how to write an ap lit poem essay

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How to Write the AP Lit Poetry Essay

What’s covered:.

• How to Write the AP Literature Poetry Essay
• Tips for Writing The AP Lit Poetry Essay

To strengthen your AP Literature Poetry Essay essay, make sure you prepare ahead of time by knowing how the test is structured, and how to prepare. In this post, we’ll cover the structure of the test and show you how you can write a great AP Literature Poetry Essay.

What is the AP Lit Poetry Essay? 

The AP Literature exam has two sections. Section I contains 55 multiple choice questions, with 1 hour time allotted. This includes at least two prose fiction passages and two poetry passages. 

Section II, on the other hand, is a free response section. Here, students write essays to 3 prompts. These prompts include a literary analysis of a poem, prose fiction, or in a work selected by the student. Because the AP Literature Exam is structured in a specific, predictable manner, it’s helpful to prepare yourself for the types of questions you’ll encounter on test day. 

The Poetry Essay counts for one-third of the total essay section score, so it’s important to know how to approach this section. You’ll want to plan for about 40 minutes on this question, which is plenty of time to read and dissect the prompt, read and markup the poem, write a brief outline, and write a concise, well-thought out essay with a compelling analysis. 

Tips for Writing the AP Lit Poetry Essay

1. focus on the process.

Writing is a process, and so is literary analysis. Think less about finding the right answer, or uncovering the correct meaning of the poem (there isn’t one, most of the time). Read the prompt over at least twice, asking yourself carefully what you need to look for as you read. Then, read the poem three times. Once, to get an overall sense of the poem. Second, start to get at nuance; circle anything that’s recurring, underline important language and diction , and note important images or metaphors. In your annotations, you want to think about figurative language , and poetic structure and form . Third, pay attention to subtle shifts in the poem: does the form break, is there an interruption of some sort? When analyzing poetry, it’s important to get a sense of the big picture first, and then zoom in on the details. 

2. Craft a Compelling Thesis

No matter the prompt, you will always need to respond with a substantive thesis. A meaty thesis contains complexity rather than broad generalizations , and points to specifics in the poem.

By examining the colloquial language in Gwendolyn Brooks’s poem, “We Real Cool”, we can see the tension of choosing to be “cool”. This raises important ideas about education, structure, and routine, and the consequences of living to be “real cool”.

Notice how the thesis provides a roadmap of what is to follow in the essay , and identifies key ideas that the essay will explore. It is specific, and not vague. The thesis provides a bigger picture of the text, while zooming in the colloquial language the speaker uses. 

A good thesis points out the why as much as the what . Notice how in the above example, the thesis discusses language in the poem as it connects to a bigger message about the poem. For example, it’s not enough to discuss Emily Dickinson’s enjambment and hyphens. A good thesis will make a compelling argument about why those infamous Dickinson hyphens are so widely questioned and examined. Perhaps a good thesis might suggest that this unique literary device is more about self-examination and the lapse in our own judgement. 

3. Use Textual Evidence 

To support your thesis, always use textual evidence . When you are creating an outline, choose a handful of lines in the poem that will help illuminate your argument. Make sure each claim in your essay is followed by textual evidence, either in the form of a paraphrase, or direct quote . Then, explain exactly how the textual evidence supports your argument . Using this structure will help keep you on track as you write, so that your argument follows a clear narrative that a reader will be able to follow. 

Your essay will need to contain both description of the poem, and analysis . Remember that your job isn’t to describe or paraphrase every aspect of the poem. You also need lots of rich analysis, so be sure to balance your writing by moving from explicit description to deeper analysis. 

4. Strong Organization and Grammar

A great essay for the AP Literature Exam will contain an introduction with a thesis (not necessarily always the last sentence of the paragraph), body paragraphs that contain clear topic sentences, and a conclusion . Be sure to spend time thinking about your organization before you write the paper. Once you start writing, you only want to think about content. It’s helpful to write a quick outline before writing your essay. 

There’s nothing worse than a strong argument with awkward sentences, grammatical errors and spelling mistakes. Make sure to proofread your work before submitting it. Carefully edit your work, paying attention to any run-on sentences, subject-verb agreement, commas, and spelling. You’d be surprised how many mistakes you’ll catch just by rereading your work. 

