complexity/writer’s experience.

FATHERLY https://www.fatherly.com/ Pitch Tyler Santora, Health and Science Editor at [email protected] . Seeking science journalists to write for Fatherly about parenting and fitness. $250-300 per story, depending on amount of research needed. Email clips.

ATMOS https://atmos.earth/ https://brindle-caraway-75e.notion.site/Editorial-Guidelines-Home-0c1688d8986644a98cd3118dfb069c8e Standard writer’s rate is 50 cents/word. Kill fee is 50 percent. While all print stories are eventually published in one or more of the below topic categories, stories for the biannual printed edition of Atmos are commissioned based on the issue’s theme. Please see a list of previous issue themes online. If you are interested in pitching specifically for print, you may inquire as to the theme of the current issue. The ideal Atmos story exists at the intersection of climate and culture. That can mean a culture story with a climate twist, a climate story with a culture twist, or something directly in between.

THE WHITE PUBE CREATIVES GRANT – UK https://thewhitepube.co.uk/grants/ The White Pube Creatives Grant is a one-off £500 grant to be given out to a different working class creative practitioner based in the UK once every month. This grant has been set up to support creatives of all ages who are early in their careers and would benefit from this no-strings attached financial support to help them in whatever they like – be that money to cover time to make, or fund materials, equipment, research, subscriptions, development, travel, or even rent and bills.

THE AUTHORS’ FOUNDATION – UK https://www2.societyofauthors.org/grants/grants-for-work-in-progress/ Rolling deadline. The Authors’ Foundation and K Blundell Trust award grants to writers whose book project is for a commercial UK publisher. Grants are usually between £2,000-£3,500 and are a maximum of £6,000. You are eligible to apply if you have been commissioned by a commercial British or Irish publisher to write a full-length work of fiction, poetry, or nonfiction and need funding (in addition to any publisher’s advance) for important research, travel, or other general expenditure. -OR- You are without a contractual commitment with a publisher but have had at least one book published commercially by a British or Irish publisher, of which you are the sole author, and there is a strong likelihood that your next book will be published in Britain or Ireland.

FIRST JOBS FUND – UK https://journalistscharity.org.uk/how-we-help/first-jobs-fund/ The fund is only for new journalists who are struggling financially with essential costs. You’ll either be working full-time in journalism or about to start a new job with a firm offer of employment. If you’ve been a journalist for more than two years, the fund isn’t for you, but you might qualify for other forms of financial assistance from the charity. To be eligible for financial help from the charity you must be a journalist or former journalist in the UK, or work for a UK organisation overseas.

FINANCIAL ASSISTANCE – UK https://journalistscharity.org.uk/how-we-help/advice-financial-assistance/ If you’re a journalist, or former journalist and need financial help, you can apply for support quickly and easily using the online application form. To be eligible for financial help from the charity you must be a journalist or former journalist in the UK, or work for a UK organisation overseas.

PEGGY RAMSAY FOUNDATION – UK https://www.peggyramsayfoundation.org/grant-applications.html We give money to theatre writers in order to afford them the time and the space to write. You can be a writer who’s only had one play professionally produced, a writer who’s had dozens of successes or a writer who’s somewhere in between – if you’re struggling to pay the bills, then we can help. We only support writers resident in the British Isles.

WOMEN’S HISTORY NETWORK INDEPENDENT RESEARCHER GRANTS – UK https://womenshistorynetwork.org/womens-history-network-independent-researcher-grants-for-2023-24/ The Women’s History Network is offering a small grant of up to £750 to support the direct costs of those researching women’s history outside of academia. While applicants may be in possession of a degree or postgraduate qualification, the grants are intended to support research into women’s history by Independent scholars. We would therefore anticipate that the research would result in at least one tangible output (e.g. a publication, a museum exhibition, a podcast, etc) for a general audience.

GUILD OF FOOD WRITERS BENEVOLENT FUND https://www.gfw.co.uk/fellowship-fund/ A total sum of £2,000 is ring-fenced each year for the purpose of such Futures Fund grants. These are awarded to a member or members who make a suitable request. The member or members are required to make a written request of no more than 500 words, including an outline of the project and its merits, the amount required, what the money would be used for, including a breakdown of estimated costs, and any details of potential publication plans in order to justify the awarding of the grant. We are particularly keen to support projects for which there is no other funding (smaller applications for things like book purchases are also encouraged). The successful recipient or recipients should be willing to give back to the Guild in the form of a workshop, lecture, panel membership, website or newsletter contribution on the completion of their project. Members are represented across the UK regions, as well as overseas.

GRIST FELLOWSHIPS https://grist.org/fellowships/ The Grist Fellowship Program is a paid opportunity to hone your skills at a national news outlet and deepen your understanding of environmental issues. The experience is designed to give early-career journalists with a demonstrated interest in environmental issues the experience to succeed in climate and environmental media. We offer real-world experience at a fast-paced news site, training in a variety of skills key to a journalism career, and exposure to the leading sustainability thinkers and theories of our time. After a year of working full-time at Grist and gaining key skills in environmental journalism, fellows have gone on to outlets including The Atlantic, Capital B, The Verge, Wirecutter, Outside, Atlas Obscura, Greentech Media, and of course, Grist.

NORTH CAROLINA ARTIST SUPPORT GRANTS https://www.ncarts.org/grants-resources/grants/grants-artists/artist-support-grants Artist Support Grants is a program funded by the N.C. Arts Council to provide the opportunity for regional consortia of local arts councils to award project grants to artists in their regions. These grants support professional artists in any discipline and at any stage in their careers to pursue projects that further their artistic and professional development. Contact the granting local arts council for details. Grant amounts vary from region to region. Statewide, most grants are between $500 and $2,000.

STOCHASTIC LABS RESIDENCIES https://stochasticlabs.org/residencies/ Stochastic Labs awards fully sponsor residencies to exceptional engineers, artists, scientists, and entrepreneurs from around the world. Residencies are of variable length and include a private apartment at the mansion, co-working and/or dedicated work space, shop access (laser cutter, 3D printer etc), a monthly stipend and a budget for materials. Residents become part of Stochastic’s creative community, participating in weekly dinners and invitation events. Residents may apply as individuals or as teams. While applicants may be at any stage in their career, the selection is highly competitive. Stochastic Labs convenes leading creative minds in the SF bay area and beyond for conversations about the future of technology, science, entrepreneurship, and the arts (in a curious Victorian mansion in Berkeley, CA).

FICTION MEETS SCIENCE https://fictionmeetsscience.org/ccm/content/projects/invention/writers-in-residence/ Writing a work of fiction or creative non-fiction in which science and its practitioners play a major role entails a considerable amount of background research. Like writing any book, it also requires concentrated blocks of time free from the teaching, freelance, or other work that authors of literary fiction must often engage in to make ends meet. In this project, we award selected authors fellowships to work on science novels at the Hanse-Wissenschaftskolleg (HWK), an Institute for Advanced Study. We are considering authors of narrative non-fiction about science in various genres (memoir, biography, documentary, journalism, history, popular science), as well as novelists. Location Delmenhorst, Germany.

NEW ENGLAND FOUNDATION FOR THE ARTS NEST PROGRAM https://www.nefa.org/NEST Deadlines August 1, December 1 . The foundation invites applications from nonprofit organizations for its NEST (New England States Touring) program, which funds performances, readings, and screenings of work by regional, national, and international artists presented by New England-based nonprofit organizations. There are three distinct grant opportunities for New England nonprofit organizations: NEST 1, NEST 2, and NEST 3. Grants are available in amounts of up to 60% of the artists’ fees and range from $500 to $10,000. Requests below $500 will not be accepted. Applications with artist fees under $2,000 may request the full artist fee. Artists’ fees may include costs for creation of new work, travel, and per diem.

OF A CERTAIN AGE GRANT https://nwfilmforum.org/lynn-shelton-certain-age-grant-2/ A grant of $20,000 will be awarded to an individual woman, nonbinary, and/or transgender United States filmmaker, age 39 or older, who is working on their first narrative feature (at least 65 minutes) as a director. To be eligible, filmmakers must have “director” credit on at least one short film or feature documentary and desire to work in the narrative space. Filmmakers with “director” credit on a feature-length (70+ min) narrative film will not be considered.

NEBRASKA MINI GRANTS https://www.artscouncil.nebraska.gov/mini-grant/ Mini Grants are designed to provide quick access to funds supporting a variety of arts projects that use artists or arts activities as a key component. Examples of project types include exhibitions, performances, poetry readings, commissions and/or support of new work development, arts festivals, community murals, and cultural heritage projects. Limit $2,000. Open to groups and nonprofits, but can be used to sponsor individual artists for events. Deadline at least six weeks prior to the project start date.

NEBRASKA CREATIVE AGING ARTS PROGRAM https://www.artscouncil.nebraska.gov/apply/creative-aging/ This program provides grants to hire an artist to lead workshops at senior centers, assisted living facilities, libraries and nonprofit organizations serving older adults. Applicants select from a list of teaching artists trained in best practices of engaging older adults. Limit $3,000. Apply at https://www.artscouncil.nebraska.gov/artist-roster/join/ to join the teaching roster.

MASSACHUSETTS LOCAL CULTURAL COUNCIL PROGRAMS https://massculturalcouncil.org/communities/local-cultural-council-program/ The largest grassroots cultural funding network in the nation, the Local Cultural Council (LCC) Program enriches the cultural life of all cities and towns in Massachusetts. Use this link to find your local council nearest you in the state. https://massculturalcouncil.org/communities/local-cultural-council-program/find-your-lcc/

BROTHER THOMAS FELLOWSHIPS https://www.tbf.org/what-we-do/special-funds/br-thomas-fund The goal of the biennial Brother Thomas Fellowship program is to support and celebrate a diverse group of Greater Boston artists working at a high level of excellence in a range of disciplines—the visual, performing, literary, media and craft arts—and to enhance their ability to thrive and create new work. The Boston Foundation also hopes that fellowship winners will have greater access to a variety of markets, including galleries, residencies and commissions, and that the importance of artists to the vitality of Boston will be more broadly recognized. Each Brother Thomas Fellow receives an unrestricted award of $15,000—thus fulfilling the needs of artists and the wishes of the donor.

TEXAS TOURING ROSTER https://www.arts.texas.gov/ow/tcagrant/TXArtsPlan/TRC.htm The Texas Commission on the Arts maintains an approved roster of Texas-based touring companies and artists. In this program, the artist or artist’s management sets the fee and negotiates the booking. Applicants must have a history of touring and maintain a reasonable fee range. Roster artists are required to perform outside their community regularly. Touring artists offer performances as well as optional services that may include workshops, master classes, lecture-demonstrations, arts education components, residencies, or short performances.

MONTANA STRATEGIC INVESTMENT GRANTS https://art.mt.gov/sig Strategic Investment Grants (SIG) provide up to $1000 for expenses related to opportunities for professional development, market expansion, and art events. SIG enables artists and teachers to advance their professional careers and supports nonprofit organizations in the advancement of arts-related programs. Applications are due on the 15th of each month.

ATLANTIC CENTER FOR THE ARTS https://atlanticcenterforthearts.org/residencies/aair-application/ Atlantic Center for the Arts (ACA) is a non-profit multidisciplinary artist residency facility located in New Smyrna Beach, Florida. Review the Residency Schedule to select a Mentoring Artist you are interested in working with, review application requirements, and deadlines. Each Mentoring Artist determines the requirements and basic structure of their residency and selects up to six Associate Artists to participate in the residency program.

MONSON ARTS RESIDENCIES https://monsonarts.org/ Monson Arts’ residency program supports emerging and established artists and writers by providing them time and space to devote to their creative practices. During each of our two-week and four-week programs throughout the year, a cohort of five artists and five writers are invited to immerse themselves in small town life at the edge of Maine’s North Woods and focus intensely on their work within a creative and inspiring environment. They receive a private studio, private bedroom in shared housing, all meals, and $1,000 stipend ($500 for two-week programs). Open calls for residency applications currently take place three times throughout the year with deadlines on January 15, June 15, and September 15 .

MESA REFUGE https://mesarefuge.org/ Deadline June 1 (for the fall) and December 1 (for the following spring). Mesa Refuge welcomes a diverse group of writers—both emerging and established—who define and/or offer solutions to the pressing issues of our time. Particularly, it is our priority to support writers, activists and artists whose ideas are “on the edge”, taking on the pressing issues of our time including (but not limited to): nature, environment and climate crisis; economic, racial and gender equity; social justice and restorative justice; immigration; health care access; housing; and more. We especially want writers of nonfiction books, long-form journalism, audio and documentary film. Occasionally we accept poetry, fiction (Young Adult/Adult Literary), screenwriting and playwriting, photojournalism, personal memoirs (as a vehicle to tell a larger story) and graphic narrative. We tend not to accept academic writing. Location Point Reyes Station, CA,

SOMERSETT COUNTY ARTS – MARYLAND https://www.socoarts.org/individual-artist-grant The Somerset County Arts Council annually awards grants to talented individual artists. The purpose of these grants is to honor, support, and strengthen individual artists living and working in the area. Artists may apply for up to $1,000.

FIYA LIT MAG GRANTS https://fiyahlitmag.com/grants/ The FIYAH Literary Magazine Grant Series is intended to assist Black writers of speculative fiction in defraying costs associated with honing their craft. The series includes three $1,000 grants to be distributed annually based on a set of submission requirements. All grants with the exception of the Emergency Grant will be issued and awarded as part of Juneteenth every year. The emergency grant will be awarded twice a year in $500 amounts. Limited to prose only.

SOUTH ARTS EXPRESS GRANTS https://www.southarts.org/community-organization-grants/express-grants Deadline is 60 days before the event. South Arts believes that rural communities deserve great art, and can require specialized support to make that vision viable. Distributed on a first-come, first-serve basis, Express Grants support rural organizations and communities with expedited grants of up to $3,000. To be eligible for funding, applicants must program arts experiences featuring a Southern artist. Artist fee support is awarded for: film (documentary, fiction, experimental, and animation); performing arts (theater, music, opera, musical theater, and dance); literary arts (fiction, creative nonfiction, and poetry); traditional arts, and visual arts (crafts, drawing, experimental, painting, photography, sculpture, and mixed media). Projects must include both a public presentation (film screening, performance, reading, or exhibition) and an educational/community engagement component.

NEBRASKA MICRO GRANTS – ARTIST DEVELOPMENT https://www.artscouncil.nebraska.gov/apply/micro-grants/ https://www.artscouncil.nebraska.gov/wp-content/uploads/2022/10/Micro-Grant-Artist-Development-Guidelines-FINAL.pdf Micro Grants provide financial support to assist artists and community organizations applying for a grant for the first time. Artists may submit up to one application per fiscal year (June 30 – July 1). Limit $500. The Letter of Interest (LOI) must be received no less than six weeks prior to the start of the project or purchase of equipment. If invited to apply, applications must be submitted no later than four weeks prior to the project start date or purchase of equipment.

NEBRASKA CREATIVE AGING ARTS PROGRAMTS https://www.artscouncil.nebraska.gov/apply/creative-aging/ This program provides grants to hire an artist to lead workshops at senior centers, assisted living facilities, libraries and nonprofit organizations serving older adults. Applicants select from a list of teaching artists trained in best practices of engaging older adults. During a residency, artists will share their expertise through sequential arts lessons, helping participants hone their skills in a variety of disciplines. Programs will also foster intentional social engagement among participants, culminating with a special event to showcase their work with peers and the community. Submit at least six weeks prior to the event date.

OAK SPRING GARDEN FOUNDATION https://www.osgf.org/residencies/interdisciplinary-residency We offer five-week or two-week sessions of our Interdisciplinary Residency. The two-week Interdisciplinary Residency program is designed for parents, caregivers, or others for whom a five-week Residency is not possible. We encourage those who are able to apply to the five-week Interdisciplinary Residency to do so. The goal of this program is to provide individuals with the time and space to pursue their own creative projects alongside other Residents who may be examining plants, landscapes, gardens, and the natural world from different perspectives. Artists, conservation practitioners, researchers, scholars, scientists, and/or writers are encouraged to apply to our Interdisciplinary Residency Program. Residents selected for a five-week session receive a $2,000 individual grant, and Residents selected for a two-week session receive an $800 individual grant. Location Upperville, VA.

ARTS NEW ORLEANS SEEKING GRANT PANELISTS https://www.artsneworleans.org/panelist-nomination-form/ Arts New Orleans is looking for volunteers for its grants review panels for awards made possible with city and state funds. Our grant panels are comprised of community volunteers who are representative of the ethnic, demographic, and geographic diversity of the region. Panels also embody the artistic, community, and administrative expertise needed for application review. Meetings are usually held between May and August. Panelists who review grants made possible with city funds must reside in New Orleans. Panelists for grants made possible with state funds can reside in Orleans, Jefferson, and Plaquemines Parishes. Self-nominations are encouraged. Panelists will be compensated with a modest honorarium.

ASC FOUNDERS GRANTS https://artsandscience.org/founders-grants/ Distinct from other funding opportunities ASC provides for creative individuals, this award is intended to celebrate the commitment of Charlotte-Mecklenburg creatives to the community they call home and are intended to award their vision. As such, the applicants are not required to submit a budget or specify how they would leverage the resources. This is first and foremost an award celebrating the creative individual’s vision. ASC welcomes applications from Mecklenburg County based creative individuals who pursue their creative practice as their primary occupation. ASC will award up to five $50,000 Founders Grants.

FELLOWSHIP FOR PARENT WRITERS https://www.writerscolony.org/fellowships The Writers’ Colony is offering a unique fellowship opportunity for a one-week residency and a $500 stipend to provide time and space for a parent writer to focus on their work. The My Time fellowship is funded by the Sustainable Arts Foundation. Writers may submit work in any literary genre: poetry, fiction, plays, memoir, screenplays, or nonfiction.

GRUNEWALD GUILD RESIDENCIES https://grunewaldguild.com/artists-in-residence/ Residencies are available to individuals at all levels of artistic development who are prepared to work independently and whose artistic processes can be successfully supported by the Guild’s studio facilities. Although our spaces are primarily designed for visual artists, we welcome residents working in all creative disciplines, including writers, musicians, and performers. Our residency program is volunteer-based, and we provide artists with lodging, meals (with our programming), staple foods (non-program times), & studio space at no cost in exchange for part-time volunteer service to the Guild. Artists in residence commit to spending a minimum of 20 hours/week in the studio working on their own projects, as well as 15-20 hours/week in volunteer service to the Guild community. The residencies are usually 4-6 weeks. Location Leavenworth, WA.

MARYLAND GRANTS FOR ARTISTS https://msac.org/programs/grants-artists/grants-artists Must be an artist providing evidence of regular creative practice. Must produce or present projects or programs that are relevant to the community and accessible to the public. Must be Maryland residents (owning or renting residential real property in Maryland at the time of application submission and throughout the funded project or program) and must be 18 years of age or older. May not be enrolled in any matriculated high school, undergraduate or graduate degree program. Grants for Artists funds are intended to encourage artistic growth and sustained practice. Common expenses include but are not limited to: administrative costs, consultant fees, contractual services, daycare services, entry fees, equipment rental, exhibition costs, financial tools or planning, food, housing, insurance, studio or workspace costs, materials and supplies, marketing costs, medical costs, payment to technical crews, fabricators, or collaborators, professional memberships, performance costs, production costs, student loans, submission fees for grant or residency applications, travel and transportation, utilities, and website development. Rolling deadline. Grant amount $6,000.

POETRY BULLETIN SUBMISSION FEE SUPPORT https://www.poetrybulletin.com/poetry-fee-support Confidential, poet-to-poet support. Over $4,400 committed to this circle since March 2021, given to 70 poets so far. Submission fees for poetry chapbooks and full-length poetry manuscripts. A maximum of three submissions per poet, to share the funds with as many folks as possible. Designed for poets who cannot otherwise afford to submit their manuscripts to publishers; poets who face barriers of time, access, or energy; and poets who have historically been underrepresented.

TRILLIUM ARTS RESIDENCIES https://www.trilliumartsnc.org/artist-residencies Trillium Arts is an artist residency center where artists of many disciplines can find a creative home away from home, offering secluded space for rejuvenation in a beautiful, remote setting in the Blue Ridge Mountains. Our current facilities are best suited to the disciplines of literary arts, photography, visual arts and arts administration. June 8, 2023 deadline for residencies taking place during October & November 2023. The Application submission period is open for six weeks from April 20 – June 8, 2023. Rate for an independent artist is $600/week. Trillium Arts offers a limited number of work scholarships. The scholarship is an exchange of eight hours of work during the residency week for a 50 percent discount off the residency fee.

CRIME WRITERS ASSOCIATION BURSARIES https://thecwa.co.uk/member-benefits/bursaries The Crime Writers’ Association offers a range of bursaries for both new and existing members, to help those whose financial circumstances might prevent them from joining the CWA, renewing their membership or attending events. The bursaries are kindly provided by our members and other contributors to provide full or partial funding towards membership, CWA conference attendance or CrimeFest attendance. Some bursaries are targeted at helping authors from specific groups. They are all awarded in strict confidence to people who wouldn’t otherwise be able to afford the membership or activity. See the website for the 19 different bursary offers.

FLEISHHACKER FOUNDATION SMALL ARTS GRANT https://www.fleishhackerfoundation.org/small-arts Grants ranging from between $2,500 and $10,000 (generally closer to $5,000) will be awarded as general support to support small arts organizations engaged in the production and presentation of new work by Bay Area artists in the disciplines of dance, music, theater, visual arts, interdisciplinary arts, or film. General support grants are flexible and may be used for operations, staffing, facilities, health and safety compliance, artists’ compensation, rehearsals, performances, presentations, exhibitions, and other administrative, program, or production costs at the grantee’s discretion. Applicants must be arts and culture organizations incorporated as a 501(c)(3) nonprofit (including fiscal sponsors applying on behalf of a sponsored arts group or filmmaker). Organizations must be located and primarily offering programming in San Francisco, Alameda, Contra Costa, Marin, Sonoma, San Mateo, and/or Santa Clara counties and be able to demonstrate an artistic presence in the Bay Area for at least three years.

MAINE WRITERS AND PUBLISHERS ALLIANCE https://www.mainewriters.org/scholarships 1) Ashley Bryan Fellowships – Open to Maine residents who are emerging writers and who are Black, people of color, and/or members of one of the Wabanaki Nations or other Native peoples. Provides fellows with a Find Maine Writers membership, free workshops, and other benefits.

2) Bodwell Fellowship – Open to Maine residents who are emerging writers. Provides one Bodwell Fellow each year with a residency at Hewnoaks Artist Colony and a $500 award.

3) Christina Baker Kline Scholarships – Open to all Maine residents. Provides one-year of MWPA membership and attendance fees for two workshops.

4) Martin Dibner Memorial Fellowships – Open to all Maine residents who have not published a full-length book. Provides full funding to attend the MWPA’s autumn Harvest Writers Retreat or spring Black Fly Writers Retreat OR a multi-week workshop in the fall or spring.

DELAWARE ARTIST OPPORTUNITY GRANTS https://arts.delaware.gov/grants-for-artists/ Artist Opportunity Grants are awarded on a competitive basis to support unique professional and artistic development and presentation opportunities for artists. Examples include: materials to complete work for a specific show or program; the cost to rent a facility for a performance; study with a master for a specified period of time. Evaluation criteria include: anticipated impact on the artist’s work or career; financial feasibility and need; marketing plans; and uniqueness of the opportunity. Applicants can request up to 80 percent of the opportunity cost not to exceed $1,000. Quarterly deadlines: January 1, April 1, July 1, and October 1.

REIMAGINE RESIDENCIES https://janeaustens.house/reimagine-residencies/ Our Reimagine Residencies programme will run from Autumn 2022 – Winter 2023, and we’re on the lookout for emerging artists and creatives in all sorts of disciplines to take part – from art, design and drama to food, film and photography! We have six residencies available, to take place in 2023. Dates, times and projects are all flexible. We are open to in-person residencies here in Chawton, or virtual residencies that you complete from home, or a mixture of the two! Location Jane Austin House at Chawton Hampshire, UK.

JACK HAZARD FELLOWSHIPS https://www.newliteraryproject.org/jack-hazard-fellowship-apply Jack Hazard Fellows are fiction, creative nonfiction, and memoir writers who teach full-time in an accredited high school in the United States. We provide a $5,000 award that enables these creative writers who teach to focus on their writing for a summer.

MASS MOCA FULL FELLOWSHIPS https://www.assetsforartists.org/financial-aid/ The Studios at MASS MoCA will offer multiple full fellowships that do not have geographic or demographic limitations. This means that anyone who wishes to can apply for one of these fellowships, regardless of discipline. The fellowship funds all residency fees for up to four weeks in residence.

MASS MOCA FELLOWSHIP FOR BLACK OR INDIGENOUS ARTISTS AND WRITERS https://www.assetsforartists.org/financial-aid/ Recognizing the additional barriers faced by Black and Indigenous creators of all disciplines, the Studios shall award a number of additional fellowships to artists and writers working in any discipline who identify as Black or Indigenous. These fellowships fund all residency fees for up to four weeks in residence, and also include a stipend of $200 per week.

MASS MOCA MASSACHUSETTS FAMILY FELLOWSHIP https://www.assetsforartists.org/financial-aid/ At the Studios, we recognize the barriers parents of young children face when looking to attend artist residencies. Because of this, in 2023, we will award one family fellowship for a Massachusetts-based artist(s) and their kid(s) who are entering grades one through five at the time of the residency. The awarded artist (or artist-couple) will receive a fully funded two-week residency where they will have full run of a three-bedroom apartment, and the use of up to two studios on the MASS MoCA campus. The selected artist will receive a $1,000 stipend. We have also reserved slots in MASS MoCA’s “Camp Kidspace” to provide care and entertainment for the artists’ children on weekdays during their two-week residency.

WRITERS’ ACCESS SUPPORT STAFF TRAINING PROGRAM – THE WRITERS GUILD FOUNDATION https://www.wgfoundation.org/programs/writers-access-support-staff-training-program The program’s mission is to provide writers who are BIPOC, LGBTQ+, disabled writers, and writers over the age of 50, with tools and education to become a writers’ assistant and script coordinator, ultimately resulting in meaningful employment opportunities. Graduates of the program will be included in an ongoing list of trained writers’ assistants and script coordinators (WA/SCs) primarily from underrepresented groups, which will be made available to studios, networks and showrunners, in order to increase the pool of eligible hires in the movie/television industry. This program is free thanks to financial support from WarnerMedia. Current sessions are hosted online via Zoom. NOTE: The door just closed for the quarter ending in November. Sign up for the newsletter to be informed when this opportunity opens again.

FOLGER INSTITUTE ARTISTIC RESEARCH FELLOWSHIPS https://www.folger.edu/institute/artist-research-fellowship Folger Institute Artistic Research Fellowships are open to artists working in all media whose work would benefit from significant primary research. This includes, but is not limited to, visual artists, writers, dramaturgs, playwrights, performers, filmmakers, and composers. Artistic fellowships may be conducted either as a virtual fellowship for one month or as a residential fellowship at the Folger for one, two, or three months. Location Washington DC.

CALIFORNIA INVIDUAL ARTIST FELLOWSHIPS https://arts.ca.gov/grant_program/individual-artists-fellowship/ Applications for the Individual Artist Fellowship program will open for applications from California-based artists in early 2023. Through a network of regionally-based Administering Organizations (AOs), the Individual Artists Fellowship (IAF) program will continue to recognize, uplift, and celebrate the excellence of California artists practicing any art form.

STIWDIO MAELOR RESIDENCIES https://stiwdiomaelor.com/ Stiwdio Maelor offers selected artists and writers time and space out of their normal life to focus on the development of their work and explore the beautiful landscape of mid Wales. Residencies provide artists and writers the experience of working alongside other artists of different disciplines and at different stages in their careers.

NEBRASKA ARTS COUNCIL ARTIST ROSTER https://www.artscouncil.nebraska.gov/artist-roster/join/ Nebraska Arts Council’s Artist Roster helps nonprofit organizations and schools bring accomplished artists and performers into communities, giving people the chance to enjoy art to which they may not otherwise have access while ensuring artists get paid for their work. The roster is split between the Artists in Schools and Communities (AiS/C) program and the Nebraska Touring Program (NTP). Teaching artists in Nebraska and contiguous states may apply for the AiS/C Artist Roster. AiS/C artists may conduct programs in schools, non-profits, or other community settings. Programs may also target adult groups, engaging participants through lifelong learning and creative activities. The Nebraska Touring Program (NTP)/Exhibits Nebraska is designed to showcase artists residing in Nebraska, who provide a variety of high-quality touring performances and exhibits in various price ranges to all Nebraska communities throughout the year. It provides financial assistance to Nebraska’s non-profit sponsors as well as promotes resident Nebraska artists and groups with a record of professional achievement.

MARYLAND CREATIVITY GRANTS https://msac.org/programs/creativity-grants/creativity-grants-projects Intended to support specific arts projects, events, or programs, this option is available for independent artists, as well as organizations. Each application should focus on a proposal for one specific project or program. Funding amount $1,000 – $4,000.

MARYLAND PROFESSIONAL DEVELOPMENT GRANT https://www.msac.org/programs/professional-development/professional-development-opportunity-grant The Professional Development Opportunity Grant program encourages and supports relevant professional development opportunities for artists and arts organizations throughout Maryland. Up to $2,000.

VERMONT ARTISTS IN SCHOOLS https://www.vermontartscouncil.org/grants/schools/artists-in-schools Artists in Schools Grants support quality, multiday arts experiences in schools with Vermont teaching artists in residence and encourage collaborations between schools, youth, artists, and arts organizations. Residencies may take place during the school day or in a sequential, after-school setting. Grant funding supports multi-day projects typically between 3-10 days in length and support preK-12 teachers and students within a given school or district.

NORTHERN IRELAND SIAP TRAVEL AWARDS http://artscouncil-ni.org/funding/scheme/travel-awards These awards enable individual artists and established music groups (up to four members) to travel from Northern Ireland to develop their skills and expertise. Applicants must provide evidence that they have been invited by a host organisation in the country to which they intend to travel. Open to artists of all disciplines and in all types of working practice, who (a) Have made a contribution to artistic activities in Northern Ireland for a minimum period of one year within the last five years.

NEVADA PROJECT GRANTS https://www.nvartscouncil.org/wp-content/uploads/FY23-PROJECT-GRANT-FOR-ARTISTS-Guidelines-Final.pdf The PGA is awarded twice a year for projects that take place during a specified six-month period. Examples of eligible projects include art exhibitions, performances, readings, concerts, the creation of art, recording, filming, portfolio creation, and marketing/promotional activities related to an arts project. Must be a current Nevada resident and have been in residence for at least one year prior to the date of the grant application. Must be a U.S. citizen or have legal resident status. Up to $3,000 (no match required).

THE SHIRLEY HOLDEN HELBERG GRANTS FOR THE MATURE WOMAN http://www.nlapw.org/grants-and-scholarships/ Deadline September 30, 2023 . The National League of American Pen Women, Inc. awards three grants of $1,000 each in art, letters, and music to women 35 years of age or older who are not now nor ever have been a member of NLAPW. Entry period is in early fall of every odd year. (NOTE the year 2023 – this is every other year.)

GO ON GIRL BOOK CLUB SCHOLARSHIPS https://goongirl.org/scholarships/faq-s Each year, the GOG Scholarship Committee will grant at least two writing awards. One award is given to an Unpublished Writer and the other award is given to an Aspiring Writer who attends a Historically Black College or University (HBCU). The first place award winner in each category will receive $1,000. For the Unpublished Writer Award: applicant must be a U.S. citizen or resident alien, must have a strong connection to identify with the African Diaspora, must reside in the United States, must be unpublished and must not be self-published. For the Aspiring Writer Award: applicant must be a U.S. citizen or resident alien, must have a strong connection to identify with the African Diaspora, must be a full time student at a Historically Black College or University; and must have a grade point average of 2.5 or better.

SOCIETY OF AUTHORS GRANTS FUNDS – UK https://www2.societyofauthors.org/grants/grants-writers-in-need/ Applications are open to all professional authors who are resident in the UK or British subjects – including all types of writers, illustrators, literary translators, scriptwriters, poets, journalists and others – whose author-related activities make up a substantial amount of their annual income. You do not have to be a member of the Society of Authors to apply.

ARTIST SUPPORT GRANTS – CHARLOTTE AREA https://artsandscience.org/artist-support-grants/ Artist Support Grants fund professional development and artist development for emerging and established artists to enhance their skills and abilities to create work or to improve their business operations and capacity to bring their work to new audiences. ASC is accepting applications from creatives living in Mecklenburg, Cabarrus, Cleveland, Gaston, Lincoln and Rowan counties. The Artist Support Grants will support projects occurring between January 1, 2023 and December 31, 2023 but all funds should be expended by June 30, 2023. Artists may request up to $3,000. Applications selected for funding will receive the full award for which they are eligible.

MARYLAND CREATIVITY GRANTS https://msac.org/programs/creativity-grants Intended to support specific arts projects, events, or programs, this option is available for independent artists, as well as organizations. Each application should focus on a proposal for one specific project or program. Funding amount $1,000 – $4,000. Must be a Maryland resident.

MARYLAND EMERGENCY GRANTS https://msac.org/programs/special-requests/emergency-grant-independent-artists The purpose of the Emergency Grant is to support the needs of independent artists as they adjust to income losses as a result of an emergency. Funds up to $2,000. Must be a Maryland resident. Applicants must be independent artists, defined as artists who earn income from artistic activities and are not directly affiliated with an arts organization or program that provides any form of compensation.

JAN MICHALSKI FOUNDATION RESIDENCE FOR WRITERS https://fondation-janmichalski.com/en/residences Although open to all kinds of writing and all languages, the residency program does give priority to writers and translators. The residencies can vary in length and can be for either individuals or pairs of participants in the case of projects involving more than one discipline. Each year some forty authors from around the world, from the fledgling writer to the seasoned old hand, can count on a certain period of time they may dedicate to developing a writing project. A percentage of the residences is dedicated to nature writing, a form of fiction or creative non-fiction that raises awareness of nature, prepares for a sustainable way of living, and helps to better understand socio-environmental interconnections and the impact of human actions on nature. Two week-, one-, two-, three- or six-month stays are available. There are no age or nationality restrictions. Beginners are accepted. Residents’ travel costs to and from their home address will be covered by the Foundation. Residents are granted a monthly allowance of CHF 1200.

RHODE ISLAND OPPORTUNITY GRANTS https://risca.online/grants/opportunity-grant/ Open to artists over the age of 18 who live in Rhode Island. Amounts up to $1,000. Opportunity Grants provide Rhode Island artists funding for concrete opportunities that will support professional growth. This grant is available to artists working in all disciplines at any stage in their career.

SOUTHARTS EXPRESS GRANTS https://www.southarts.org/community-organization-grants/express-grants South Arts believes that rural communities deserve great art, and can require specialized support to make that vision viable. Distributed on a first-come, first-serve basis, Express Grants support rural organizations and communities with expedited grants of up to $2,000. To be eligible for funding, applicants must program arts experiences featuring a Southern artist. Express Grants can be used to support fees for presenting Southern guest film directors, visual and performing artists, or writers from inside or outside of the presenter’s state. Touring support is awarded for film (documentary, fiction, experimental and animation), performing arts (theater, music, opera, musical theater and dance), literary arts (fiction, creative nonfiction and poetry), traditional arts, and visual arts (crafts, drawing, experimental, painting, photography, sculpture and mixed media). Projects must include both a public presentation (film screening, performance, reading or exhibition) and an educational component.

CREATIVE AGING TENNESSEE GRANTS https://tnartscommission.org/grants/special-opportunities-creative-aging-tennessee-ii/ One-time non-matching funds for nonprofit arts, senior service or community organizations, and governmental entities to support sequential arts learning for seniors aged 60+ with the aim of reducing social isolation and loneliness and increasing creativity and artistic techniques. All projects must be implemented by teaching artists on the new TN Creative Aging Teaching Roster. Total funding for this project equals $75,000. Individual projects may request up to $3,000 for contractual fees for artists and supplies. Standard pay for teaching artists to deliver a series of sequential hour-long arts classes is $2,500.

LOUISIANA PROJECT GRANTS https://www.crt.state.la.us/Assets/OCD/arts/FY23-24/FY23%20Louisiana%20Project%20Grants%20Guidelines.pdf Applicants, both individuals and groups, can apply through one of the nine Regional Arts Councils in the state of Louisiana, applicable to where they live. Must be an ART project involving dance, design arts, folklife, literature, media, music, theatre, or visual arts for the purpose of performance, exhibit, presentation, series or workshop. Individuals and organizations lacking a 501(c)(3) federal tax-exempt status must arrange for a nonprofit organization with 501(c)(3) status to serve as a fiscal agent. Organizations serving as fiscal agents (the applicant) must be domiciled in the same region as the other organization or individual (sub-applicant). Grants are a minimum of $2,500 and as much as $7,500. A cash match demonstrates community involvement and commitment to the project.

LA BALDI RESIDENCY https://www.cultivateprojects.net/labaldi La Baldi Residency for welcomes individual and collaborative teams of artists, writers, and researchers. The multi-disciplinary residency is located in the historic village of Montegiovi, Italy, in southern Tuscany. The self-directed international residency is an opportunity to experiment, develop ideas and projects, dream, explore, rejuvenate, research, and investigate the land and culture of this special area. There are no dedicated traditional indoor studio facilities. They ask that applicants consider how they plan to embrace the outdoors as the primary workspace. One artist stay 550€/two weeks; 850€/one month. One artist and companion stay 700€/two weeks; 1000€/one month. Refundable security deposit 100€.

MACKINAC ISLAND ARTIST IN RESIDENCE https://www.mackinacparks.com/plan/artist-in-residence-program/ The Mackinac State Historic Parks Artist-In-Residence Program is designed to promote and encourage the creation of artistic works inspired by the history, natural wonders, and beauty of Mackinac Island. The residencies are available to artists in all mediums, including writers, composers, sculptures, and visual artists including photographers, among others. The two- and three-week residencies are available beginning in early June and continuing through early October. The resident artist is housed in the newly-remodeled second floor of the Mackinac Island Visitor’s Center, formerly the 1915 Mackinac Island Coast Guard Station. Applications accepted in January of each year.

SEED GRANTS – THE POLLINATION PROJECT https://thepollinationproject.org/ The Pollination Project seeks to unleash the goodness in every person. Through a daily practice of generosity and giving, The Pollination Project makes seed grants — 365 days a year — to social-change agents who seek to spread compassion in their communities and in the world for the benefit of all. The Purpose of a Pollination Project Seed Grant is to support passionate, committed people with an early-stage social change vision. It funds individuals and community groups, and you do not need to be a registered or established organization to apply. Grants $1,000 each and every day.