Common Mistakes on the AP Literature Poetry Essay 

It can be helpful to know what not to do when it comes time to prepare for the AP Literature Poetry Essay. Here are some common mistakes students make on the AP Literature Poetry Essay:

1. Thesis is not arguable and is too general 

Your thesis should be arguable, and indicate the central ideas you will discuss in your essay. Read the prompt carefully and craft your thesis in light of what the prompt asks you to do. If the prompt mentions specific literary devices, find a way to tie those into your thesis. In your thesis, you want to connect to the meaning of the poem itself and what you feel the poet intended when using those particular literary devices.

2. Using vague, general statements rather than focusing on analysis of the poem

Always stay close to the text when writing the AP Literature Poetry Essay. Remember that your job is not to paraphrase but to analyze. Keep explicit descriptions of the poem concise, and spend the majority of your time writing strong analysis backed up by textual evidence.

3. Not using transitions to connect between paragraphs

Make sure it’s not jarring to the reader when you switch to a new idea in a new paragraph. Use transitions and strong topic sentences to seamlessly blend your ideas together into a cohesive essay that flows well and is easy to follow. 

4. Textual evidence is lacking or not fully explained 

Always include quotes from the text and reference specifics whenever you can. Introduce your quote briefly, and then explain how the quote connects back to the topic sentence after. Think about why the quotes connect back to the poet’s central ideas. 

5. Not writing an outline

Of course, to write a fully developed essay you’ll need to spend a few minutes planning out your essay. Write a quick outline with a thesis, paragraph topics and a list of quotes that support your central ideas before getting started.

To improve your writing, take a look at these essay samples from the College Board, with scoring guidelines and commentary. 

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The Ultimate Guide to Writing an AP Literature Poetry Essay + Examples [2025]

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If you’re diving into AP English Literature and Composition, you probably feel excitement and trepidation. Don’t worry; I’ve been there too! The poetry essay portion of the AP Literature exam can be particularly challenging, but with the right approach, you’ll be crafting insightful analyses in no time. 

In this guide, I’ll walk you through the process on how to write an AP lit poetry essay, sharing tips and tricks I’ve learned from my experience as a student and a teacher. 

Let’s embark on this literary journey together!

Table of Contents

Decoding the Poem: Breaking Down the Elements

Before you can write an effective essay, you need to dissect the poem and identify its key components. This process begins with a careful reading of the poem. I recommend reading the poem at least three times: once for initial impressions, once for deeper understanding, and once for annotation.

As you read, pay close attention to the poet’s use of literary devices . Look for instances of imagery, metaphor, personification, and other figurative language. Don’t forget to examine the poem’s structure, including its rhyme scheme, stanza arrangement, and use of line breaks. These elements can often provide valuable insights into the poem’s meaning and the poet’s intentions.

Remember, annotation is your friend! Jot down your observations, questions, and initial interpretations in the margins. This will serve as a valuable resource when you start crafting your essay.

Now, let’s move on to the heart of your essay – the thesis statement .

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Formulating a Strong Thesis Statement

Now that you’ve analyzed the poem, it’s time to develop your thesis statement. This is the backbone of your essay, guiding your poetry analysis and providing a clear direction for your arguments. A strong thesis for an AP English literature poetry essay should do more than just state the obvious. It should present an arguable claim about the poem’s meaning, significance, or effectiveness.

For example, instead of writing, “This poem uses imagery to convey its message,” you might say, “ Through vivid natural imagery and somber diction, the poet creates a melancholic atmosphere that reflects the speaker’s sense of loss and longing.”

Remember, a good thesis statement should be specific to the poem you’re analyzing and should set up the main points you’ll discuss in your essay. It’s okay if your thesis evolves as you write – that’s part of the writing process!

With your thesis in place, it’s time to organize your thoughts coherently.

Structuring Your Essay for Maximum Impact

A well-organized essay makes your arguments clearer and demonstrates your ability to think critically about literature. In academic writing, structure is key. I recommend following the Five-Paragraph Structure (outline) for an AP Lit poetry essay.

While not mandatory, the five-paragraph structure provides a solid framework for effectively organizing your thoughts and arguments.

• Introduction (with thesis statement)
• Body paragraph 1: First main point
• Body paragraph 2: Second main point
• Body paragraph 3: Third main point (if time allows)

Each body paragraph should begin with a clear topic sentence related to your thesis. As you progress your essay, use transitional phrases to create smooth connections between ideas. This will help your writing flow naturally and keep your reader engaged.

Now that we have our roadmap, let’s start our journey with the introduction.