ART-TRAIN INDIVIDUAL ARTIST TRAINING – INDIANA https://springboardforthearts.org/art-train-training-artists/ The Art-Train Individual Artist Training is for artists who are interested in building on their existing skills to collaborate in and with their communities through their local agencies, non-profits, and arts councils. Artists will deepen practices around creative problem solving, equitable community engagement, and creating arts-based strategies to address recovery efforts. After taking a synchronous virtual training, artists receive one year of ongoing virtual support through an online resource library and optional bi-weekly group coaching rooms with Art-Train staff, experts and an expanding network of peers (every other Thursday).

FREE LEGAL ASSISTANCE FOR INDIANA ARTISTS https://indianalegalhelp.org/ Pro Bono Indiana’s (IndianaLegalHelp.org) Lawyers for the Arts project provides legal assistance at no cost to artists and small arts organizations in the state of Indiana. To obtain help, please call 812.402.6303 (Tuesdays and Thursdays from 9:00 am to 11:00 am CT).

PEGGY RAMSAY FOUNDATION – UK https://www.peggyramsayfoundation.org/ The Peggy Ramsay Foundation seeks to perpetuate Peggy Ramsay’s ideals, by directly helping dramatists at very different stages of experience in ways which we are determined to keep as quick and unbureaucratic as possible. We give money to theatre writers giving them the time and the space to write. You can be a writer who’s only had one play professionally produced, a writer who’s had dozens of successes or a writer who’s somewhere in between – if you’re struggling to pay the bills, then we can help. We only support writers resident in the British Isles.

ARVON https://www.arvon.org/writing-courses/grants/ Our grants help writers who are unable to afford our full course fees. For our residential courses, we offer two types of grants – Low Income Grant and Teachers Grant. If you couldn’t attend an Arvon week without some financial help, we encourage you to apply. Teachers Grants are a fixed amount of £200. With Low Income Grants, you can apply for any amount up to the full course fee, although most receive between £200 and £500. Last year we were able to help more than 90 percent of all writers who applied. You must be resident in the UK and able to demonstrate that you do not have the financial means to cover the full cost of an Arvon course.

CREATIVE SCOTLAND OPEN FUND FOR INDIVIDUAL ARTISTS https://www.creativescotland.com/funding/funding-programmes/open-fund/open-fund-for-individuals No deadline. The Open Fund will support a period of research, development, and delivery of creative activity for up to 24 months. We will ask you to tell us the start and end date for this activity and to describe the outcomes, benefits and impacts that you wish to achieve. This fund is designed to support creative activity such as a specific project, production or a period of research and development. It can support an individual’s time where this is related to specific creative outcomes. Open to freelance and self-employed artists and creative practitioners living in Scotland who are at least 18 years old. Must have a UK bank account. You can apply for between £500 and £100,000.

THE LITERARY CONSULTANCY – UK https://literaryconsultancy.co.uk/ TLC is the only editorial consultancy recognised by Arts Council England as a National Portfolio Organisation (NPO) for our wider work in the literary industry, and we offer a nationally-funded Free Reads programme designed to offer our core services, at no cost, to low-income writers. A range of partnerships and individual donations have helped us to further develop this scheme, which we now run as a Quality Writing for All campaign and includes campaigns, free event tickets, and additional support for writers facing barriers.

MONTANA OPPORTUNITY GRANTS https://www.humanitiesmontana.org/opportunity-grants/ Opportunity grants award up to $1,000 and do not require matching funds. Applications can be submitted any time, but at least four weeks prior to the supported project. We encourage proposals that engage Montanans in meaningful discussion about the human condition, strengthen cooperative relationships among communities and cultural organizations (museums, libraries, schools, tribal organizations, etc.), and enrich civic discourse among the state’s diverse cultures and across its geographical distances. Humanities Montana only awards opportunity grants to organizations, not individuals.

CRAIGARDAN RESIDENCY http://www.craigardan.org/writers-residency/ Craigardan now stewards 320 acres of field and forest, with a small-scale farm to provide food and hands-on experience for the community. Set within a working, educational farm, we provide creative residencies that span diverse artistic and knowledge disciplines in order to foster curiosity, inquiry, and collaboration. The Writer’s Residency is a year-round opportunity for writers to fully immerse themselves in an exquisite retreat environment conducive to working with no distraction. We invite applications from emerging and accomplished writers of all genres who would benefit from a focused amount of un-guided time to create a new work, complete a project, conduct research, or simply find inspiration amid the beauty of the Adirondack Mountains. Only one writer is accepted at a time. Writers live in a shared house. Housemates may include other writers, researchers, visual artists, culinary artists, or agriculturalists. The (highly subsidized) residency fee is $250 per week or $1,000 per month ($33/day). Location Elizabethtown, NY.

BOEHM MEDIA FELLOWSHIP https://ocimpact.com/boehm-media-fellowship/ The Boehm Media Fellowships provides opportunities for communication, media, and storytelling experts who are committed to social impact and sustainable solutions to poverty and injustice to participate as delegates at Opportunity Collaboration. We understand media to be a diverse and multidisciplinary field across sectors including but not limited to journalism, public relations and communications, social media, film, podcasts, radio, television, photography, media literacy and other mixed or new and emerging media channels and productions. We are seeking individuals who, on their own or through their organizational roles, utilize the media in creative and innovative ways to influence culture, collaborate with communities and interface with new paradigms and ideas to catalyze change. Financial need is a primary consideration.

CHARLES WALLACE INDIE TRUST SCHOLARSHIPS https://www.charleswallaceindiatrust.com/visiting-fellowships CWIT enables Indians in the early to mid-stages of their careers to spend time in the UK, helping them to achieve artistic, academic and professional ambitions and to broaden their international contacts.

TEXAS TOURING ROSTER https://www.arts.texas.gov/artroster/roster/ The Texas Touring Arts Program is designed to ensure that all Texans have the ability to enjoy performances by outstanding Texas-based companies and artists in their own communities. The Texas Commission on the Arts (TCA) provides grants to help with the costs of bringing in companies and artists from this roster for performances. Performing arts companies and artists from throughout the state apply to be included on the Texas Touring Roster. These artists must have a history of touring and must be willing to travel outside of their community to do a performance.

SC INDIE GRANTS https://www.indiegrants.org/ As part of their mission to support South Carolina’s production industry, the South Carolina Film Commission and Trident Technical College produce a series of grant and training programs through-out the year. Centered around the INDIE GRANTS, where top-notch production professionals and independent filmmakers make short films and Trident Technical College students work under them as hands-on technical training, these innovative programs also include technical and creative workshops, the South Carolina Young Filmmakers Project, special screenings, and other events. Providing professional development and training for South Carolina crew, production professionals, independent filmmakers, and students. The only one of its kind in the nation.

SC HUMANITIES MINI GRANTS https://schumanities.org/grants/howtoapply/#minigrants Monthly deadlines. Mini Grants are to support public humanities programs of modest cost. Awards are $2,000 or less. Mini Grants are reviewed monthly with deadlines on the first business day of the month.

CANADA COUNCIL FOR THE ARTS https://canadacouncil.ca/funding/grants/explore-and-create/research-and-creation The Research and Creation component of Explore and Create supports the initial stages of the creative process. Canadian artists, artistic groups and arts organizations can apply to develop and make creative works. Grants provide support for creative research, creation and project development.

NEW HAMPSHIRE CENTER FOR THE ARTS https://centerfortheartsnh.org/emergency-relief-fund The CFA Artists Emergency Relief Fund is a fund of last resort available to CFA members. Individuals are eligible to apply for these funds who can demonstrate their status as: A professional artist who has suffered a disaster which significantly interrupts or prevents them from making or performing their art form and earning a living, and for whom said disaster creates an emergency situation and need for immediate relief funds. The artist must be a permanent resident of the United States. Recipients of the CFA Relief funds are asked to “Pay it Back” or Pay it Forward” by performing or volunteering at a CFA event in the future. Awards up to $500. NOTE: This is in the CENTER FOR THE ARTS-LAKE SUNAPEE REGION.

ART LEADERS OF COLOR EMERGENCY FUND https://aacnetwork.org/ Arts Administrators of Color set up an Arts Leaders of Color Emergency Fund, which supports BIPOC (Black, Indigenous, People of Color) artists and arts administrators impacted by COVID-19 through $200 microgrants.

THE SHENANDOAH FELLOWSHIP FOR BIPOC EDITORS https://shenandoahliterary.org/submissions/ Selected fellows will receive a $1,000 honorarium and will curate a selection of published work in a genre of their choosing for a single issue of Shenandoah, working with the Shenandoah staff to guide the work to publication. We welcome writers and editors of all experience levels. No previous editorial experience is necessary, but we are looking for applicants who are passionate and informed about the literary community. We welcome candidates who identify as Black, Indigenous, and People of Color.

ARTS KANSAS CITY GRANTS https://artskc.org/inspirationgrantinformation/ ArtsKC Inspiration Grants are an investment in human capital, providing direct support to individual artists and arts professionals for projects and activities that have the potential to advance their careers and build their capacity for future work. These projects exemplify risk, growth, and change. Visual, music, theatre, literary, dance, and interdisciplinary projects are the primary focus of Inspiration Grants.

BARBARA DEMING MEMORIAL FUND https://demingfund.org/apply-pd-11.php Barbara Deming, Money for Women is the oldest ongoing feminist granting agency. Grants from the foundation give monetary support and encouragement to individual feminist writers and visual artists. Application period is January 1-31 each year. Gives small support grants ($500 – $1,500) to individual feminist women in the arts who are citizens with primary residence in the US and Canada. Does not award film, video, theatre, dance, music, or performance projects. Scripts and musical compositions are also not eligible. We do not award work that is or will be self-published.

THE HAVEN FOUNDATION http://www.thehavenfdn.org/guidelines/ In order to be eligible for assistance, an applicant must be a freelance qualified person. The Foundation defines the group as persons connected with the artistic or entertainment industries including, but not limited to authors, actors, singers, dancers, directors, producers, choreographers, musicians, artists, and screenwriters selling work or services by the hour, day, job, etc. rather than working on a regular salary basis for one employer. Must also be a professional, an individual who is committed to his/her industry or work, who has derived at least 40 percent of his/her annual income over the past three years from his/her personal production, performance or other work in the industry. The qualified person must have experienced a recent, unforeseen emergency or triggering event that has significantly and adversely affected the qualified person’s ability to produce, perform and market his/her work and, thus, creates the need for immediate relief funds and/or assistance. Must also be a legal US resident.

AUTHORS’ CONTINGENCY FUND https://societyofauthors.org/Grants/authors-contingency-fund Applications are open to all professional authors who are residents in the UK or British subjects – including all types of writers, illustrators, literary translators, scriptwriters, poets, journalists and others – for whom author-related activities make up a substantial amount of their annual income. Grants are likely to be up to £2,000 and designed to meet urgent need.

RAUSCHENBERG EMERGENCY GRANTS https://www.rauschenbergfoundation.org/programs/grants/rauschenberg-emergency-grants An emergency grant program that provides one-time grants of up to $5,000 for medical or dental emergencies. The grants are available to visual and media artists, and choreographers living anywhere in the United States or U.S. Territories.

DURHAM ARTS COUNCIL – NC http://www.durhamarts.org/artistinfo_emergingartists.html The council welcomes applications for its Emerging Artists Program. Through the program, grants of up to $1,500 will be awarded to developing or established professional artists in the North Carolina counties of Chatham, Durham, Granville, Orange, or Person in support of a project that is pivotal to advancing their careers. Disciplines eligible for consideration include craft, dance, drama, film and video, installation, literature, music, painting and drawing, photography, printmaking/mixed media, and sculpture.

WOODCOCK FUND https://www.writerstrust.com/programs/woodcock-fund-grant/ Emergency funding to professional Canadian writers in mid-project. Grants are $2,000 to $10,000. Must be a professional writer (minimum of two books published) facing an unforeseen financial need. Must be working on a project.

LIGHTHOUSE WORKS’ FELLOWSHIPS http://www.thelighthouseworks.org/fellowship-program/ The Lighthouse Works’ Fellowship is an artist-in-residence program that strives to support artists and writers working in the vanguard of their creative fields. The program accepts artists working in a wide range of disciplines, but we are best able to accommodate visual artists and writers. Fellowships are six weeks in length, occur year round and provide fellows with housing, food, studio space, a $250 travel allowance and a $1,500 stipend. Artistic excellence is the primary criterion for acceptance as a Lighthouse Works fellow. We are located in the Annex Building on Fishers Island, NY. The Annex is just west of Silver Eel Cove, where our ferry makes port, and north of the intersection of Hound Lane and Greenwood Road.

JENTEL RESIDENCIES http://jentelarts.org/applicants/ After reviewing the work samples, a panel of art and literary professionals rate and rank the applicants based on the development or promise of a personal vision or voice. Residents are responsible for transportation to and from Sheridan, Wyoming and for transporting or shipping personal items, materials and equipment needed for creative work. Residents also shop and prepare meals and purchase personal items. As part of the residency award, a $400 stipend helps to defray some of these expenses.

NORTH CAROLINA ARTIST SUPPORT GRANTS https://www.ncarts.org/invest-arts/grants-artists/artist-support-grants This program, funded by the NC Arts Council, provides the opportunity for regional consortia of local arts councils to award project grants to artists in their regions. These grants support professional artists in any discipline and at any stage in their careers to pursue projects that further their professional development. (See site to find your region of the state.)

NEW ORLEANS RESIDENCY SPACE FOR WRITERS AND ARTISTS https://forms.gle/hCty3QyLFzm6e4J38 In August, we repurposed our residency space as low-cost, short-term housing for writers and artists experiencing financial stress or housing instability. We are continuing this program for the foreseeable future and have space available, beginning in October. Cost: $300 per month. No deposit, no utilities, no application fee. Available beginning August 1, 2020. You will be asked about your preferred start date and length of stay (one to three months) when you apply. Ad-hoc changes after that will be accommodated as feasible. You must be a writer or artist experiencing financial stress or housing instability. Local (LA-based) applicants preferred; everyone is welcome.

NEW HAMPSHIRE COUNCIL ON DEVELOPMENTAL DISABILITIES https://www.nhddc.org/small_grants.php The New Hampshire Council on Developmental Disabilities offers small grants to individuals or groups to support disability-related activities and initiatives that help achieve the Council’s mission of “Dignity, Full Rights of Citizenship, Equal Opportunities, and Full Participation for All New Hampshire Citizens with Developmental Disabilities.”

HOSKING HOUSES TRUST https://hoskinghouses.co.uk/wp/how-to-apply/ We offer older women writers’ residencies in Church Cottage where they are able to pursue their own work in domestic peace without interruption. Many of these residencies also carry bursaries. Under our section Purposes and Policy we describe the criteria whereby we appoint writers, what we offer which includes bursaries, also duration of residencies and obligations in return. Tell us why you want a residency; do you need time and privacy or have you financial, personal, housing or medical needs or are you just tired? Applicants from outside the UK and Ireland are received but there must be a valid reason to justify a visit, such as study or attendance at a conference. Location Stratford-upon-Avon, Warwickshire, UK.

MARY C. CURTIS FELLOWSHIP http://www.wellstoneredwoods.org/mary-c-curtis-fellowship/ At Wellstone Center in the Redwoods we’ve mostly hosted writers working on books, fiction and memoir, but this can also be a good spot to make a big push on a book proposal. Two weeks of focus in a tranquil, beautiful corner of California has its plus sides especially for longtime adrenaline fiends used to powering through deadlines but not as used to unpacking a deeper perspective. Mary’s still working on her book, part memoir and part social history, new chapters keep presenting themselves all the time, and we’ll help spread the word when it appears. In 2020 we’re inaugurating a two-week fellowship in Mary’s name here at our small writers’ retreat center in Northern California, specifically for an African American journalist with a minimum of five years’ experience looking to spend two weeks intensively working on a proposal for a well-developed book project.

GREATER PITTSBURGH ARTS COUNCIL – PITTSBURGH, PA http://www.pittsburghartscouncil.org/programs/artist-services/emergency-fund Artists and creative workers living in Allegheny, Beaver, Butler, Fayette, Greene, Indiana, Lawrence, Washington, and Westmoreland counties are eligible to request up to $500.

PHILADELPHIA WRITERS EMERGENCY FUND – PHILADELPHIA, PA https://www.215festival.org/ This fund is for writers, booksellers, and individuals who work at independent presses that are based in the greater Philadelphia area. We define the greater Philadelphia area as Philadelphia County (PA), Delaware County (PA), Chester County (PA), Montgomery County (PA), Bucks County (PA), Burlington County (NJ), Camden County (NJ), Gloucester County (NJ), and New Castle County (DE).

AUTHORS LEAGUE FUND – US https://authorsleaguefund.org/ Since 1917, the Authors League Fund has helped professional authors, journalists, poets, and dramatists who find themselves in financial need because of medical or health-related problems, temporary loss of income, or other misfortune.

CLAYTON MEMORIAL MEDICAL FUND – OR, WA, ID, AK https://osfci.org/clayton/ The fund helps professional science fiction, fantasy, horror, and mystery writers living in the Pacific Northwest states of Oregon, Washington, Idaho, and Alaska deal with the financial burden of medical expenses.

THE PEN WRITERS FUND – US https://pen.org/writers-emergency-fund/ PEN America will distribute grants of $500 to $1,000 based on applications that demonstrate an inability to meet an acute financial need, especially one resulting from the impact of the COVID-19 outbreak. We have developed a new streamlined process for the duration of this crisis, and expect to be able to review and respond to applications within 10 days. To be eligible, applicants must be based in the United States, be a professional writer, and be able to demonstrate that this one-time grant will be meaningful in helping them to address an emergency situation. The fund is limited, and not every application can be supported.

SFWA EMERGENCY MEDICAL FUND http://www.sfwa.org/about/benevolent-funds/emergency-medical-fund/ The Emergency Medical Fund (EMF) was established to help genre writers pay medical expenses not otherwise covered by insurance. The fund is meant to cover only short-term (i.e. emergency situations that interfere with the ability to write). Requests must specify the recipient, a description of the circumstances, and the amount of support needed.

CARNEGIE FUND FOR AUTHORS – US https://www.carnegiefundforauthors.org/ The mission of Carnegie Fund for Authors is to award grants to published authors who are in need of emergency financial assistance as a result of illness or injury to self, spouse, or dependent child, or who has had some other misfortune that has placed the applicant in pressing and substantial pecuniary need. We accept applications from any American author who has written at least one book of reasonable length that has been published commercially and received reader acceptance.

CANADIAN COUNCIL FOR THE ARTS – RESEARCH AND CREATION GRANTS https://canadacouncil.ca/funding/grants/explore-and-create/research-and-creation The Research and Creation component of Explore and Create supports the initial stages of the creative process. Canadian artists, artistic groups, and arts organizations can apply to develop and make creative works. Grants provide support for creative research, creation, and project development. You may be eligible for Application Assistance to pay someone to help you with the application process if you are experiencing difficulty and self-identify as an artist who is Deaf, hard of hearing, has a disability or is living with a mental illness, or a First Nations, Inuit or Métis artist facing language, geographic or cultural barriers. This is a rolling deadline. Offers up to $25,000.