Writing the Introduction: Setting the Stage

Your introduction should grab the reader’s attention, provide context for the poem, and present your thesis statement . Begin with a hook – perhaps a thought-provoking question or an intriguing observation about the poem. Then, briefly introduce the poet and the poem, providing any relevant background information. Finally, end your introduction with your thesis statement. This paragraph sets the tone for your essay, so make it count!

With the stage set, it’s time to dive into the meat of your essay – the body paragraphs.

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Crafting Body Paragraphs: Supporting Your Argument

Each body paragraph should focus on a specific aspect of the poem that supports your thesis, using textual evidence and analysis. Start each paragraph with a clear topic sentence that relates to your thesis. Then, provide a specific example from the poem – a quote , a description of imagery , or a discussion of a literary device .

After presenting your evidence, explain how it supports your argument. This is where your critical thinking skills shine! Don’t just describe what the poet is doing; analyze why they’re doing it and how it contributes to the poem’s overall meaning.

As we near the end of our essay, it’s time to bring everything together in a powerful conclusion.

Constructing a Powerful Conclusion

Your conclusion should restate your thesis, summarize your main points, and give the reader a final thought on the significance of the poem. But don’t just repeat what you’ve already said! Instead, synthesize your arguments to show how they all work together to support your thesis. 

You might also consider the poem’s broader implications or how it relates to larger themes in literature . End with a thought-provoking statement that leaves your reader with something to ponder.

Although our essay has been drafted, we’re not quite done yet. The final step is crucial for polishing your work.

Revising and Polishing Your Essay

After completing your first draft, revise your essay for clarity, coherence, and persuasiveness. Read your essay aloud to catch awkward phrasing or unclear ideas. Check that each paragraph flows smoothly into the next, using  transition phrases to link your ideas.

Make sure your  evidence directly supports your thesis and that you’ve fully explained your reasoning. Pay attention to your writing style , aiming for a formal yet engaging tone. And, of course, don’t forget to proofread for grammar and spelling errors!

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Using Textual Evidence to Support Your Claims

Use specific examples from the poem to convince your reader of your interpretation. When you claim the poem’s meaning or the poet’s techniques, always back it up with a relevant quote or reference to the text.

For instance, if you’re discussing the poet’s use of imagery, you might write: “The poet’s vivid description of ‘sun-blanched bones scattered across the desert floor’ (line 12) creates a desolate atmosphere, emphasizing the theme of mortality.”

Remember to integrate quotes smoothly into your sentences and explain how the evidence supports your argument. This shows that you’re not just identifying literary devices but truly analyzing their effect on the poem.

As we craft these paragraphs, we’ll need to pay special attention to the poet’s use of literary devices.

Analyzing Poetic Devices and Their Effects

Identifying literary techniques is insufficient; you must explain how these devices contribute to the poem’s overall meaning or impact. This is where your critical thinking skills come into play.

For example, don’t just point out that the poet uses alliteration. Instead, consider how the repetition of sounds contributes to the poem’s mood or reinforces its themes. Does the soft repetition of ‘s’ sounds create a soothing effect, or does a harsh repetition of ‘k’ sounds contribute to a sense of conflict?

Look for examples of literal and figurative language, such as metaphors, similes, and personification. Consider how the poet uses rhyme, rhythm, and sound devices to create effects. Analyze the tone and mood of the poem and how they’re created through word choice and imagery.

Remember, the goal is to show how the poet’s choices in language, structure, and literary devices work together to create meaning. This level of analysis separates a good AP Lit essay from a great one.

Connecting the Poem to Broader Themes or Context

A stellar AP Lit essay goes beyond surface-level analysis to explore the poem’s relationship to larger literary or historical contexts. This doesn’t mean you need to be an expert in the poet’s entire body of work or the historical period, but if you can make relevant connections, it will enhance your analysis.

For instance, if you’re analyzing a poem about nature by Robert Frost, you might discuss how it fits into the broader tradition of American Romantic poetry. Or, if you’re examining a World War I poem, you could consider how its themes reflect the disillusionment of the post-war period.

These connections show the College Board that you’re not just analyzing in a vacuum but thinking critically about literature in a broader context.

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Perfecting Your Writing Style and Tone

Your essay should be informative and demonstrate your ability to write with clarity, sophistication, and engagement. While AP Lit essays are a form of academic writing, they don’t have to be dry or overly formal.