AWESOME FOUNDATION GRANTS https://www.awesomefoundation.org/en Have a crazy brilliant idea that needs funding? We award $1,000 grants every month. It couldn’t be simpler! Your idea is yours alone. We don’t want a stake in it. We just want to help you make it happen!

CHANGE, INC. No website. Emergency grants for artists in all disciplines needing help with rent, medical expenses, utility bills, fire damage, etc. Grants up to $1,000. Call the number below for complete instructions (via a clear, concise message) on how to apply for the grant. Change, Inc. P.O. Box 1818 Captiva, FL 33957 Phone: (212) 473-3742.

ELIZABETH GEORGE FOUNDATION http://www.elizabethgeorgeonline.com/foundation.htm Mystery writer Elizabeth George has a foundation that makes grants to unpublished fiction writers, poets, emerging playwrights, and organizations benefiting disadvantaged youth. These grants cover expenses in a number of areas. For further information, write and request a brochure: The Elizabeth George Foundation, PO Box 1429, Langley, WA 98260.

HATCHFUND http://www.hatchfund.org/ Unlike the other crowdfunding sites that take a 7-10 percent fee for using their platform, Hatchfund is free for artists. Once you reach your minimum goal, everything you raise is yours–we won’t take any fees. In order to do this, we do ask that donors make two additional donations–one is a minimum five percent donation to Hatchfund and the other is a five percent donation to help cover credit card processing costs. Both of these donations are also tax-deductible for donors. Our goal is to help artists successfully navigate the challenging world of online fundraising for their projects. Our expert team provides educational services, from fundraising 101 to case studies and best practices to project development and outreach support. A total of 75 percent of all artists who have turned to Hatchfund have succeeded in funding their projects.

FRACTURED ATLAS https://www.fracturedatlas.org/site/fiscal Fractured Atlas wants to help you raise money for your artistic work. As the country’s largest arts fiscal sponsor, we provide accessibility, efficiency, and affordability. There is a passionate community of philanthropic individuals, charitable foundations, and government institutions devoted to funding the arts. The catch is that many independent artists and small companies lack the 501(c)(3) tax status that makes them eligible to apply for grants and incentivizes individual gifts. With fiscal sponsorship, you can solicit tax-deductible donations and apply for grants without going through the onerous process of launching a 501(c)(3). The sponsored “project” might be a one-time collaboration or an independent artist or even an arts organization that does not have its own 501(c)(3) status. Our program is open and accessible to artists and arts organizations nationwide and in every artistic discipline. We won’t judge the artistic quality or merit of your work.

NATIONAL PARKS ARTIST-IN-RESIDENCE https://www.nps.gov/subjects/arts/air.htm Whether staying in a remote wilderness cabin at Denali National Park and Preserve in Alaska or contemplating history at Herbert Hoover National Historic Site in Iowa or working in a contemporary studio overlooking the stone-lined fields at Weir Farm National Historic Site in Connecticut, these programs provide artists with unique opportunities to create works of art in varied natural and cultural settings. There are programs for visual artists, writers, musicians, and other creative media. Programs vary, but residencies are typically two to four weeks in length, and most include lodging. Often artists are invited to participate in park programs by sharing their art with the public. Over 50 locations to consider.

CLAYTON MEMORIAL FUND https://osfci.org/clayton/ The fund helps professional science fiction, fantasy, horror, and mystery writers living in the Pacific Northwest states of Oregon, Washington, Idaho, and Alaska deal with the financial burden of medical expenses. We generally follow the standards of Science Fiction and Fantasy Writers of America (SFWA) for Active or Associate membership in determining professional status.

SOCIETY OF CHILDREN’S BOOK WRITERS AND ILLUSTRATORS https://www.scbwi.org/scbwi-emergency-fund/ The SCBWI Emergency Fund has been established to provide assistance to SCBWI members in times of emergency or hardship. The emergency or hardship could involve, for example, matters of health, family issues, or natural disasters that are in any way restricting or preventing an SCBWI member’s ability to work as an author or illustrator. There is a $1,500 cap on any given grant, and no member may receive the grant more than twice.

PEN AMERICA WRITERS’ EMERGENCY FUND https://pen.org/writers-emergency-fund/ The PEN America Writers’ Emergency Fund is a small grants program for professional—published or produced—writers in acute or unexpected financial crisis. Depending on the situation and level of need, grants are in the range of $2,000. Apart from exceptional circumstances, the Fund does not give repeat grants within a three-year period.

UNBOUND http://unbound.co.uk/ Unbound is a new way to connect authors and readers. Authors present a pitch, readers pledge, and when the goal is reached the book is written. It’s really that simple. Unbound gets involve with publication and distribution of the book as well, giving you a one-stop shop. Unbound is both a funding platform and a publisher, fulfilling all the normal publishing functions but also splitting a book’s net profit 50/50 with the author. Note that Unbound is UK located.

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Testimonials

I just got word that my residency fellowship in Taos, via the Wurlitzer Foundation, is set! I’ll be spending next summer there in a small adobe cottage writing full time. This opportunity-like many others that have made a big difference-came my way via your FundsforWriters newsletter, and I can’t thank you enough. ~Caroline Sposto

Hi Hope, I am sitting in a ferry terminal, waiting for the next boat to take me to the Turkeyland Cove Foundation Writer’s Retreat on Martha’s Vineyard Island. Am I excited? You bet I am! Why? Because this is the first time in my life that I have been offered the gift of time and space for an entire two weeks to focus on what I love to do most: WRITE! I was accepted months ago and “anticipation” has been my middle name. Thank you for your dedication to sharing the roller-coaster ride of writing. You are a gifted teacher and mentor. Laura Lee Perkins www.LauraLeePerkinsAuthor.com

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Thanks to the publicity from your newsletter, our little Memphis, Tennessee event received scripts from Arizona, California, Delaware, Florida, Iowa, Illinois, Indiana, Maryland, Montana, New Jersey, New York, North Carolina, Pennsylvania, Tennessee, Vermont, West Virginia, Wyoming, the UK and New Zealand. This wealth of wonderful material yielded quality vignettes that made the best local actors and stage directors (including a popular local radio personality) eager to donate their time and talent. Their presence, in turn, sold tickets. We played to packed houses and everyone had a great time. The bottom line is, without you, we would have had something rinky dink -- with you we had something substantial. The publicity you provided on the front end made all the difference in the world!

-Laura Kepner, Safety Harbor Writers and Poets

Hope gave the keynote workshop at the Safety Harbor Writers Conference: Solving the Mystery of Writing, in Clearwater, Florida. Hope could have left after her keynote address, but instead, she stayed throughout the day and made a point to talk to individual writers one-on-one. At the end of the day, Hope participated in a panel and stayed for a Q&A. She left such a good impression on so many that I believe my conference would have been a success had she been my only presenter.

– With deep appreciation, Laura Lee Perkins

I am sitting in a ferry terminal, waiting for the next boat to take me to the Turkeyland Cove Foundation Writer’s Retreat on Martha’s Vineyard Island. Am I excited? You bet I am! Why? Because this is the first time in my life that I have been offered the gift of time and space for an entire two weeks to focus on what I love to do most: WRITE! I was accepted months ago and “anticipation” has been my middle name. The timeliness of this couldn’t be more perfect. Maine Authors Publishing just released my collection of twenty-two inspirational essays a few days ago! “Lighting Your Spiritual Passion” One of those essays was chosen for 3rd place in the Writers’ Digest Contest Inspirational category a couple of years ago, spurring me on to publish a collection of essays. When I opened the AMAZON page for my newest book, I cried with relief and joy. The common thread here is you, Hope Clark, and your FundsforWriters. You inspire me to have more courage, to reach higher, and you offer me threads of hope that I, too, can continue to grow and contribute something of worth to the world. Do you have ANY idea how much you mean to all of us who sit at our computers on Friday afternoon, waiting for your email to come in? I cut and paste every opportunity into a computer document that remains “open” on my desktop so that I can refer back to it any time I feel discouraged. Thank you for your dedication to sharing the roller-coaster ride of writing. You are a gifted teacher and mentor.

– Melanie Steele

Advertising with FundsforWriters has brought amazing people to my writing retreats. My ads generated a strong, immediate response from Hope’s active, engaged fans. Hope is a pleasure to work with, and I highly recommend FundsforWriters as smart, effective use of marketing resources. <a id="LPlnk" href="http://www.forthewriterssoul.com/retreat" target="_blank" rel="noopener noreferrer">www.forthewriterssoul.com/retreat</a>

– Reece W. Manley

Total Funds for Writers pays for itself almost immediately. Hope and her research skills are phenomenal. Thanks to TFFW I have sold four articles, all with clients who did this amazing thing called paying me. It’s quite delightful – money is querky but boy its fun stuff to have! If you haven’t signed up for TFFW, you’re just not serious about your career.

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Fellowships

Fellowships opportunities for writers.

The Writer’s Center has developed a list of writing fellowships for your reference.

Please note that this page is a reference for writers. We do not partner with the following organizations. Also, these opportunities are subject to change, so be sure to visit the websites for more information.

The Writer’s Center Compass Fellowship

What it is: Our renewed fellowship program will introduce a new writer each year to our writing family, to help guide them along the next steps on their path, with $1000 in credits toward any TWC workshops within a two-year period, a $300 cash stipend, and more.

Who’s it for: Applicants must be local in the DMV area and be able to travel to Bethesda.

The Writer’s Center says: If you’re a writer or an aspiring writer looking for where to go next, The Writer’s Center Compass Fellowship is a great place to start!

National Endowment for the Arts Creative Writing Fellowships

What it is: The National Endowment for the Arts Creative Writing Fellowships offer $25,000 grants in fiction, creative nonfiction, and poetry to enable creative writers to set aside time for writing, research, travel, and general career advancement.

Who’s it for: To be eligible, you have to be a citizen of the United States, you can’t have received two or more fellowships from the National Endowment from the Arts, you can’t have received the creative writing fellowship on or after January 1, 2014, and you must have published a book within the last seven years.

The Writer’s Center says : This is the nationally recognized fellowship that writers are vying for every year. Note that the genres alternate each year, with prose fellowships offered in odd years, and poetry fellowships in even years.

Mother Jones’s Ben Bagdikian Fellowship

What it is: Mother Jones offers an annual fellowship program that is “a crash course in investigative journalism.” The Ben Bagdikian Fellowship is a full-time position lasting approximately one year, beginning on the first Monday in December and running through late November. Fellows receive a $3,250 monthly stipend.

Who’s it for: Those who are still in school or are only available part-time are not eligible, nor can fellowships be used for course credit. Because the first two weeks of the fellowship consist of intensive group trainings, all applicants, without exception, must be prepared to start on the first Monday in December. Mother Jones is not able to furnish work visas for applicants from outside the United States.

The Writer’s Center says : This is a demanding position that will enable participants to get significant experience in investigative journalism.

Provincetown Fine Arts Center Fellowship

What it is: The Provincetown Fine Arts Center offers 20 seven-month residencies each year to emerging visual artists, fiction writers, and poets, each of whom receive an apartment, a studio (for visual artists), and a monthly stipend of $1,000 plus an exist stipend. Residencies run from October 1 through April 30.

Who’s it for: Visual artists, fiction writers, and poets.

The Writer’s Center says : This is one of the only non-MFA programs that support writers and artists for more than a month at a time.

The Kenyon Review Fellowship

What it is: The Kenyon Review offers a two-year fellowship that comes with a $35,000+ stipend and health benefits that will enable the fellow to undertake a significant writing project; teach one class per semester in the English department of Kenyon College; assist with creative and editorial projects for the Kenyon Review ; and participate in the cultural life of Kenyon College.

Who’s it for: Applicants must possess an MFA or PhD in creative writing, English literature, or comparative literature. They must have experience teaching creative writing and/or literature at the undergraduate level.

The Writer’s Center says : This is a fantastic opportunity for early-career writers to receive time and space to write, as well as teaching experience.

The Loft’s McKnight Artist Fellowship

What it is: The Loft presents five $25,000 awards annually to accomplished Minnesota writers and spoken word artists. Four awards alternate annually between creative prose (fiction and creative nonfiction) and poetry/spoken word. The fifth award is presented in children’s literature and alternates annually for writing for ages eight and under and writing for children older than eight.

Who’s it for: Applicants must have been legal residents of Minnesota for the 12 months prior to the application deadline and must currently reside in Minnesota.

The Writer’s Center says : This is a generous grant that will enable Minnesota writers to produce more creative work.

Bucknell Stadler Fellowship

What it is: Bucknell University offers a 10-month fellowship that provides a stipend of at least $33,000 and health insurance. The program offers two distinct tracks: one a fellowship in literary editing and a fellowship in literary arts administration . Applicants can apply to one or the other. Both fellowships are designed to balance the development of professional skills with time to complete a first book of poems. Fellows serve for 20 hours each week during the academic year. The balance of the fellows’ time is reserved for writing.

Who’s it for: Poets who have recently received an MFA or MA in poetry.

The Writer’s Center says : If you are an early career poet and you aren’t interested in teaching, this is a noteworthy opportunity to get significant experience with literary arts administration or literary editing while receiving time and space to work on a poetry collection.

Nieman Fellowships

What it is: Each year, the Nieman Foundation awards paid fellowships of $75,000 to up to 24 journalists working in print, broadcast, digital, and audiovisual media. Those selected for the program spend two full semesters at Harvard auditing classes; they are also able to audit classes at other local universities including MIT and Tufts. The Nieman Foundation also provides some financial support for health insurance and childcare. Fellows are not eligible for health care insurance through Harvard University.

Who’s it for: All applicants for Nieman Fellowships must be working journalists with at least five years of full-time media experience. During the two years prior to applying, an applicant should not have participated in a fellowship lasting four months or longer.

The Writer’s Center says : This is a generous fellowship that enables journalists to deepen their knowledge in an area of interest or several areas of interest.

James Jones Fellowship

What it is: The James Jones First Novel Fellowship, in the amount of $10,000, is awarded annually to an American writer of a novel-in-progress who has not previously published a novel. The Fellowship is co-sponsored by the James Jones Literary Society and the Maslow Family Graduate Program in Creative Writing of Wilkes University.

Who’s it for: An American writer who has never published a novel. This includes self-published novels.

The Writer’s Center says : This award provides invaluable monetary support for novelists with a work in progress.

The Hodder Fellowship

What it is: The Hodder Fellowship will be given to artists and writers of exceptional promise to pursue independent projects at Princeton University during the academic year. An $86,000 stipend is provided for this 10-month appointment as a Visiting Fellow; no formal teaching is involved.

Who’s it for: Composers, choreographers, performance artists, visual artists, writers, translators, or other kinds of artists. Most successful Fellows have published a book or have similar achievements in their own fields.

The Writer’s Center says : Unlike fellowships that involve teaching or literary administration, this is a generous award for artists solely pursuing independent projects.

PEN America Emerging Voices Fellowship

What it is: The Emerging Voices Fellowship provides a virtual five-month immersive mentorship program for early-career writers from communities that are traditionally underrepresented in the publishing world. The program is committed to cultivating the careers of Black writers, and serves writers who identify as Indigenous, persons of color, LGBTQ+, immigrants, writers with disabilities, and those living outside of urban centers.

Who’s it for: Underrepresented early-career writers.

The Writer’s Center says : This program lifts up writers who deserve recognition, demystifying the publishing process and introducing them to editors, agents, and publishers.

Persephone Miel Fellowship

What it is: The Pulitzer Center on Crisis Reporting will provide a grant of $5,000 for a reporting project on topics and regions of global importance, with an emphasis on issues that have gone unreported or underreported in the mainstream media.

Who’s it for: The Persephone Miel Fellowships are open to all journalists, writers, photographers, radio producers or filmmakers, staff journalists, as well as freelancers and media professionals outside the U.S. and Western Europe who are seeking to report from their home country but would like to broaden the reach of their reporting by publishing it in international outlets. Applicants must be proficient in English.

The Writer’s Center says : This grant gives a journalist an invaluable opportunity to explore an issue that goes unreported or underreported in mainstream media.

Wallace Stegner Fellowship

What it is: Stanford offers ten two-year fellowships each year, five in fiction and five in poetry. All the fellows in each genre convene weekly in a 3-hour workshop with faculty. Fellowships include a living stipend. Fellows’ tuition and health insurance are paid for by the Creative Writing Program.

Who’s it for: Candidates must live close enough to Stanford to be able to attend workshops, readings, and events.

The Writer’s Center says : This is a non-degree granting opportunity for a writer to get regular feedback from established poets and fiction writers.

Patrick Henry Writing Fellowship

What it is: The Center’s Patrick Henry History Fellowship includes a $45,000 stipend, health benefits, faculty privileges, a book allowance, and a nine-month residency (during the academic year) in a historic 18th-century house in Chestertown, Md.

Who’s it for: Applicants should have a significant project currently in progress — a book, film, oral history archive, podcast series, museum exhibition, or similar work. The project should address the history and/or legacy – broadly defined – of the U.S. founding era and/or the nation’s founding ideas. It might focus directly on early America, or on the myriad ways the questions that preoccupied the nation’s founding generation have shaped America’s later history. Work that contributes to ongoing national conversations about America’s past and present, with the potential to reach a wide public, is particularly sought.

The Writer’s Center says : This fellowship enables applicants to deeply explore a particular historical topic of Washington College’s choosing.

Scripps Fellowship

What it is: This is a non-degree, two-semester program that allows fellows to take environmental journalism classes at the University of Colorado Boulder.

Who’s it for: The fellowship is open to full-time journalists working in any medium who are interested in deepening and broadening their knowledge of environmental issues. It is aimed at outstanding journalists committed to a career in professional journalism. Applicants must have a minimum of five years of full-time professional journalism experience and have completed an undergraduate degree.

The Writer’s Center says : This is a fantastic opportunity for journalists who are interested in environmental issues.

Wisconsin Institute for Creative Writing Fellowship

What it is: The Wisconsin Institute for Creative Writing offers up to five internationally competitive nine-month fellowships each year. Typically, we award two fiction fellowships (the James C. McCreight Fiction Fellowship and the Carol Houck Smith Fiction Fellowship), and two poetry fellowships (the Jay C. and Ruth Halls Poetry Fellowship and the Ronald Wallace Poetry Fellowship). Additionally, the Institute offers one third-year MFA fellowship — the Hoffman-Halls Emerging Artist Fellowship — to a current student of UW-Madison, through a closed competition. Each of these fellowships carries with it a stipend of at least $39,000 paid in 9 equal installments beginning October 1, generous health benefits, and a one-course-per-semester teaching assignment in undergraduate creative writing.

Who’s it for: Applicants who have published only one full-length collection of creative writing; unpublished applicants are also eligible.

The Writer’s Center says : This fellowship gives a poet and fiction writer time and space to write, as well as teaching experience.

Grub Street’s Emerging Writer Fellowship

What it is: The Emerging Writer Fellowship aims to develop new, exciting voices by providing three writers per year tuition-free access to GrubStreet’s classes and Muse & the Marketplace conferences.

Who’s it for: Anyone over the age of 18 who demonstrates ability and passion for writing is eligible.

The Writer’s Center says : Much like The Writer’s Center Compass Fellowship, GrubStreet’s program enables writers to advance their craft while eliminating the financial barriers to entry.

Emory University Creative Writing Fellowship

What it is: Emory University offers two-year fellowships in fiction, poetry, and playwriting. The teaching load is 2-1, and the fellowship comes with a $45,000 salary and health benefits.

Who’s it for: Anyone who has received an MFA or Ph.D. in the last five years, and who has creative writing teaching experience, a record of publication, and a first book published or underway.

The Writer’s Center says : This is an opportunity for recent graduates of a creative writing program to gain teaching experience as well as space and time to work on their creative projects.

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Establish new connections and enjoy the company of your peers using our searchable databases of MFA programs and writers retreats, apply to be included in our directory of writers, and more.

Each year the Readings & Workshops program provides support to hundreds of writers participating in literary readings and conducting writing workshops. Learn more about this program, our special events, projects, and supporters, and how to contact us.

The Maureen Egen Writers Exchange Award introduces emerging writers to the New York City literary community, providing them with a network for professional advancement.

Find information about how Poets & Writers provides support to hundreds of writers participating in literary readings and conducting writing workshops.

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MFA Programs Contact Form

Help us keep this database current. If you have updated information on one of the programs listed in the MFA database, let us know.

MFA Programs Database

Help Keep This Database Current

Our MFA database includes essential information about low- and full-residency graduate creative writing programs in the United States and other English-speaking countries to help you decide where to apply.

Adelphi University

Poetry: Jan-Henry Gray, Maya Marshall Prose: Katherine Hill, René Steinke, Igor Webb

Albertus Magnus College

Poetry: Paul Robichaud Fiction: Sarah Harris Wallman Nonfiction: Eric Schoeck

Alma College

Poetry: Leslie Contreras Schwartz, Jim Daniels, Benjamin Garcia Fiction: Karen E. Bender, Shonda Buchanan, Dhonielle Clayton, S. Kirk Walsh Creative Nonfiction: Anna Clark, Matthew Gavin Frank, Donald Quist, Robert Vivian

American University

Poetry: Kyle Dargan, David Keplinger Fiction: Dolen Perkins-Valdez, Stephanie Grant, Patricia Park Nonfiction: Rachel Louise Snyder

Antioch University

Poetry: Victoria Chang Prose: Lisa Locascio

Arcadia University

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith Literature: Matthew Heitzman, Christopher Varlack, Elizabeth Vogel, Jo Ann Weiner

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith

Arizona State University

Poetry: Sally Ball, Natalie Diaz, Alberto Álvaro Ríos, Safiya Sinclair Fiction: Matt Bell, Jenny Irish, Tara Ison, Mitchell Jackson, T. M. McNally Creative Nonfiction: Sarah Viren

Ashland University

Poetry: Dexter Booth, Marcelo Hernandez Castillo, Adam Gellings, Tess Taylor, Vanessa Angélica Villareal Fiction: Kirstin Chen, Edan Lepucki, Sarah Monette, Nayomi Munaweera, Vi Khi Nao, Naomi J. Williams, Kyle Winkler Nonfiction: Cass Donish, Kate Hopper, Lauren Markham, Thomas Mira y Lopez, Lisa Nikolidakis, Terese Mailhot

Augsburg University

Poetry: Michael Kleber-Diggs Fiction: Stephan Eirik Clark, Lindsay Starck Nonfiction: Anika Fajardo Playwriting: Carson Kreitzer, TyLie Shider, Sarah Myers Screenwriting: Stephan Eirik Clark, Andy Froemke

Ball State University

Poetry: Katy Didden, Mark Neely Fiction: Cathy Day, Sean Lovelace Nonfiction: Jill Christman, Silas Hansen Screenwriting: Rani Deighe Crowe, Matt Mullins

Bard College

Jess Arndt, Shiv Kotecha, Mirene Arsanios, Hannah Black, Trisha Low, Christoper Perez, Julian Talamantez Brolaski, Simone White

Bath Spa University

Poetry: Lucy English, Tim Liardet, John Strachan, Samantha Walton, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Alexia Casale, Anne-Marie Crowhurst, Lucy English, Nathan Filer, Aminatta Forna, Samantha Harvey, Philip Hensher, Steve Hollyman, Emma Hooper, Claire Kendal, Natasha Pulley, Kate Pullinger, C.J. Skuse, Gerard Woodward Nonfiction: Celia Brayfield, Lily Dunn, Richard Kerridge Scriptwriting: Robin Mukherjee

Poetry: Lucy English, Tim Liardet, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Anne-Marie Crowhurst, Nathan Filer, Aminatta Forna, Samantha Harvey, Philip Hensher, Claire Kendal, Natasha Pulley, Kate Pullinger, Gerard Woodward Nonfiction: Lily Dunn, Richard Kerridge

Bay Path University

Mel Allen, Leanna James Blackwell, Jennifer Baker, Melanie Brooks, María Luisa Arroyo Cruzado, Shahnaz Habib, Susan Ito, Karol Jackowski, Yi Shun Lai, Anna Mantzaris, Meredith O’Brien, Mick Powell, Suzanne Strempek Shea, Tommy Shea, Kate Whouley

Bennington Writing Seminars at Bennington College

Poetry: Jennifer Chang, Michael Dumanis, Randall Mann, Craig Morgan Teicher, Mark Wunderlich Fiction: Peter Cameron, Jai Chakrabarti, Stacey D’Erasmo, Monica Ferrell, Rebecca Makkai, Stuart Nadler, Téa Obreht, Moriel Rothman-Zecher, Katy Simpson Smith, Taymour Soomro Nonfiction: Garrard Conley, Sabrina Orah Mark, Spencer Reece, Lance Richardson, Shawna Kay Rodenberg, Hugh Ryan, Greg Wrenn

Binghamton University

Poetry: Tina Chang, Joseph Weil Fiction: Amir Ahmdi Arian, Thomas Glave, Leslie L. Heywood, Claire Luchette, Liz Rosenberg, Jaimee Wriston-Colbert, Alexi Zentner Nonfiction: Amir Ahmdi Arian, Leslie L. Heywood

Bluegrass Writers Studio at Eastern Kentucky University

Poetry: Julie Hensley, Young Smith Fiction: Julie Hensley, Robert Dean Johnson Nonfiction: Robert Dean Johnson, Evan J. Massey Playwriting: Young Smith

Boise State University

Poetry: Martin Corless-Smith, Sara Nicholson, Taryn Schwilling Fiction: Mitch Wieland (Director), Anna Caritj Creative Nonfiction: Chris Violet Eaton, Clyde Moneyhun

Boston University

Poetry: Andrea Cohen, Karl Kirchwey, Robert Pinsky Fiction: Leslie Epstein, Jennifer Haigh, Ha Jin

Boston University—MFA in Literary Translation

Odile Cazenave, Yuri Corrigan, Margaret Litvin, Christopher Maurer, Roberta Micaleff, Robert Pinsky (advising), Stephen Scully, Sassan Tabatabai, J. Keith Vincent, William Waters, Dennis Wuerthner, Cathy Yeh, Anna Zielinska-Elliott

Bowling Green State University

Poetry: Abigail Cloud, Amorak Huey, Sharona Muir, F. Dan Rzicznek, Larissa Szporluk, Jessica Zinz-Cheresnick Fiction: Joe Celizic, Lawrence Coates, Reema Rajbanshi, Michael Schulz

Brigham Young University

Poetry: Kimberly Johnson, Lance Larsen, Michael Lavers, John Talbot Fiction: Chris Crowe, Ann Dee Ellis, Spencer Hyde, Stephen Tuttle Nonfiction: Joey Franklin, Patrick Madden

Brooklyn College

Poetry: Julie Agoos, Ben Lerner Fiction: Joshua Henkin, Madeleine Thien Playwriting: Dennis A. Allen II, Elana Greenfield

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Literary Awards

Literary Grants

Since 1963, the PEN America Literary Awards, Grants, and Fellowships Program has honored many of the most outstanding voices in literature across diverse genres, including fiction, poetry, nonfiction, children’s literature, translation, and drama. With the help of our partners, PEN America confers distinct grants each year to support writers and works-in-progress in diverse genres including translation, YA and middle grade writing, and oral history.

MEET THE 2024 TRANSLATION WINNERS

MEET THE 2024 JEAN STEIN WINNERS

MEET THE 2024 BARE LIFE WINNERS

MEET THE 2024 CHILDREN/YA WINNER

For regular updates on our literary grants, subscribe to our mailing list .

Click here for information regarding PEN America’s Literary Awards .

PEN/Bare Life Review Grants

The PEN/Bare Life Review Grants recognize literary works by immigrant and refugee writers. More

PEN/Phyllis Naylor Grant for Children’s and Young Adult Novelists

The PEN/Phyllis Naylor Grant for Children’s and Young Adult Novelists is offered annually and awards $5,000 to an author of children’s or young adult fiction. More

PEN/Heim Translation Fund Grants

For the translation of book-length works of fiction, creative nonfiction, poetry, or drama that have not previously appeared in English in print or have appeared only in an outdated… More

PEN/Jean Stein Grants for Literary Oral History

The PEN/Jean Stein Grant recognizes a literary work of nonfiction that uses oral history to illuminate an event, individual, place, or movement. More

PEN Grant for the English Translation of Italian Literature

The PEN Grant for the English Translation of Italian Literature awards a grant to a translator for a work-in-progress of a book-length translation of an Italian work into English. More

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Apply to YoungArts

Writing is one of 10 artistic disciplines in YoungArts’ national competition . This discipline encompasses fiction, nonfiction, play or script, poetry and spoken word .

Competition Eligibility

To be eligible, you must be able to answer ”Yes“ to these statements:

I am either a citizen of the United States, a permanent resident/green card recipient, or I can demonstrate that I am legally able to receive taxable income in the United States.
I am in grades 10–12 or 15–18 years of age on December 1 of the year I am applying.
If I’m selected as an award winner with distinction, this would be my first time attending National YoungArts Week.

Application Requirements

The strongest submissions demonstrate a sense of inventiveness, show attention to the complexities and technical aspects of language, and have a clear, original, and distinct point of view.

Play or Script

Spoken word.

The 2025 YoungArts application closes on October 17, 2024 at 8 PM ET .

Tips and Testimonials from Winners and Guest Artists

Application tips | Sarah Braunstein, Guest Artist

Application tips | John Murillo, Guest Artist

What it's like to be a YoungArts Winner | Nicole Cooley (1984 Writing), National Selection Panelist

Select readings from winners.

Ulysses Hill | Writing/Creative Nonfiction

Ulysses Hill | Creative Nonfiction

Shaliz Bazldjoo | Novel

Mac Stern | Play/Script

Daniel Liu | Poetry

Amy Wang | Short Story

Zoe Dorado | Spoken Word

View select works from winners here., see our faq for answers to common questions about the competition and application..

For the first time, I felt confident and so centered in my art—for the first time, I had the opportunity to talk to talented and powerful artists my age and learn from them.”

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Meet Our 2021 Emerging Writer Fellows

The nine exceptional recipients of the 2021 The Center for Fiction/Susan Kamil Emerging Writer Fellowships are Joshua Borja , Gina Chung , Caleb Gayle , Senny George , Jared Jackson , Jen Lue , Mary Wang , Katie Yee , and Na Zhong . Each Fellow receives a $5,000 grant, mentorship with a distinguished editor, and publication in the annual fellows anthology.

The Fellows were selected from an impressive pool of 530 applicants in a blind judging process by writers Nicola DeRobertis-Theye ( The Vietri Project ), Sidik Fofana ( Stories from the Tenants Downstairs ), and Erin Somers ( Stay Up with Hugo Best ).

Each year, the judges panel of The Center for Fiction / Susan Kamil Emerging Writer Fellowships grant Honorable Mention / Alternate and Honorable Mention to praiseworthy applicants who do not receive fellowships. The panel recommends an alternate in the event that anyone selected as a Fellow is unable to accept the Fellowship. Honorable Mention is considered a significant achievement and we congratulate these applicants.

The following exceptional writers have been awarded Honorable Mention status: Linden Crawford , Sonia Feigelson (Alternate), Amanda Horn , Hannah Kingsley-Ma , JL Akagi , and Shayne Terry .

The Emerging Writer Fellowships are open to all early-career writers residing within the five boroughs of New York City. The Fellowship period began in October 2021 and lasted for 12 months. Along with a $5,000 grant and studio space at The Center for Fiction’s physical location in downtown Brooklyn, the Fellowship recipients work closely with an experienced editor to shape first books for submission, attend group dinners with notable agents, editors, and published writers, and take part in two public readings. In addition, their fiction is included in an anthology that is distributed to agents and editors.

Photos by Roque Nonini

Meet Our 2021 Fellows

Josh Borja is an educator and writer based in New York City. He has taught with CUNY Brooklyn College, the New York City College of Technology, NYU Shanghai, NYU Washington Square, Legal Outreach, and the Johns Hopkins summer program. His courses have ranged from writing-intensive Physics Laboratory courses, to English Grammar, English Composition, and Writing & Imagination.

Gina Chung is a Korean American writer from New Jersey currently living in Brooklyn, New York. She is the communications manager at PEN America and holds an MFA in fiction from The New School. Her work appears or is forthcoming in the Kenyon Review , Catapult , Gulf Coast , Indiana Review , Idaho Review , the Rumpus , Pleiades , F(r)iction , and Wigleaf , among others. Her stories have been recognized by the American Short(er) Fiction Contest, the Black Warrior Review Contest, the Los Angeles Review Literary Awards, the CRAFT Elements Contest, and the Ploughshares Emerging Writer’s Contest, as well as named Longform Fiction Pick of the Week. She is currently working on a novel about climate change, sea creatures, and loss and a collection of short stories about family, memory, and myths.

Caleb J. Gayle

Caleb J. Gayle writes about the impact of history on race and identity, both in his nonfiction and fiction. Gayle’s writing has been featured in the New York Times magazine, the Atlantic , the Guardian , the Three Penny Review , Guernica (forthcoming), the Harvard Review , Pacific Standard , Time magazine, the New Republic , the Boston Globe , Los Angeles Review of Books , the Daily Beast , and more. Gayle is an author of the forthcoming nonfiction book from Riverhead Books, a narrative account of how many Black Native Americans were marginalized by white supremacy in America. Gayle completed both his MBA and master’s degree in public policy from Harvard Business School and Harvard’s John F. Kennedy School of Government as a Paul & Daisy Soros Fellow.

Photo Credit: Jeremy Castro

Senny George

Senny George is a Bronx-born writer who earned her MFA in fiction writing from Goddard College and her BA in journalism from Syracuse University. Her work has been published in the literary magazines Stone Canoe , Blackbird , and Jabberwock Review .

Jared Jackson

Jared Jackson is a writer, editor, educator, and arts administrator born in Hartford, CT. He received an MFA in fiction from Columbia University, where he was awarded a Chair’s Fellowship and Creative Writing Teaching Fellowship. His writing has received support from the Tin House Winter Workshop and has appeared in the New York Times Book Review , the Yale Review , Guernica , Kenyon Review , Catapult , and elsewhere. He has been awarded residencies and fellowships from MacDowell, Yaddo, Baldwin for the Arts, and The Center for Fiction. He is currently the Reviews and Interviews Editor at Apogee Journal , an Adjunct Assistant Professor at Columbia University, and the Program Director of Literary Programs and Emerging Voices at PEN America.

Jen Lue is a Kundiman fellow and a 2018 – 19 Margins fellow at the Asian American Writers’ Workshop. She is the recipient of grants and residencies from VONA/Voices, Millay Arts, Tin House, and Jerome Foundation among others. Her work has been featured in Joyland , the Margins , BOMB magazine, and Sepia Journal . She is a 2021 NYSCA/NYFA fiction finalist and is currently at work on a collection of short stories.

Mary Wang is a writer and editor based in New York. She leads Miscellaneous Files on Guernica, a series of virtual studio visits in which writers use digital artifacts to talk about their practice. You can find more of her writing on BOMB , the Guardian , Longreads , Michigan Quarterly Review , New Republic , WNYC, and Vogue , among others. Her story “The Child Is A Mother Too” was a finalist for the Missouri Review 2020 Jeffrey E. Smith Editor’s Prize.

Katie Yee is a writer from Brooklyn and the Book Marks Associate Editor at Literary Hub . She holds a BA from Bennington College and has been awarded a Kundiman Mentorship Lab Fellowship. Her work has appeared in the Los Angeles Review of Books , Epiphany , No Tokens , and elsewhere. You can find her on Twitter at @prepartynap .

Na Zhong is a New York-based writer, literary translator, and cultural podcaster. She has written for the Margins , Literary Hub , the Los Angeles Review of Books , the Millions , A Public Space online, Catamaran Literary Reader , the Shanghai Literary Review , Brooklyn magazine, Words Without Borders , Asymptote , among other publications. Her work has received recognition from the Tin House Workshop, the Bette Howland Award, the New School Chapbook Contest, the Joan Jakobson Fellowship, and the Pushcart Prize. She is also the co-founder of Accent, a platform dedicated to connecting and supporting Asian diasporic writers. She has recently completed her first novel, which examines a fierce mother-daughter relationship through storytelling.

Fully Funded MFA Programs in Creative Writing

As part of our series How to Fully Fund Your Master’s Degree , here is a list of universities that have fully funded MFA programs in creative writing. A Master’s of Fine Arts in creative writing can lead to a career as a professional writer, in academia, and more.

Fully funded MFA programs in Creative Writing offer a financial aid package for full-time students that includes full tuition remission as well as an annual stipend or salary during the entire program, which for Master’s degrees is usually 1-2 years. Funding usually comes with the expectation that students will teach or complete research in their field of study. Not all universities fully fund their Master’s students, which is why researching the financial aid offerings of many different programs, including small and lesser-known schools both in the U.S. and abroad, is essential.

In addition to listing fully funded Master’s and PhD programs, the ProFellow fellowships database also includes external funding opportunities for graduate school, including fellowships for dissertation research, fieldwork, language study, study abroad, summer work experiences, and professional development.

Would you like to receive the full list of more than 1000+ fully funded Master’s and PhD programs in 60 disciplines? Download the FREE Directory of Fully Funded Graduate Programs and Full Funding Awards !

Here is the list of 53 universities that offer fully-funded MFA programs (Master’s of Fine Arts) in Creative Writing.

University of Alabama (Tuscaloosa, AL): Students admitted to the MFA Program are guaranteed full financial support for up to 4-years. Assistantships include a stipend paid over nine months (currently $14,125), and full payment of up to 15 credit hours of graduate tuition.

University of Arizona (Tucson, AZ): All accepted MFA students receive full funding through a graduate teaching assistantship for 3 years. This package includes tuition remission, health insurance, and a modest stipend (in 2018 it was about $16,100 per academic year).

Arizona State University (Tempe, AZ): 3-year program. All students admitted to the MFA program who submit a complete and approved teaching assistantship application are awarded a TA by the Department of English. Each assistantship carries a three-course per year load and includes a tuition waiver and health insurance in addition to the TA stipend ($18,564 per year). In addition, students have diverse opportunities for additional financial and professional support.

University of Arkansas (Fayetteville, AR): Four-year program. Teaching assistantships currently carry an annual stipend of $13,500 for students with a BA. TAs also receive a waiver of all tuition costs and teach two courses each semester. Nearly all of our accepted students receive TAs. Additionally, the students compete each year for several fellowships.

Boise State University (Boise, Idaho): 3-year fully funded MFA program dedicated to poetry and fiction. All students receive a tuition waiver, health insurance, and a Teaching Assistantship with a stipend of $11,450 per year.

Bowling Green State University (Bowling Green, OH): 2-year program, graduate assistantships (including stipend and scholarship) are available for all eligible face-to-face students. 100% tuition scholarship. Graduate stipend (the 2020-21 stipend is $11,500).