Aim for a balanced tone that’s neither too casual nor too stiff. Use varied sentence structures to keep your writing dynamic, and choose precise, vivid words to convey your ideas. Remember, AP readers are looking for essays that showcase your analytical skills and your command of written English.

Time Management: Balancing Analysis and Writing

With only 40 minutes to plan and write your essay, effective time management is crucial for success. I recommend spending about 10 minutes reading and annotating the poem, 5-7 minutes planning your essay, and the remaining time writing.

Don’t get bogged down trying to create a perfect first draft. Focus on getting your main ideas down on paper, and if you have time at the end, go back and refine your writing. Remember, a strong argument with a few grammatical errors is better than a weak argument with perfect grammar!

As we wrap up, let’s consider some common pitfalls to avoid in your AP Lit poetry essay.

Common Pitfalls to Avoid

Be aware of common mistakes that can weaken your AP Lit poetry analysis essay, such as:

• Summarizing instead of analyzing or neglecting to support your claims with evidence.
• Avoid vague generalizations – always be specific in your analysis.
• Don’t try to cover every aspect of the poem; focus on the elements that best support your thesis.
• While using literary terms is important, don’t overdo it. You aim to demonstrate your understanding, not show off your vocabulary.

AP Lit poetry Essay Examples

• An Analysis of Robert Frost’s “The Road Not Taken” | AP Lit Poetry Essay
• The Beat Generation’s Manifesto: An Analysis of Allen Ginsberg’s “Howl” | AP Lit Poetry Essay

Conclusion: Final Tips on How To Write An AP Lit Poetry Essay

As you prepare for the AP Lit exam, remember that writing about poetry is a skill that improves with practice and reflection. Don’t be discouraged if your first attempts don’t meet your expectations. Keep reading poetry, analyzing it, and writing about it.

Familiarize yourself with the AP Literature and Composition rubric to understand exactly what the readers want. And don’t forget to read widely – the more literature you’re exposed to, the better equipped you’ll be to handle whatever poem the exam throws your way.

Remember, the goal of the AP Lit poetry essay isn’t just to get a good score (although that’s nice, too!). It’s to develop your literary analysis and critical thinking skills – skills that will serve you well in college and beyond. So approach each poem with curiosity and enthusiasm, and let your love for literature shine through in your writing. Good luck!

I am dedicated to creating engaging blog posts that provide valuable insights and advice to help students excel in their studies. From study tips to time management strategies, my goal is to empower students to reach their full potential.

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Poetry & Poets

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How To Write Ap Lit Poetry Essay

Understand the Basics

Writing an AP Lit poetry essay requires a preconceived understanding of the poem’s structure, language, and subtext. Before beginning an essay, the reader should be familiar with the fundamental aspects of poetic composition. Understanding the distinction between the poem’s meter and rhythm, the use of simile and metaphor, and the purpose of the poem’s title can make a great difference in the essay. In addition to knowledge of the poem’s elements, students should possess an understanding of poetry analysis, be able to utilize theoretical frameworks, and be familiar with literary terms such as “synecdoche” and “denouement”. Understanding the basics is the foundation of formulating an effective essay.

Analyze Closely

Once the basic understanding of the poem is developed, the student can move on to deeper analysis. When writing an AP Lit poetry essay, analysis of both content and form is essential to a successful essay. Content analysis is the examination of the poem’s topics and the manner in which the author conveys them. This includes understanding the poem’s purpose and what the poet intends to communicate. Formal analysis examines rhyme scheme, meter, and other elements of poetic structure. Analyzing close reading of the text but also to draw connections between the poem and its historical, cultural, and literary context.

Utilize the Essay Format

Essays structures may vary, but following a precise format increases the essay’s clarity. A good essay structure involves providing a thesis statement, a brief introduction, body paragraphs and a conclusion. Moreover, many AP Lit Poetry essay prompts involve more than one poem. In this case, students should delineate one thesis statement per poem. Each body paragraph should be devoted to a single point, which should be stated in the topic sentence. Additionally, the essay should be logically unified, for example, by presenting evidence that supports the thesis or by connecting one point to the next.

Engage with the Poem

Writing an AP Lit poetry essay requires careful engagement with and interpretation of the poem. This requires the student to employ personal and critical literacy which involves thoughtfully analyzing the poem and forming a personal opinion. This involves noting connections to the poem’s context, examining how the poem speaks to the reader, and considering how the poem’s themes intrigue and challenge the student. Articulating an original opinion is the backbone of any AP Lit poetry essay.