Brown University (Providence, RI): All incoming MFA students received full funding. All graduate students receive a fellowship that pays a monthly stipend and provides tuition remission, the health fee, and health insurance. The stipend for the 2020-2021 academic year is $29,926. Also, students in good standing receive a summer stipend of $2,993.

Boston University (Boston, MA): Tuition costs will be covered for every admitted student for the MFA degree in the BU Creative Writing Program. In addition, admitted students will receive university health insurance while they are enrolled, and all admitted students will receive stipend support of roughly $16,000 for the academic year.

Cornell University (Ithaca, NY): All MFA degree candidates are guaranteed 2 years of funding (including a stipend, a full-tuition fellowship, and student health insurance).

University of California Irvine (Irvine, CA): 3-year program. The Department is committed to providing 3 full years of financial support to all domestic students in the MFA Programs in Writing. Financial support for MFA students is given in the form of Teaching Assistantships providing full tuition coverage as well as University health insurance. Students will earn an estimated $22,569 for the academic year.

University of California San Diego (La Jolla, CA): MFA in Writing students are eligible for financial support if they study full-time, maintain good academic standing and make timely progress toward the degree. All students are eligible for full funding, including international students provided they meet the English language certification requirement for teaching assistants.

University of California Riverside (Riverside, CA): All incoming students are granted a full fellowship and stipend for their first year. After the first year, students receive full tuition and a salary through teaching assistantships.

Florida Atlantic University (Boca Raton, FL): 3-year program. All of the MFA students qualify for a position as a Graduate Teaching Assistant. The GTA position comes with a tuition waiver and a stipend. The standard stipend is $9,000, but some enhanced stipends are available. The Graduate College offers several fellowships for current graduate students.

Florida State University (Tallahassee, FL): The majority of students receive support in the form of a teaching assistantship and are provided with a stipend, a tuition waiver, and a health-insurance subsidy. MFA students receive a three-year assistantship. For 2022-23, MA/MFA stipends will be $16,400, and typically these amounts go up each year. Also, The FSU Graduate School offers several fellowships and awards.

Georgia College & State University (Milledgeville, GA): The MFA Program offers workshops in fiction, creative nonfiction, and poetry, and students take cross-genre workshops. All students admitted to the MFA program receive a Graduate Assistantship for all 3 years that includes a stipend and tuition remission.

University of Houston (Houston, TX): MFA students can receive a teaching assistantship for 3 years. Starting salary for MFAs is $17,935/9 months. Students in the Creative. As part of the assistantship, students are awarded either a Graduate Tuition Fellowship, which remits tuition, or a Creative Writing Program Fellowship, which covers the cost of tuition.

University of Idaho (Moscow, Idaho): All English Teaching Assistants (TA’s) are offered full tuition waivers. Teaching Assistants are given a stipend of $14,000 per year. Also offers three scholarships and three outstanding fellowships to support qualified MFA, graduate students.

University of Illinois, Urbana-Champaign (Urbana, IL): Three-year MFA program. Students accepted into the MFA program will receive full tuition waivers, guaranteed teaching assistantships.

Indiana University (Bloomington, IN): M.F.A. programs offer a generous teaching package to creative writing students. All applicants receive consideration for appropriate fellowships that will carry a stipend of about $19,000, plus tuition and fee-remission that covers roughly 90% of the cost of enrollment.

Iowa State University (Ames, IA): 3-year MFA program. Starting half-time 20 hours per week teaching assistantships for MFA students total $19,250 over 10 months and also receive a full-tuition waiver scholarship (approximate value $10,140) and health insurance coverage. The department has several resources available through which to offer fellowships and scholarships to qualifying new students.

University of Iowa (Iowa City, IA): 2-year residency program. Financial assistance is available for all students enrolled in the program, in the form of teaching assistantships, research assistantships, and fellowships. Most fellowships and assistantships provide either tuition scholarships or full tuition remission.

John Hopkins University (Baltimore, MD): 2-year program. All students receive full tuition, health insurance, and a generous teaching fellowship, currently set at $30,500 per year. Some students work as assistant editors on The Hopkins Review. They often win prizes such as Stegner Fellowships or grants from the National Endowment for the Arts.

University of Maryland (College Park, MD): This 3-year program accepts 8 applicants who are fully funded by Teaching Assistantships for up to three years of graduate study. Our aid packages include a stipend of about $20,000 per academic year and 60 credit hours of tuition remission.

Miami University (Oxford, OH): All students admitted to the MFA program in Creative Writing hold generous Graduate Assistantships (which include a summer stipend). Non-teaching assistantships may also be available.

University of Miami (Coral Gables, FL): An intensive two-year study with a third year option. The James Michener Fellowships and Teaching Assistantships support all our graduate students. Awards include a full tuition waiver and annual stipend of $18,915.

University of Michigan (Ann Arbor, MI): All MFA students accepted into the program are offered a full tuition waiver, a stipend of $23,000/yearly as well as $5,000 in summer funding, and health care benefits. Additionally, various fellowships and prizes are awarded each year to MFA students.

University of Minnesota (Minneapolis, MN): All admitted MFAs receive full funding, in the form of teaching assistantships or fellowships. Teaching assistantships carry a full tuition waiver, health benefits, and a stipend of about $18,600. Also, a variety of fellowships are available for graduate students.

University of Mississippi (University, MS): All of our students are fully funded. We offer two main sources of funding, the Grisham Fellowships and Teaching Assistantships.

University of Nevada Las Vegas (Las Vegas, NV): 3-year program. All MFA students admitted to the Creative Writing International program at UNLV are offered Graduate Assistantship funding of $15,000 per year (which includes in-state tuition and provisions for health insurance).

Northwestern University (Evanston, IL): Funding is provided for 3 full years, summers included. Tuition is covered by a tuition scholarship during any quarter in which you are receiving a stipend.

University of Notre Dame (Notre Dame, IN): Every student admitted to the MFA receives a full-tuition scholarship, a fellowship that carries a full stipend of $16,000 per year and access to a 100% health insurance subsidy.

North Carolina State University (Raleigh, NC): A two-year, fully-funded program, They accept only about a dozen students each year and offer full funding in the form of a graduate teaching assistantship to all eligible admitted applicants.

Ohio State University (Columbus, OH): All admitted students are fully funded for our 3-year MFA program in Creative Writing. In addition, all students receive either a graduate teaching associateship, a Graduate School fellowship or a combination of the two. For graduate teaching associateships, the student receives a stipend of at least $17,000 for the nine-month academic year.

University of Oregon (Eugene OR): A two-year residency MFA program. All incoming MFA students funded with a teaching appointment. Student instructors receive tuition remission, monthly stipends of approximately $18,000.

Oregon State University (Corvallis, OR): All students admitted to the MFA program will automatically receive a standard teaching Graduate Teaching Assistantship contract, which provides full tuition remission and stipend of approximately $12,800 per year to cover living expenses. In addition to tuition remission, all graduate students have the option to receive 89% coverage of health insurance costs for themselves and their dependents.

University of Pittsburgh (Pittsburgh, PA): 3-year MFA program. All students admitted to the program will receive Teaching Assistantships for two or three years. All Teaching Assistantships include salary, medical benefits, and tuition remission.

Rutgers University–Newark (Newark, NJ): Each full-time incoming student receives in-state Tuition Remission and a Chancellor’s Stipend of 15K per year. Students are also eligible for Teaching Assistantships, and Part-Time Lectureships teaching Comp or Creative Writing. Teaching Assistantships are $25,969 (approximate) plus health benefits.

University of South Florida (Tampa, FL): 3-year program. MFA students receive a tuition waiver, a teaching assistantship that comes with a stipend, and enrollment in group health insurance.

Southern Illinois University (Carbondale, IL): Almost all MFA students hold graduate assistantships, which provide stipends for the academic year and full remission of tuition. The annual stipend, which comes with tuition remission, ranges from $13,000 to $14,500.

Syracuse University (Syracuse, NY): Three-Year M.F.A. in Creative Writing. All students are fully funded. Each student admitted receives a full-tuition scholarship in addition to an annual stipend of $17,500.

University of South Carolina (Columbia, SC): 3-year MFA program. The MFA at Carolina is pleased to provide fellowship and/or assistantship funding to all accepted students, earning our program the designation of “fully funded” from Poets and Writers.

University of Tennessee — Knoxville (Knoxville, TN): There is no cost to apply to the MFA program. All of our PhD candidates and MFA students are fully funded, with generous opportunities for additional financial support.

University of Texas in Austin (Austin, TX): All students in the New Writers Project receive three years of full funding through a combination of teaching assistantships (TA), assistant instructorships (AI), and fellowship support. The complete package includes full tuition remission, health insurance, and a salary.

University of Texas James Michener Center (Austin, TX): A three-year, fully funded residency MFA program that provides full and equal funding to every writer. All admitted students receive a fellowship of $29,500 per academic year, plus total coverage of tuition.

Vanderbilt University (Nashville, TN): Each year a small, select class of talented writers of fiction and poetry enroll in Vanderbilt’s three-year, fully-funded MFA Program in Creative Writing. The University Fellowship provides full-tuition benefits, health insurance, and a stipend of $30,000/yearly. In 2nd year and third-year students have the opportunity to teach for one semester.

University of Virginia (Charlottesville, VA): Three-year MFA program. Students will receive fellowship support and/or teaching income in the amount of $20,000 each academic year, as well as full funding of your tuition, enrollment fees, and the health insurance premium for single-person coverage through the university.

Virginia Tech (Blacksburg, VA): Three-year MFA degree offers tracks in Poetry and Fiction, and all students are fully and equally funded via GTA-ships of more than $20,000 per year.

Washington University in St. Louis (St. Louis, MO): Because of selectivity and size they are able to offer all the new students full and equal financial aid for both years in the program in the form of a University Fellowship, which provides a complete tuition waiver plus a stipend sufficient for students to live comfortably in our relatively inexpensive city. All MFA students receive health insurance through Washington University.

Western Kentucky University (Bowling Green, KY): Three-year, fully-funded, residential MFA program in creative writing offering generous assistantships, which will allow MFA students to gain valuable experience tutoring and teaching.

West Virginia University (Morgantown, WV): A three-year program. All Master of Fine Arts students receive a full tuition waiver and an assistantship, which includes a stipend valued at $16,750.

Wichita State University (Wichita, Kansas): Most of the MFA students are GTAs who teach two composition classes each semester. They pay no tuition, receive $4,250 each semester and may buy discounted health insurance. The MFA program also awards two $12,500 fellowships each year.

University of Wisconsin–Madison (Madison, WI): All accepted MFA candidates receive tuition remissions, teaching assistantships, generous health insurance, and other financial support. In addition to the approximately $14,680 paid to each MFA annually in exchange for teaching, every MFA candidate will receive another $9,320 in scholarships each year.

University of Wyoming (Laramie, WY): All of our full-time MFA students are fully funded with two-year graduate assistantships. Currently, assistantships include a stipend of $12,330 per academic year, a tuition and fees waiver, and student health insurance. Students also receive summer stipends of up to $2,000 for the summer.

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Arts Writers Grant Program

The 2024 Application is now closed. The application deadline was May 15 at 11:59pm ET.

The Andy Warhol Foundation Arts Writers Grant supports emerging and established writers who write about contemporary visual art. Ranging from $15,000 to $50,000 in three categories—articles, books, and short-form writing—the grants support projects addressing both general and specialized art audiences, from short reviews for magazines and newspapers to in-depth scholarly studies. The grant also supports art writing that engages criticism through interdisciplinary methods and experiments with literary styles. As long as a writer meets the eligibility and publishing requirements, they can apply.

Writers are invited to apply in one of the following categories:

Short-Form Writing

Announcing Cookie Jar , a new pamphlet series featuring writing by grantees, now available to download or order.

Disordered Attention: How We Look at Art and Performance Today by Claire Bishop was published by Verso Books.

Wrong is Not My Name: Notes on (Black) Art by Erica N. Cardwell was published by Feminist Press.

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The Andy Warhol Foundation Arts Writers Grant Announces 2021 Grantees

20 Writers Receive $695,000 in Support of their Articles, Books, and Short-Form Writing

New York, NY (December 1, 2021) — The Andy Warhol Foundation Arts Writers Grant is pleased to announce its 2021 grantees. The program supports writing about contemporary art and aims to ensure that critical writing remains a valued mode of engaging the visual arts.

In its 2021 cycle, the Arts Writers Grant has awarded a total of $695,000 to 20 writers. Ranging from $15,000 to $50,000 in three categories—articles, books and short-form writing— these grants support projects addressing both general and specialized art audiences, from short reviews for magazines and newspapers to in-depth scholarly studies.

“The Andy Warhol Foundation Arts Writers Grant supports a vital component of the visual arts ecosystem– writers. These critics and scholars do the important work of chronicling, contextualizing, and complicating our contemporary moment as it is expressed by artists,” states Joel Wachs, President of the Andy Warhol Foundation for the Visual Arts. “The Arts Writers Grant recognizes the rigorous and generous engagement arts writers have with artists and their work and celebrates their ability to illuminate artistic interventions into the structures that govern our contemporary cultural moment.”

“It is exhilarating to see the enormous geographic reach and international framing that many of this year’s Arts Writers Grantees are engaging in their work,” said Pradeep Dalal, Director of the Andy Warhol Foundation Arts Writers Grant. “Emphasizing the role of artist communities, with practices that cover literally every continent, these projects speak to the desire for exchanges that cross borders as well as those that establish connections across uncharted ‘South-South’ axes, rather than falling back on European or American art histories. Among the twenty projects the grant is supporting this year, Xin Wang will write about the presence of Chinese diaspora in various African countries and will speak to a rapidly evolving discourse regarding ‘blackness’ in Chinese cyberspace. Hera Chan will discuss artistic practices that destabilize Western categorizations of Asianess, focusing on the Milk Tea Alliance, a geopolitical region including Hong Kong, Thailand, Taiwan and Myanmar associated with the web-based solidarity organization and multinational protest movement against authoritarian rule. Erina Duganne ’s book will look at Artists Call Against U.S. Intervention in Central America, a short-lived activist campaign initiated in 1983. Though most of the art works made for Artists Call are now either lost or destroyed and its activism largely forgotten, its efforts to forge transnational solidarity with Central America is deeply relevant today. Tiona Nekkia McClodden ’s imaginative writing on the Cuban artist Belkis Ayón will compare moments of Ayon’s biography with Princess Sikan, the central, and only, female character in Abakuá mythology, so as to write about the impact this kind of figuration has on the Black diaspora.”

“Other projects speak urgently to the present moment, including TK Smith ’s writing on the role of monuments and to the racialized and sexualized nature of public space. Fiona Alison Duncan will write an article on the trans-disciplinary artist Pippa Garner in relation to art and queer and feminist histories. Finally, Jordan Troeller ’s book on Japanese American sculptor Ruth Asawa and other ‘mother-artists’ will offer a maternal counter-narrative to post-World War II American art, arguing that new forms of art proliferate from an engagement with care, social reproduction and futurity.”

Priyanka Basu , “Between Past and Present in Tuni Chatterji’s Okul Nodi” Fiona Alison Duncan , “Pippa: Queen of the Future—On the Transgressive Life of Artist Pippa Garner” Tiona Nekkia McClodden , “The Cloth [Untitled Belkis Ayon Project]”

Books Erica N. Cardwell , Wrong is Not My Name: Essays and Stories on Black Feminist Visual Culture C. Ondine Chavoya , Asco: Disgust and Creative Resistance in L.A. Erina Duganne , Visual Solidarities: Art, Activism, and Central America Rebecca M. Schreiber , Visualizing Displacement in the Americas: The Aesthetics of Mobility and Immobilization Sarah-Neel Smith , Envisioning the Middle East: The Lost History of America’s Cultural Exchanges, 1952-79 Gloria Sutton, Against the Immersive: Shigeko Kubota’s Video Sculptures Jordan Troeller , Sculpture’s Progeny: Motherhood and Artistic Creation in Ruth Asawa’s San Francisco

Short-Form Writing Kriston Capps Hera Chan Chris Fite-Wassilak Asa Mendelsohn Darla Migan Sadia Shirazi TK Smith Ana Tuazon Xin Wang Simon Wu

ABOUT THE ARTS WRITERS GRANT The Andy Warhol Foundation Arts Writers Grant was founded in recognition of both the financially precarious situation of arts writers and their indispensable contribution to a vital artistic culture. The program is administered by Creative Capital.

For regular updates on events and publications by Arts Writers grantees, follow them on Twitter and Instagram

PRESS CONTACT Alex Teplitzky Communications Manager, Creative Capital [email protected]

The 2025-26 Competition is now open. Applications must be submitted by the national deadline of October 8, 2024 at 5pm ET.

Current U.S. Student

United States citizens who are currently enrolled in undergraduate or graduate degree programs are eligible to apply.If you are currently enrolled in an undergraduate or graduate program at a U.S. college or university, you will apply through that institution, even if you are not currently a resident there. Find the Fulbright Program Adviser on your campus.

U.S. Citizen but not a Student

If you are a U.S. citizen, will hold a bachelor’s degree by the award start date, and do not have a Ph.D. degree, then you are eligible to apply. Non-enrolled applicants should have relatively limited professional experience in the fields (typically 7 years or less) in which they are applying. Candidates with more experience should consider applying for the Fulbright Scholar Program .

The Getting Started page will provide information on eligibility and next steps.

The Fulbright U.S. Student Program welcomes applications in the creative and performing arts. Arts candidates for the U.S. Student Program should have relatively limited professional experience in the fields (typically 7 years or less) in which they are applying. Artists with more experience should consider applying for the Fulbright Scholar Program .

Creative & Performing Arts projects fall under the Study/Research grant category and are available in all countries where Study/Research grants are offered.

U.S. Professor/Administrator

If you are a U.S. citizen and a professor or administrator at a U.S. institution and are interested in applying for a Fulbright Scholar Award, you will need to apply through fulbrightscholars.org .

To support your students in applying for a U.S. Student Program award, please connect with the Fulbright Program Adviser at your institution.

Non U.S. Citizens

If you are a non-U.S. citizen interested in applying for a Fulbright Award to the United States, you will need to apply through the Fulbright Commission or U.S. Embassy in your home country. Find out more information on the Fulbright Visiting Scholar Program or Fulbright Foreign Student Program .

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Study/Research: Academic

Study/Research: Creative & Performing Arts

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Fulbright Online Application

Application Components: Creative & Performing Arts

Descriptions of the Creative & Performing Arts fields are provided here .

All applicants must complete and submit their applications via the Fulbright Online Application . This is where you enter data, upload documents and supplementary materials, and register your recommenders and foreign language evaluator.

The following items comprise the components of the Arts application:

Biographical Data

The Personal and Contact Information pages asks for your basic personal information such as your name, contact information, birth date, etc.

Complete all required fields: You should take care to accurately complete all of the required fields in this section.
Use proper capitalization and punctuation: This is a formal grant application, and you are advised to follow the English language rules on capitalization and punctuation. Do not enter responses in all caps. Be sure to proofread your responses in the PDF proof prior to submitting your application.

Program Information

On the Program Information page, you must include a Project Title and an Abstract/Summary of Proposal. These sections are a quick reference for screening committees and other reviewers. They should be able to determine the basic who, what, when, where, why and how of your project by reading this abstract. The project title should be informative, as well.

Field of Study: Select from the drop-down the most closely related field for the proposed project.
Project Title (90-character limit): A succinct title that clearly introduces the proposed project. This title will be listed in the Grantee Directory, should you be awarded a grant.
Abstract/Summary of the Proposal (1750-character limit): A concise description of the what, where, and why of the proposed project. If you are proposing the pursuit of a graduate degree program, summarize the program and relevance to your career/education plans․
Host Country Engagement (1750-character limit): At its core, the Fulbright program aims to promote mutual understanding and seeks individuals who can be cultural ambassadors while living abroad. This section should offer a description of the ways in which you will engage with the host country outside of your grant activities to fulfill this mission. How do you plan to share your culture and values in your host community? Specific ideas should be included.
Plans Upon Return to the U.S. (850-character limit): A brief description of your future career and/or educational plans following completion of the Fulbright grant.
Arts Experience Summary (850-character limit): A summary of your practical study, training, and experience specific to the proposed project.
Arts Portfolio Description (850-character limit): A brief description of the supplementary materials uploaded to the portfolio page of the online application. Concisely details how piece(s) were selected, relevance to the proposed project, time spent completing, location and date of completion, developmental trajectory vs. single series, and any information that will tell reviewers what they are looking at/listening to and why. For collaborative works, your contribution should be clearly specified.

Statement of Grant Purpose

This 2-page document outlines the Who, What, When, Where, Why, and How of what you are proposing for your Fulbright grant. Developing a strong, feasible and compelling project is the most important aspect of a successful Fulbright application.

The first step is to thoroughly review the award description for your selected host country to understand the specific type of proposal accepted for that award: Independent Study/Research of Graduate Degree Enrollment. Depending on the country and award parameters, applicants may have the option to propose completing a graduate degree program. Some countries have specific arrangements or named awards for graduate study. In this case, applicants should focus on demonstrating the reasons for pursuing the proposed graduate program at a particular institution in the host country.

Whether you are applying for independent study/research or graduate degree enrollment, the proposal should indicate a clear commitment to the host country community and a description of how you will engage with it.

Develop an intellectually compelling and feasible project: This is the most important factor in presenting a successful application. Program design will vary country and award, and while some countries encourage applicants to incorporate coursework into a project, others prefer independent research. You should ensure that your proposed project fits the program guidelines for the host country and award.

For applicants proposing independent study/research projects, address the following points:

With whom do you propose to work?
What do you propose to do?
What is innovative about the project?
What are the specific goals?
What is important or significant about the project?
What contribution will the project make toward the Fulbright goal of promoting cultural exchange and mutual understanding?
When will you carry out the project? Include a feasible timeline.
Where do you propose to conduct your grant activities? Why did you choose this location?
Why do you want to undertake this project?
Why does the project have to be conducted in the country of application?
What are your qualifications for carrying out this project?
How will your project help further your professional development?
How will you engage with the host country's community? Give specific ideas that relate to your own personal or professional interests.

Design a feasible project: You must demonstrate that your project is viable, including its content and timeframe. Address the following points:

How will the culture and politics of the host country impact the work?
Will the resources of the host country support the project?
Have you developed a connection with a potential adviser in the host country?
Do you have the necessary background and artistic experience to undertake the proposed project?
You should consider that, even if a country indicates that English will be sufficient for carrying out the proposed project, for purposes of engaging with your host community, at least a basic level of language skill should be obtained prior to leaving the United States for the host country.
What are your plans for improving your language skills, if they are not adequate at the time of application?
Are there any possible sensitive topics or feasibility concerns that the project could evoke?

For applicants who are proposing to complete a graduate degree program, the Statement of Grant Purpose should address the following points:

Why do you want to pursue the proposed program in the country to which you are applying?
What are your reasons for selecting this particular institution?
Do you have the requisite academic/field-specific background to gain admission to and understake the proposed graduate degree program?
Why do you want to gain a better understanding of the people and cultures of your host country? Please demonstrate specific ideas on how you will integrate into the host country community that relate to your own personal or professional interests.
Do you have sufficient language skills to successfully complete the program, especially if the program is not taught in English?
Do you have the flexibility and dynamism necessary for active involvement in the host country?

Candidates applying through U.S. institutions are urged to consult professors in their artistic field/discipline or faculty members with experience in the host country, as well as their Fulbright Program Advisers, about the feasibility of their proposed projects. At-Large applicants should consult similarly qualified persons in their fields.

Crafting your proposal:

Be clear and concise. The individuals reading the proposal want applicants to get to the point about the 'who, what, when, where, why and how' of the project. Avoid discipline-specific jargon and ensure your application can be clearly understood by a general audience.
Organize the statement carefully.
Don't make reviewers search for information. We urge you to have several people read and critique your Statement of Grant Purpose, including a faculty adviser, a faculty member outside your discipline, a fellow student, and/or a colleague.

Adhere to the proper format:

Length is limited to a maximum of two single-spaced pages. The application system will not allow documents longer than two pages to be uploaded.
Do not include any bibliographies, publications, citations, etc., except those that will fit in the two-page limit. Citations are not required for your Statement of Grant Purpose.
Use 1-inch margins and Times New Roman 12-point font.
At the top of the first page include:
On line 1: Statement of Grant Purpose
On line 2: Your Name, Host Country, and Field of Study
On line 3: Your Project Title as it appears in the Program Information page of the application.
On the second page of the Statement, enter the same information or just Last Name, Grant Purpose, Page 2.
Do not include information in headers, footers, or margins.
Do not include links to websites or external files/materials. Adding any URLs to external websites may affect the eligibility of your application.
Do not include personal contact information, such as email addresses or phone numbers, in your uploaded essays.

Affiliation Letter

Many Fulbrighters undertaking projects in the arts will affiliate with universities, although in some countries it is possible to affiliate with other types of organizations such as a theater troupe or an arts academy.

For Study/Research Applicants, affiliation with an educational institution or other sponsoring entity in the host country is required, even if the grant project is primarily research or artistic activity, or does not require enrollment in regular classes. All applicants are required to list a proposed affiliation, with some awards requiring a letter of affiliation to be submitted at the time of the application deadline. Please refer to the award description for specific requirements on which institutions or organizations can serve as an affiliate.

Failure to submit a letter of affiliation for an award that requires one at the national deadline may result in an application being deemed ineligible.

The affiliation letter should come from the institution and/or individual in the host country with whom you are proposing to work. It should be written in or translated to English, printed on official letterhead, and should be signed by the author (electronic signatures are permitted).

Affiliation letters cannot be written by an individual related to you. Do not submit affiliation letters from a parent, sibling, or other relative.

Understand the affiliation requirements for the country to which you are applying: Affiliation arrangements vary by country and may not be required at the time of application. Carefully review the affiliation information provided in the award summary for your host country. All academic grantees must have an affiliation in the host country listed in their application, even if a letter is not required at the deadline.

Countries differ in the kinds of host affiliations that are acceptable. Examples of affiliations include universities, laboratories, libraries, non-governmental organizations, and so on. Pay special attention to the requirement in some countries to attend classes and/or affiliate with academic institutions. Proposing an affiliate that does not meet the requirements for your chosen award may affect the eligibility of your application.

Identify an appropriate affiliation for your project: The affiliation is your proposed host in the country to which you are applying. Fulbrighters have used a number of methods to contact potential hosts and solicit support for their projects. One primary method is to use the contacts and advisers that you already have. Ask current or former professors to put you in contact with the appropriate people in the host country. If the proposal contains a strong research component, you must have host country contacts that can support the research, provide access to required resources, and/or advise you during the grant period. It is your responsibility to identify, contact, and secure an affiliation from a potential adviser.

Potential avenues to identify an appropriate affiliation/host country adviser include:

Faculty at your home campus.
International students.
Visiting Fulbright Professors in the U.S. or U.S. Fulbright Scholars who had grants to your host country. Directories are available here .
Internet searches of faculty at potential host institutions with your interests, or organizations in the host country that work with issues related to your topic.
Other U.S. academics with expertise in the location/subject matter of the proposed project.
Contacts from previous experience abroad.
Educational Advising sections of Embassies or Consulates of your potential host country.

Start early: Obtaining an affiliation letter from overseas can be a time-consuming process and sufficient lead time must be given to receive signed affiliation letters before the application deadline. Late affiliation letters will not be accepted after the application deadline.

Request the Affiliation Letter: After identifying the appropriate host institution and the individual at that institution best suited to serve as an adviser for the proposed project, contact the potential adviser to determine if they are willing to write an affiliation letter. Before requesting the letter, you should provide the author with a copy of the Statement of Grant Purpose. The affiliation letter should indicate the author’s willingness to work with you on the intended project and it should speak to the feasibility and validity of what is being proposed. The letter should also indicate any additional resources or contacts that the adviser can provide to support the work.

Scanned versions of the original hard-copy letters with hand-written signatures should be uploaded into the application. Letter writers can either send the original hard-copy letters or electronic copies to the applicants.
Since affiliation letters are not confidential, you will upload the letter yourself into the online application system. Affiliation letters written in a foreign language must be translated into English and both the original letters and the English-language translations must be uploaded into the application. An 'official' translation of the letter is not required.
Instructions on uploading letters of affiliation are available in the Fulbright online application system. IIE will not accept any affiliation letters via email, fax, or mail.
The affiliation letter must be printed on an institutional letterhead and must be signed by the author.
Copies of email correspondence will not be accepted.
Do not upload any documents other than a letter of affiliation to this field of the application. Uploading extraneous materials to this field may result in your application being deemed ineligible.

Personal Statement

The statement should be a one-page narrative that provides a picture of yourself as an individual․ It should detail your personal history, family background, influences on your intellectual development, the educational, professional, and cultural opportunities that you have (or have not) accessed, and the ways in which these experiences have affected you and your personal growth․ Also include your special interests and abilities, career plans, and life goals, etc․ It should not be a list of facts already noted in the application or an elaboration of your Statement of Grant Purpose․ Rather, it should be specifically related to you and your aspirations as they relate to the specific Fulbright Program award to which you have applied․

Do not repeat information from other parts of the application.

Length is limited to a maximum of one single-spaced pages. The application system will not allow statements longer than one page to be uploaded.
At the top of each page include:
On line 1: Personal Statement

Foreign Language Forms

Language requirements vary by country, so before starting the application you should review the specific language proficiency requirements of your selected award. You must possess the necessary language skills to successfully complete the project you are proposing.

For programs where language skills are required , you must complete the Language Self Evaluation form within the application, and register an individual to complete the Foreign Language Evaluation Form. The Foreign Language Evaluation form is completed by a professional language teacher, preferably a university professor.

Submission of both the Language Self-Evaluation portion of the application and Foreign Language Evaluation form is mandatory, even if you have advanced skills or are a native speaker of the language. The application system will not allow the submission of an application if a required Foreign Language Evaluation form is not registered. Failure to submit the required language forms may affect your eligibility.

For programs where language skills are recommended or not required, if you possess some language skills relevant to the host country or proposed project, you should complete the Language Self Evaluation and submit a Foreign Language Evaluation Form. It will be beneficial to have your language ability documented, even if it is not required for the award. Remember, even if a country indicates that English will be sufficient for carrying out the proposed project, for purposes of engaging with your host community, at least a basic level of language skill should be obtained prior to leaving the United States for the host country.

For programs in countries where English is one of the national languages, you do not need to submit any foreign language forms unless a foreign language is required for your project.

If language proficiency is not required for the award and you have little or no knowledge of the language relevant to the host country, but plan to acquire proficiency prior to the start of the grant, you may discuss your plans in the Language Self Evaluation. In this case, you should not obtain a Foreign Language Evaluation.

For Commonly-Taught Languages : The Foreign Language Evaluation should be completed by a professional language teacher, preferably a university professor. The language evaluator cannot be related to the applicant.

For Less-Commonly-Taught Languages :If a professional language teacher is not readily available, a college-educated, native speaker of the language can be used. The language evaluator cannot be related to the applicant.

Provide your language evaluator with the Instructions for Foreign Language Evaluators . You can print these out and discuss them with the person completing the form.

If you wish to have the same person complete both a recommendation and a Foreign Language Evaluation, you will need to register the person once for the recommendation and once for the Foreign Language Evaluation. Please check with your evaluator/recommender to ensure they receive the correct forms. If your evaluator/recommender is having issues accessing the forms, please instruct them to email [email protected] for assistance.

Recommendations

You must submit three recommendation letters as part of the application. The authors should be the three individuals who can best speak to your ability to carry out the project being proposed; they should discuss your intellectual and professional preparation, and your ability to represent the U.S. abroad. You should provide the recommender with a copy of your Statement of Grant Purpose before requesting the recommendation letter. The recommendation letter should NOT simply be a character reference, as this will be of no value in assessing your ability to complete the proposed project.

Recommenders cannot be related to you. Do not submit recommendations from a parent, sibling, or other relative.
Provide reference writers with copies of the Statement of Grant Purpose and the Personal Statement so that they can write well-informed recommendation letters.
It is common courtesy to give recommenders at least 4-5 weeks to complete the recommendation letters. Confirm with your recommenders that they can submit your recommendation letters within this timeframe, and ahead of the national deadline.
You must register the recommenders in the online application system so that they can upload their recommendation letters directly into the application. When available, it is preferred you register your recommenders using their professional or institutional email address. Let your recommenders/evaluators know that they should be expecting an email message with the following information in the header
From: Fulbright U․S․Student Program ([email protected])
Subject: Fulbright Recommendation for [Your Name]
Recommendations must remain confidential. Applicants cannot upload recommendation letters on behalf of their recommenders, and recommenders should not share their recommendations with applicants.
Recommendation letters should be printed on institutional letterhead, signed by the authors, and then uploaded into the online application system. Digital signatures are also acceptable.
Provide your recommenders with the Instructions for Study/Research Recommendation Writers
All recommendations must be written in English. If the original recommendation letter is written in a language other than English there must be an official English translation. Because the recommendation letter is confidential the translation cannot be done by the applicant. Both the original recommendation letter and the English-language translation must be uploaded into the Fulbright application as a single document.
After the recommendation is submitted, it cannot be edited. However, if there is a significant error and the recommender agrees to submit a revised recommendation, the following process must be followed:
The deadline to request a letter be un-submitted is Friday, October 4, 2024 at 5:00pm Eastern Time.
The recommender sends an email from the registered email account to [email protected] to request that the recommendation be un-submitted.
The email to [email protected] must include the applicant’s full name and country of application.
The recommender will need to allow at least 48 hours for the request to be implemented.
Once the recommendation is un-submitted, the recommender can edit the recommendation and resubmit.
All recommendations must be submitted by the application deadline, Tuesday, October 8, 2024 at 5:00pm Eastern Time. Late recommendation submissions under any circumstances.
If a recommendation letter needs to be removed from the application after being submitted, the recommender must send an email from the registered email account to [email protected] to request that the recommendation be deleted from the application.

Note: Applicants and Fulbright Program Advisers cannot request that a recommendation be un-submitted.

Transcripts

The Fulbright Program requires a complete academic record of your higher education. You must provide transcripts from all undergraduate and graduate institutions from which you received degrees. Transcripts must also be submitted from other institutions where you studied and received credit for coursework. You may submit documentation of certificates (e.g. non-degree programs) only if relevant to your Fulbright Grant Purpose․ ) only if relevant to your Fulbright Grant Purpose․ However, do not submit extraneous documents as they will not enhance your application․

Failure to submit any required transcripts will result in your application being declared ineligible.

You must upload one unofficial academic transcript from each post-secondary institution from which you received (or expect to receive) a degree. Additional transcripts should be uploaded for coursework and grades not reflected on degree-granting transcripts.
If a degree is still in progress, you may upload a copy that shows the most recently completed semester.
Make sure that the document that you submit clearly shows your name, the name of the institution, and appears as an academic record that is organized chronologically--with course dates, titles, credits and grades. Screenshots of online academic portals (e.g. a course schedule) will not be accepted.
Graduate-level students who do not include undergraduate transcripts will be considered ineligible.
Consult the Transcript and Upload Instructions page for more detailed information.

Portfolio Requirements

All candidates applying in the creative and performing arts must submit a portfolio of their artistic work. These portfolio items, along with the written portions of the application, will be evaluated by screening committee members in their chosen artistic field/discipline..

The submitted arts portfolio should be a body of work that relates to the proposed project and best shows the applicant’s artistic strengths. Arts applicants should understand that they will be evaluated first and foremost on their technical and artistic skills within their chosen artistic disciplines and that the supplementary materials need to be complied in a professional manner.

Carefully review and follow the instructions in the Required Supplementary Materials for Arts Applicants . Understanding and adhering to the guidelines for your chosen artistic field of study is crucial in ensuring your portfolio adheres to the stated requirements and your application is eligible for review. Please contact [email protected] if you have any questions regarding the Arts materials requirements.
You should assemble a portfolio that relates to the proposed project and demonstrates your artistic skills and growth in the field. Portfolio material should not be outside of the artistic discipline you have selected. There is no option for ‘interdisciplinary’ or ‘multi-media’ arts, so applicants are responsible for choosing one field of study and adhering to the corresponding portfolio requirements.
You should solicit critiques from faculty members within the discipline and/or professional artists on the portfolios before submission.
Work submissions need to be labeled in detailed fashion so that the National Screening Committee members are clear on the print size and/or dimensions of objects, the materials used, what your role in the production of the pieces was, etc.

List of Arts Fields

When completing the application, please select the below field of study that most closely relates to your proposed project and the genre of your portfolio materials. As the first stage of the selection process is organized by discipline for all Arts applicants, you must take care to select the best field of study for your proposal and portfolio. Interdisciplinary or multi-disciplinary is not an option for the purposes of applying to the Fulbright U.S. Student Program.

Architecture
Creative Writing
Composition
Harpsichord
Historical Performance
Jazz Performance
Opera Stage Direction
String Instruments
Woodwind & Brass
World Music
Performance Art
Theater Arts
Design & Crafts
Drawing, Illustration, & Sequential Art
Installation Art
Painting/Printmaking
Photography

Consult the Required Portfolio Materials For Arts Applicants page for more detailed information on each field of study.

Applicants to Germany are required to submit additional materials at the semi-finalist stage. These materials are described in Additional Materials For Music And Arts For Germany and are in addition to the work samples described in the Required Supplementary Materials listed above.

Ethical Requirements

Applicants proposing research involving human beings or animals as research subjects should have their projects vetted by the Institutional Review Board (IRB) at their home institutions. Pending selection, grantees may be required to obtain research clearance from the host country (where applicable). Strong letters of affiliation should include the host institution’s commitment to guiding the applicant through any in-country clearance processes.

At-Large applicants should conduct an individual ethics review ensuring that their proposed projects are consistent with ethical standards for research involving humans as research participants as outlined in the National Guidelines for Human Subjects Research (U.S. Department of Health and Human Services, Office of Extramural Research, National Institutes of Health), and in the National Guidelines for Animal Welfare at the National Institutes of Health’s Office of Laboratory Animal Welfare or other applicable internationally recognized ethics guidance documents.

Human subjects research includes:

Clinical investigations (any experiment or study on one or more persons which involves a test product/article, whether a drug, treatment, procedure or device);
Social-behavioral studies which entail interaction with or observation of people, especially vulnerable populations (i.e., as minors, pregnant women, inmates, drug-users, the mentally impaired, displaced/refugee populations); and,
Basic scientific research to study the biology of animals, persons, or organs and specimens thereof.