Maintain an Objective Tone

Objectivity is an essential component of an excellent AP Lit Poetry essay. The essay should focus on explaining and analyzing the poem’s content and form without taking sides. Even if the student disagrees with the poet’s message, the essay should still take into account the poem’s possible underlying meaning. When voicing any criticism or disagreement, the student should use an objective tone and avoid any kind of personal attacks.

Develop Writing Through Reflection

Writing an AP Lit Poetry essay is a process, not a one-time event. This process requires reflection by the student, to gauge their successes and failures in the essay they have written. By reflecting, the reader can identify any weak areas in their essay and address them (e.g. by providing additional evidence) in a re-write. Writing a poem is an opportunity to develop one’s literary analysis skills and better appreciate poetry on a deeper level. Reflecting on the poet’s work can provide insights which can be further utilized in other projects or academic assignments.

Build on Previous Essay Content

Building upon the content of previously written essays can be a great way to enhance the effectiveness of a poem essay. For instance, if the prompt for a poem revolves around the same theme as a previously written poem essay, the student can utilize the same research and analysis techniques. However, the essay should be significantly different; otherwise, it can be considered plagiarism. It is also important to gain new insights and do additional research to back up claims made in the essay.

Integrate Vocabulary and Grammar

Fluency in language is an important component of writing an effective AP Lit Poetry essay. When writing the essay, the student should employ vocabulary that best describes the poem’s content and structure. The essay should also demonstrate a command of grammar and punctuation. Mistakes in grammar, spelling, or syntax will not only weaken the essay’s argument, but also reflect negatively on the student’s level of education. Making sure that grammar and vocabulary are properly integrated into the essay can ensure an effective and successful essay.

Minnie Walters

Minnie Walters is a passionate writer and lover of poetry. She has a deep knowledge and appreciation for the work of famous poets such as William Wordsworth, Emily Dickinson, Robert Frost, and many more. She hopes you will also fall in love with poetry!

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—AP Poetry Analysis—

We choose our AP Poetry Analysis prompts not just to prepare students for the essay on the AP Literature exam, but also to introduce the major themes of the novel or play through a complementary text that addresses the subject matter through a different lens.  Similar to the thought-provoking quotation that we use as the basis of our Journal Discussions, we want to give students another perspective on the issues they will encounter in the novel or play they are about to read.

Oftentimes, the choice of poem is relatively obvious by allusions made in the title or text of the novel or play.  For instance, when reading Chinua Achebe's  Things Fall Apart , it makes sense to analyze William Butler Yeats' "The Second Coming," the poem from which the title of the novel is taken.  Similarly, when reading Kate Chopin's  The Awakening , it is helpful to analyze Charles Swinburne's "A Cameo" since Gouvernail murmurs the first two lines of the poem during Edna's farewell dinner on Esplanade Street. There is a reason that authors and playwrights allude to other literary works, and our job as readers is to determine the thematic connection between the two. 

When there is not an obvious allusion made in the title or text, we have the opportunity to select a poem that relates thematically to the novel or play and is consistent with the AP Literary Analysis prompt already chosen.  For instance, when we teach Sandra Cisneros'  The House on Mango Street , we want students to focus on how Esperanza's feelings towards her neighborhood change over the course of the novel.  To achieve this purpose we chose the 2010 AP Literary Argument prompt for our final essay:

"You can leave home all you want, but home will never leave you."

- Sonsyrea Tate

Sonsyrea Tate's statement suggests that "home" may be conceived as a dwelling, a place, or a state of mind.  It may have positive or negative associations, but in either case, it may have a considerable influence on the individual.

Choose a novel or play in which a central character leaves home yet finds that home remains significant.  Write a well-developed essay in which you analyze the importance of "home" to this character and the reasons for its continuing influence.  Explain how the character's idea of home illuminates the larger meaning of the work.

While there are many poems that focus on the concept of "home," we selected Robert Hayden's "Those Winter Sundays" to compare and contrast with Cisneros' work.  When analyzing any piece of literature, we focus on the four pillars of style analysis:  diction, imagery, language, and syntax.  We go into depth on all four pillars in the Style Analysis Tutorial , so for this section we will focus on what is unique about analyzing poetry in comparison to prose.

When we present a poem to the class, we structure it like an AP Poetry Analysis prompt that students will find on the AP Literature exam so they get more comfortable with the format:

When we first introduce poetry to students, we note that paragraphs and sentences in prose have been replaced with stanzas and lines in poetry.  We emphasize, however, that most poetry is still written in complete thoughts and contains end punctuation.  Our advice to students is to read poetry as if it were prose, pausing and stopping when the punctuation dictates.  We always read poems out loud in class twice — the first time by the teacher to model how it should sound and then a second time by a student reader.  For poems with multiple long stanzas, we might have different students read different stanzas aloud.  

Since every word in poetry is important, we first define any words that students might not know —like "indifferently" or "austere" in Hayden's poem, for example .  We want students to consider the significance of the diction, imagery, and language in a poem —which, again, we discuss in detail in the Style Analysis Tutorial —but in this tutorial we are going to focus on how the specific syntax of poetry, which we call poetic devices, differs from prose and how poets use these poetic devices to establish tone and reveal theme. 

We break poetic devices into three categories based on the repetition of sounds.  The first category identifies the repetition of specific letter-sounds, which takes the form of alliteration, consonance, and assonance.  The second category concentrates on the repetition of syllables, which involves a poem's rhyme, rhythm, and meter.  The third category focuses on the repetition of words or phrases, which we call parallel structure:

I.  Alliteration/Consonance/Assonance

Alliteration is the repetition of consonant sounds at the beginning of words whereas consonance is the repetition of consonant sounds within words.  Assonance is the repetition of vowel sounds.   Poets use repeated sounds not just because they are pleasing to the ear , but also to emphasize certain words  and create connections between words.

Let's look at the opening stanza of Hayden's poem:

Sundays too my father got up early

and put his clothes on in the blueblack cold,

then with cracked hands that ached

from labor in the weekday weather made

banked fires blaze.  No one ever thanked him.

When introducing poetic devices, we first ask students to find as many repetitions of consonant and vowel sounds as possible within an opening stanza.  For Hayden's poem, students usually notice the repetition of the hard "k" sound that comes at the beginning of words like " cl othes," " c old," and " cr acked"; in the middle of words like "cra ck ed," "a ch ed," "wee k day," "ba nk ed," and "tha nk ed"; and at the end of words like "bluebla ck ."

When we ask students to describe the tone, or feeling, associated with that particular sound, students often say it is harsh and abrupt.  The next question is why Hayden would want to repeat that particular sound in his opening stanza, and how that sound might reflect the feelings that the speaker has internalized when remembering his father and his childhood home.  

Despite the coldness of the relationship he had with his father, it is clear that the speaker's feelings have changed now that he is older.  The adult speaker seems to recognize and appreciate the fact that his father "got up early" during the week, most likely to go to a blue-collar job that produced "cracked hands that ached."  Not only does Hayden alliterate the " w eekday w eather" to emphasize the harsh conditions that his father endured during the week to provide for his family, but he also alliterates the " bl ue bl ack cold" when the speaker's father "made /  b anked fires bl aze" to show how the father also provided comfort for his family in the early morning darkness before any of them had gotten out of bed.

When Hayden stops the opening thought with a caesura in the middle of the fifth line, he uses the period to interrupt the flow of the line to set us up for the devastating final words of the stanza:  "No one ever thanked him."  When reading those words, we sense the guilt and regret the speaker has for failing to appreciate his father when he was a child.

Hayden's use of assonance is also interesting to analyze in the first stanza, specifically with the juxtaposition of long and short "a" sounds.  The long "a" sounds connect the hands that " a ched / from l a bor in the weekd a y weather m a de / banked fires bl a ze."  Those same hands that "ached" from long hours of manual labor outside the home were the same hands that "made" the fires inside the home —on "Sund a ys too"— to provide comfort and warmth for his family.

One could argue that the length of those drawn out "a" sounds  reflects the long thankless days that the father spent providing for his family with no apparent acknowledgment or appreciation of his sacrifice.  Is there bitterness inside the father?  Perhaps those harsh "k" sounds combined with the short "a" sounds in "bluebl a ck," "cr a cked," "b a nked," and "th a nked" reflect not just the speaker's fear of his father as a child, but also the resentment that the speaker imagines the father must have had towards his ungrateful family.