The most fundamental issues in studies involving human research subjects include: valid scientific questions and approaches; potential social value; favorable risk-benefit ratio; fair selection of study participants and an adequately administered informed consent process.

On the ‘Affiliation’ page of the application, applicants must note if their proposed project will involve activities that may require a license to practice and/or involve clinical training and/or patient care.

While IRB approval is not required at the time of application, individuals selected for grants must abide by all ethical requirements before commencing their research on human and/or animal subjects through a Fulbright award.

Arts Study/Research Application Components Overview

Checklist For Creative & Performing Arts Candidates

Starting The Application

Contact the Fulbright Program Adviser at your school to discuss the campus application process and note any campus deadlines (pertains only to candidates applying through a U.S. institution).
Carefully review the program summary for the country and award to which you are applying.
Abstract/Summary of Proposal,
Host Country Engagement,
Plans Upon Return to the U.S.,
Arts Experience Summary,
Arts Portfolio Description.
Consult the Required Supplementary Materials For Arts Applicants page and requirements for the specific creative/performing arts field.
Draft a Statement of Grant Purpose that is feasible and culturally appropriate for the country of application.
Identify a potential affiliation in the host country and make contact with an appropriate person there who might be able to serve as an adviser and who could write the Affiliation Letter for the Fulbright application. Provide the author of the affiliation letter with a copy of your Statement of Grant Purpose.
If you are proposing a graduate degree program, review the admission requirements and application deadlines of the proposed host institution and program. Applicants proposing to pursue a graduate degree program must apply to the degree-granting program separate from their Fulbright application.
Draft a Personal Statement that provides the screening committee members with a fuller picture of who and what has motivated you to pursue this Fulbright opportunity.
Consult with professors and/or colleagues in the arts community with background in the country to which you are applying or those who have expertise in the field of study of the proposed project.
Solicit critiques on the draft Statement of Grant Purpose from professors, advisers, mentors, colleagues, etc., and make revisions as appropriate.
Request feedback from professors/artists on putting together a professional portfolio of supplementary material relevant to your proposed project to be reviewed by the National Screening Committee.
Contact 3 individuals to write recommendations. These individuals should be those who can best speak to your ability to carry out the project being proposed. You should provide a copy of your Statement of Grant Purpose to each recommender. Allow enough time for the recommender to complete their recommendation before your institution’s campus deadline and/or national deadline.
For candidates submitting Foreign Language Evaluations: Contact the professor or other professional foreign language instructor who will complete the Foreign Language Evaluation form for the application.
Obtain transcripts from each post-secondary institution attended.

Before Submitting The Application

Make any necessary revisions based on feedback from the Campus Interview Committee (pertains only to candidates applying through a U.S. institution).
Check for typos—misspellings, capitalization errors, grammatical mistakes, etc.
Make sure that all of the required fields on the Biographical Data pages have been filled in, including the Project Title and Abstract of Proposal sections.
Check to make sure that your Statement of Grant Purpose, the Personal Statement, and the transcripts have been uploaded into the correct sections of the application.
Confirm that recommenders and language evaluators are registered in the application system and have received the email link to complete the recommendation/evaluation. Applicants can submit their application before the recommendations/evaluations are submitted. After application submission and before the national deadline, applicants can log in to the application and resend email links.
Double-check the portfolio materials to make sure that they will play/display properly.
Preview the complete application in the Fulbright online application system by going to the Review page.
Print a copy of the application for your records.

Articles on Creative writing

Displaying 1 - 20 of 46 articles.

UK’s creative industries bring in more revenue than cars, oil and gas – so why is arts education facing cuts?

Adam Behr , Newcastle University

An ode to the social realism of ‘boring’ lyrics – from The Kinks to The Streets

Glenn Fosbraey , University of Winchester

How to write a love song – three tips for beginners from a songwriting expert

‘ Cli-fi ’ might not save the world, but writing it could help with your eco-anxiety

Rachel Hennessy , The University of Melbourne ; Alexander Cothren , Flinders University , and Amy T Matthews , Flinders University

I research the therapeutic qualities of writing about art – here are three steps for trying it yourself

Patrick Wright , The Open University

Creative writing can help improve one’s health: a South African study shows how

Dawn Garisch , University of Cape Town and Steve Reid , University of Cape Town

Boxing empowered me to express my trauma – now, I help other abuse survivors do the same, combining it with creative writing

Donna Lyon , The University of Melbourne

How a poet and professor promotes racial understanding with lessons from history

Quraysh Ali Lansana , Oklahoma State University

How to understand your grief through writing

Catherine Cole , Liverpool John Moores University

Write what you know: the COVID experience is a rich resource for year 12 English exams

Janet Dutton , Macquarie University

5 ways to teach the link between grammar and imagination for better creative writing

Brett Healey , Curtin University

Writing can improve mental health – here’s how

Christina Thatcher , Cardiff Metropolitan University

In an AI world we need to teach students how to work with robot writers

Lucinda McKnight , Deakin University

To succeed in an AI world, students must learn the human traits of writing

‘Lit therapy’ in the classroom: writing about trauma can be valuable, if done right

Yannick Thoraval , RMIT University

Too many adjectives, not enough ideas: how NAPLAN forces us to teach bad writing

What my students taught me about reading: old books hold new insights for the digital generation

Kate Flaherty , Australian National University

Life sentences – what creative writing by prisoners tells us about the inside

Dr Michael X. Savvas , Flinders University

Frozen in time, the casts of Indigenous Australians who performed in ‘human zoos’ are chilling

Katherine Johnson , University of Tasmania

‘I’m in another world’: writing without rules lets kids find their voice, just like professional authors

Top contributors

Visiting Fellow, Centre for Cultural and Creative Research, University of Canberra, University of Canberra

Associate professor, Deakin University

Adjunct assistant professor, University of New England

PhD Student, School of Education, Curtin University

Lecturer in Creative Writing, University of Southern Queensland

Associate Dean of Humanities and Social Sciences, University of Winchester

Dean of Research (Creative), University of South Australia

Associate Professor in Media, University of Notre Dame Australia

Distinguished Professor of Creative Practice, Faculty of Arts and Design, University of Canberra

Senior Lecturer in Creative Writing, University of Stirling

Lecturer in Professional and Creative Writing, Deakin University

Principal Lecturer in Creative Writing, Coventry University

Professor of Creative Arts, Griffith University

PhD candidate in Digital Cultures, University of Sydney

Conjoint Senior Lecturer, University of Newcastle

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National Endowment for Arts Announces Second Round of Grants for FY 2021

Students stand around a table with art work while a teacher holds up another piece of art work for them to see

Studio in a School Association is recommended for an FY 2021 Grants for Arts Projects award to create a new visual arts instruction model framed in culturally relevant and multicultural approaches. In this photo, Studio NYC Artist Instructor Leigh Ruple leads a class of second grade students through a reflection on the day’s painting lesson. Photo by Mindy Best

Washington, DC —For its second major grant announcement of fiscal year 2021, the National Endowment for the Arts announces more than $88 million in recommended grants to organizations in all 50 states and jurisdictions.

Grants to organizations in three funding categories are included in this round: Grants for Arts Projects, Our Town, and State and Regional Partnerships.

Click here for a list of grant recipients organized by state/territory and city/town
Click here for a list of grant recipients organized by funding category and artistic discipline/field
All current grants and project details can be viewed through the Arts Endowment’s recent grant search .

“As the country and the arts sector begin to imagine returning to a post-pandemic world, the National Endowment for the Arts is proud to announce funding that will help arts organizations reengage fully with partners and audiences,” said NEA Acting Chairman Ann Eilers. “While the arts, whether through books, movies, or online performances and programs, have been a sustaining force for many throughout the pandemic, the chance to gather with one another and share arts experiences is its own necessity and pleasure.”

Grants for Arts Projects Grants for Arts Projects (GAP) is the principal grant category of the National Endowment for the Arts, supporting public engagement with, and access to, various forms of art across the nation, the creation of excellent art, learning in the arts at all stages of life, and the integration of the arts into the fabric of community life.

Matching grants in this category range from $10,000 to $100,000, cover 13 artistic disciplines, and are for organizations in all 50 states, Puerto Rico, and Washington, DC. In July 2020, the agency received 1,924 eligible GAP applications. Approved for funding are 1,172 projects totaling more than $27 million.

Recommended grants this round support a range of activities, including:

The creation of a new visual arts instruction model framed in culturally relevant and multicultural approaches by Studio in a School Association (New York, New York)—Through year-long residencies with teaching artists and professional development for educators, Studio in a School will develop, implement, and test instructional resources focused on historical and contemporary artists and artworks, as well as units of instruction influenced by student insights into their community and cultural heritage.
A community public arts project by Pueblo of Acoma (Pueblo of Acoma, New Mexico)—A contemporary artist and an archeologist/historian will work with Acoma youth and young adults to paint as many as five mural-sized panels with works of art expressing their feelings about the COVID-19 pandemic and racial unrest.
The River City Jazz Masters series with music performances and related outreach activities by Arts Council of Greater Baton Rouge (Baton Rouge, Louisiana)—The series will be curated in partnership with the River City Jazz Coalition, with outreach activities such as artist residencies at Southern University Baton Rouge, a historically Black university; a series of reduced ticket price performances by emerging musicians; and educational programming.
A collaborative arts project by Regents of the University of Minnesota on behalf Weisman Art Museum (Minneapolis, Minnesota) at Stillwater Prison—Through video, poetry, installation, and performance, the project will support the development of original artworks created in collaboration between incarcerated artists and Twin Cities artists.

The next deadline for organizations interested in applying for Grants for Arts Projects is July 8, 2021; visit arts.gov for more information.

Our Town Our Town is the Arts Endowment’s creative placemaking grants program, supporting projects that integrate arts, culture, and design activities into efforts that strengthen communities by advancing local economic, physical, and/or social outcomes.

Matching grants in this category range from $25,000 to $150,000 and support projects that will take place in 28 states, the District of Columbia, Puerto Rico, and Northern Mariana Islands, including rural or tribal communities across the country, from the Alaska's North Slope to Tallahatchie County, Mississippi. In August 2020, the agency received 370 eligible applications. Approved for funding are 63 projects totaling more than $4 million.

Explore more about the recommended Our Town awards. Visit the Creative Placemaking section of arts.gov to learn how these projects help to transform communities into lively, beautiful, and resilient places with the arts at their core.

The next deadline for organizations interested in applying for Our Town is August 5, 2021. Guidelines will be available in the coming weeks; visit arts.gov for more information.

Please note, this year, to aid the arts community during the COVID-19 pandemic, Congress is allowing the National Endowment for the Arts to change certain awards issued in fiscal years 2019-2021 from approved project-based support to general operating support. If an organization applies for and is approved for a waiver, it is noted in their project description in grant search . This applies to the Grants for Arts Projects and Our Town grants above.

State and Regional Partnership Agreements In partnership with the state and jurisdictional arts agencies (SAAs) and regional arts organizations (RAOs), the National Endowment for the Arts provides federal support for projects that benefit local communities.

The Partnership Agreements for the state arts agencies provide funds to address priorities identified at the state level and help to cultivate a strong statewide arts infrastructure and position the arts in a broad range of areas such as cultural tourism, community revitalization, economic development, education, and health and human services.

The regional arts organizations, each representing a geographic grouping of states, assist the Arts Endowment in distributing funds and programs nationally through touring and other activities that are responsive to the needs of the region.

Each year, 40 percent of the agency’s grantmaking funds are designated for state arts agencies, regional arts organizations, and national service organizations that support the work of the states and regions. A total of $56.7 million is recommended for these partners in FY 2021, with $45.7 million of that total designated for the state arts agencies. Each SAA and RAO matches its Arts Endowment funding on at least a 1:1 basis.

In FY 2021, all of the SAAs will receive Folk Arts Partnership support for programs and activities such as apprenticeships, fieldwork, and strategic partnerships with the goal of strengthening living traditions, awareness of and engagement with diverse cultural communities, and extending the agency's reach into underserved communities. Previously this support had been an optional and competitive element of the award.

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Arts Writers Announces 2021 Grants
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Grants List + Grant Writing Template
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Writing Grants A Step by Step Guide to the Process
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Project Based Learning

COMMENTS

CREATIVE WRITING FELLOWSHIPS
The Literature Fellowships program awards grants in prose (fiction and creative nonfiction) and poetry to published creative writers that enable the recipients to set aside time for writing, research, travel, and general career advancement. Grants to individuals are only available in Literature. * Deadline has passed. New application guidelines anticipated in January 2025.
20 Grants for Writers
Ready to apply for money to fund your writing? Here are 20 great grants for writers based in the United States. 1. ... Application dates for the next round of grants have yet to be announced for 2021, ... Artists 360 provides $7,500 grants "to support creative projects, learning opportunities to develop entrepreneurship skills and build ...
Writing Contests, Grants & Awards July/August 2024
The Writing Contests, Grants & Awards database includes details about the creative writing contests—including poetry contests, short story competitions, essay contests, awards for novels, and more—that we've published in Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it.
25 Best Grants For Writers To Fund Their Craft
This fund is for queer writers of color only. Their stated goal is to raise $100,000 to help at least 100 writers, and they dispense funds for writers according to the amount they receive in donations. At this time of this writing, they're able to dispense a minimum $100 and a maximum $500 to every approved applicant.
CREATIVE WRITING FELLOWSHIPS: How to Apply
Go to Register. (link is external) and click the red button that says "Get Registered Now" at the bottom of the screen. Next, fill out the contact information, choose a Username and Password, and then click "Continue" at the bottom of the screen. Grants.gov will email you a temporary code to verify your email address.
Grants
The International Armenian Literary Alliance (IALA) is pleased to announce its three new annual grants for one writer and two translators whose works-in-progress show exceptional literary and creative ability. Applications open on September 1 until September 30, 2024, and winners will be announced in December 2024.
Fellowships
National Endowment for the Arts Creative Writing Fellowships. What it is: The National Endowment for the Arts Creative Writing Fellowships offer $25,000 grants in fiction, creative nonfiction, and poetry to enable creative writers to set aside time for writing, research, travel, and general career advancement. Who's it for: To be eligible, you have to be a citizen of the United States, you ...
CREATIVE WRITING FELLOWSHIPS: Program Description
The National Endowment for the Arts (NEA) Literature Fellowships program offers $25,000 grants in prose (fiction and creative nonfiction) and poetry to published creative writers that enable recipients to set aside time for writing, research, travel, and general career advancement. Applications are reviewed through an anonymous process in which the criteria for review are the artistic ...
MFA Programs Database: 255 Programs for Creative Writers
Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we've published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests ...
Arts Writers
In its 2021 cycle, the Arts Writers Grant has awarded a total of $695,000 to 20 writers. Learn more about the grantees. Creative Capital is a nonprofit, grantmaking organization with the mission to fund artists in the creation of groundbreaking new work, to amplify the impact of their work, and to foster sustainable artistic careers.
Arts Writers Announces 2021 Grants
In its 2021 cycle, the Arts Writers Grant has awarded a total of $695,000 to 20 writers. Ranging from $15,000 to $50,000 in three categories—articles, books and short-form writing— these grants support projects addressing both general and specialized art audiences, from short reviews for magazines and newspapers to in-depth scholarly studies.
Literary Grants
Literary Grants. Since 1963, the PEN America Literary Awards, Grants, and Fellowships Program has honored many of the most outstanding voices in literature across diverse genres, including fiction, poetry, nonfiction, children's literature, translation, and drama. With the help of our partners, PEN America confers distinct grants each year to ...
Teen Writing Contests & Grants
Apply for the YoungArts National Arts Competition, for writers ages 15-18. Creative nonfiction, novels, plays, scripts, poetry, short stories, and more.
Meet Our 2021 Emerging Writer Fellows
The nine exceptional recipients of the 2021 The Center for Fiction/Susan Kamil Emerging Writer Fellowships are Joshua Borja, Gina Chung, Caleb Gayle, Senny George, Jared Jackson, Jen Lue, Mary Wang, Katie Yee, and Na Zhong. Each Fellow receives a $5,000 grant, mentorship with a distinguished editor, and publication in the annual fellows anthology.
Fully Funded MFA Programs in Creative Writing
The stipend for the 2020-2021 academic year is $29,926. Also, students in good standing receive a summer stipend of $2,993. Boston University (Boston, MA): Tuition costs will be covered for every admitted student for the MFA degree in the BU Creative Writing Program. In addition, admitted students will receive university health insurance while ...
Grants
The Literature Fellowships program awards grants in prose (fiction and creative nonfiction) and poetry to published creative writers that enable the recipients to set aside time for writing, research, travel, and general career advancement. Grants to individuals are only available in Literature. * Deadline has passed.
Arts Writers Grant
The Andy Warhol Foundation Arts Writers Grant supports emerging and established writers who write about contemporary visual art. Ranging from $15,000 to $50,000 in three categories—articles, books, and short-form writing—the grants support projects addressing both general and specialized art audiences, from short reviews for magazines and newspapers to in-depth scholarly studies.
The Andy Warhol Foundation Arts Writers Grant ...
In its 2021 cycle, the Arts Writers Grant has awarded a total of $695,000 to 20 writers. Ranging from $15,000 to $50,000 in three categories—articles, books and short-form writing— these grants support projects addressing both general and specialized art audiences, from short reviews for magazines and newspapers to in-depth scholarly studies.
US Fulbright Program
The Fulbright U.S. Student Program welcomes applications in the creative and performing arts. Arts candidates for the U.S. Student Program should have relatively limited professional experience in the fields (typically 7 years or less) in which they are applying. Artists with more experience should consider applying for the Fulbright Scholar ...
About the M.F.A. in Creative Writing
Fast Facts. Our M.F.A. program is three years. We offer full and equitable funding for all students through Teaching Assistantships and tuition waivers. We admit two to four students per genre each year (nine students per cohort, on average). Our program is small by design, ensuring that community and mentorship are central to the experience of ...
Creative writing News, Research and Analysis
Brett Healey, Curtin University. What children say about free writing is similar to how professional authors describe the creative process. Teachers should give kids freedom to explore, providing ...
National Endowment for Arts Announces Second Round of Grants for FY 2021
Partnership Agreement Grants; Creative Writing; Translation Projects; Volunteer to be an NEA Panelist ... The next deadline for organizations interested in applying for Grants for Arts Projects is July 8, 2021; visit arts.gov for more information. Our Town Our Town is the Arts Endowment's creative placemaking grants program, supporting ...
M.F.A. Faculty
Alexandra Teague. Associate Chair and Professor of English; Co-director, MFA in Creative Writing; Co-director, Women's Gender & Sexuality Studies. Brink Hall 228. [email protected]. Read More.

25 Of The Best Grants For Writers To Fund Their Craft

25 Writers’ Grants to Fund Your Next Project

Elizabeth George Foundation

PEN American Writers Emergency Fund

SFWA Emergency Medical Fund

What the Fund (Worldwide)

Queer Writers of Color Relief Fund

Mary Wollstonecraft Shelley Scholarship

Sustainable Arts Foundation Award

Creative Writing Grants

Carnegie Fund for Authors (US)

Karen and Philip Cushman Late Bloomer Award

PEN/Phyllis Naylor Grant for Children and Young Adult Novelists

Speculative Literature Foundation (6 Grants)

Nonfiction Writing Grants

Grants for Writers of Color

Eleanor Taylor Bland Crime Fiction Grand

Ernest J. Gaines Award for Literary Excellence

Grants for Female Writers

Money for Women by the Barbara Deming Memorial Fund

Grants for Parents

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