We emphasize with students that any literary interpretation—but especially with an analysis of the subtleties of syntax or poetic devices—is subject to debate.  The role of a literary critic is not necessarily to be "correct," but to make interesting observations based on evidence from the text to make the reader think differently or more deeply about the work.  Some interpretations are more convincing than others based on the evidence to support the claims, and others are more compelling based on the insight and depth of the analysis. 

Our advice to students is to think deeply about the literary work and make as interesting an argument as possible based on the evidence from the text.  An essay does not necessarily have to convince the reader that a certain interpretation is "right," but it should always aspire to be thought-provoking and make the reader think about the work in a new way.

II.  Rhyme/Rhythm/Meter

When we introduce the concept of rhyme, we differentiate between "end rhymes" and "internal rhymes."  When end rhymes create a consistent pattern, we call that a "rhyme scheme" and use letters, such as ABAB,  to represent the repeating pattern.  For Hayden's poem, however, there are no end rhymes, which means there is no rhyme scheme.  The first question that students should ask is why Hayden would choose to write his poem in free verse rather than with a set rhyme scheme.

Just because there are no end rhymes does not mean, however, that there are no internal rhymes.  In the first stanza, we see "blue black " and " cracked " on successive lines and " banked " and " thanked " in the same line.  These internal rhymes are not only aesthetically pleasing to the ear, but they also link those words thematically.  It is up to the reader to make a connection as to why the poet would want to pair those two words.

In the first pairing, the "blue black cold" represents the harsh conditions that the father has to face everyday — "Sundays too"—to provide and care for his family.  His perpetual sacrifice is represented by the " cracked hands that ached," but it seems that the "aching" of his hands does not just reflect a physical hardship; instead, it seems to also imply an internal suffering, one that the speaker is unable to recognize as a child but acknowledges and takes some responsibility for as an adult.  Similarly, the " banked fires" that the father made "blaze" every morning go unacknowledged by his family; despite the fact that he should have been " thanked " for the sacrifices he made, no one ever did.

In the second stanza, Hayden also uses internal rhymes effectively:

I'd wake and hear the cold splintering, breaking.

When the rooms were warm, he'd call,

and slowly I would rise and dress,

fearing the chronic angers of that house,

The first line connects " wake " with the first syllable in " break ing," showing how the father regularly gets up in the early morning to make the house warm for his family by "breaking" the cold.  The tone of the stanza, however, is not one of familial love and warmth.  The present participles at the end of the first line connect with the present participle in the fourth line to create a series of internal rhymes by repeating the "-ing" syllable on "splinter ing ," break ing ," and "fear ing ."  Despite the speaker's understanding at an intellectual level that the father's efforts are "splintering" and "breaking" the cold, they are sublimated by his simultaneously "fearing the chronic angers of that house."  Instead of feeling gratitude for his father's efforts, the speaker only has dread and fear, fully aware that his father's temper is always in threat of "splintering" and "breaking" the peace and tranquility of the house.

When determining rhythm, we have to look at the punctuation and the pattern of stressed and unstressed syllables (i.e. meter) in a line or stanza.  In looking at the punctuation in the second stanza, the first thing we notice is the proliferation of commas.  The comma at the end of the first line creates an asyndeton that takes the place of an "and" that could have easily separated the two present participles in a smoother, more rhythmic way.  Instead, Hayden uses the comma to create a jarring transition between the two participles that abruptly concludes with the period at the end of the line.

One could argue that the punctuation aptly reflects the harsh, abrupt tone that we saw in the consonance of the repeated "k" sounds in the first stanza, which continues in the second stanza with " c old," "brea k ing," " c all," and " chr oni c ."  The commas at the end of each successive line in the second stanza slows the pace and makes us consider each line carefully.  The commas never complete the thought, however, so we carry the tension from one line to the next —and even into the next stanza—understanding implicitly that the "chronic angers of that house" remain unresolved and simmering beneath the surface, which breaks any sense of harmony in the house or rhythm in the poem.

The disruptive punctuation is complemented by the absence of a set meter.   To determine meter, we have to recognize which syllables are stressed and which are not.  The easiest way to do that is to look at the multi-syllable words first to determine where the natural accents lie.  For instance, the word "splintering" in the first line of the second stanza has three syllables, but only one contains the natural accent, which is the first; the final two syllables are unstressed.  Likewise, in "breaking" the first syllable is stressed and the second is not.   In fact, all of the multi-syllable words in the second stanza have the first syllable stressed:

After we find the natural accents, we then look at the single-syllable words, where there is ample room for interpretation.  In general, primary words — like nouns and verbs — are usually stressed whereas secondary words — like articles and prepositions — are not.   This is a guideline but not a rule, however.  When words are stressed, they are emphasized; sometimes it makes sense, based on the context of the line, to stress an adjective, for instance, rather than the noun.  Similarly, stressed and unstressed syllables usually alternate in poetry to create a natural rhythm, but poets will intentionally disrupt the rhythm to call attention to specific words. 

Here is a possible scan of the second stanza in Hayden's poem:

The first line starts off with a series of three rhythmic iambs (two-syllable combinations of unaccented syllables followed by accented syllables) before the pattern is broken with the words "splintering, breaking" at the end of the line.  By analyzing the meter, we can assume that soon after waking—even on Sundays with a fire warming the house—the speaker still feels a sense of tension and unease.  What is interesting is Hayden's decision to end the line with a weak, unaccented syllable, which one could argue conveys a sense of weary resignation, as if the speaker can never escape the constant "splintering, breaking" tension that permeates the house.  

The first syllable of the second line, "When," could certainly be accented, but leaving it unaccented allows that feeling of helplessness to carry over from the previous line and build into another series of rhythmic iambs that runs through the next two lines until it is disrupted once again by a present participle, this time "Fearing," which starts the fourth line and connects to the "splintering, breaking" of the first line.  This rhythmic pattern—and its disruption—repeats itself as if to imply that any sense of harmony within the house cannot remain for long. 

The preposition "of" in the final line of the stanza could also be unstressed, but choosing to accent the preposition creates another series of four straight iambs that is broken once again by a present participle, this time the "Speaking" at the beginning of the final stanza.  What is interesting is that the father is responsible for the "splintering, breaking" of the rhythm in the second stanza, but it is the speaker who is responsible for breaking the rhythm in the final stanza by "Speaking indifferently" to his father, which seems to imply that they both share responsibility for the psychic tension and "chronic angers of that house."  

III.  Parallel Structure

Parallel structure is the repetition of words or phrases within the lines of a poem.  We have already seen how Hayden uses parallel structure in repeating the use of present participles to break the rhythm of the lines in the second stanza and at the beginning of the third.  We also see a key repetition in the penultimate line that, one could argue, unlocks the thematic meaning of the entire poem:

Speaking indifferently to him,

who had driven out the cold

and polished my good shoes as well.

What did I know, what did I know

of love's austere and lonely offices?

By repeating "'What did I know, what did I know" the speaker acknowledges his own ignorance as a child of the love and sacrifice that his father demonstrated through his daily actions.  The repetition also implies a sense of guilt and regret that he was unable to understand or appreciate his father when he was younger.  What is obvious is that the speaker has matured over the years —perhaps now having children of his own—and sees his father in a new, more compassionate light.  

To help students identify poetic devices and become more comfortable with the analytical process, we provide five study guide questions on the back of the AP prompt that students should try to answer on their own.  When students return to class, we answer any questions they may have and share our different interpretations of the poem as a whole class.

After we have explicated the poem and answered questions from the study guide, students prepare to write their AP Poetry Analysis essay.  Similar to the other AP essays, we encourage students to use  Hegel's Dialectic to organize their thoughts and outline their arguments:

The AP Poetry Analysis prompt for Hayden's poem asks students to consider how the speaker has "re-assessed" the "strained" relationship he had with his father in childhood.  One possible way to organize the argument would be to have the thesis, or initial claim (i.e. first body paragraph), focus on the "strained" relationship in the speaker's childhood.  The antithesis, or counter-claim (i.e. second body paragraph), could then focus on the speaker's re-assessment of that relationship once he becomes an adult.  The synthesis (i.e. third body paragraph) would focus on what the speaker has learned from the experience, which would also reflect Hayden's overall theme (i.e. "the meaning of the work as a whole").

If this were the first assignment of the year, we would provide a model for what a quality AP Poetry Analysis essay using Hegel's Dialectic might look like: 

When using Hegel's Dialectic for an AP Poetry Analysis essay, it is sometimes helpful to think of the thesis/antithesis/synthesis model in terms of tone and theme instead.  Students should look for competing, yet complementary, tones in the poem, which would then be the focus of their first two body paragraphs.  Students would then resolve the tension between those competing tones by revealing overall theme in the concluding third body paragraph.

Once students have completed the Journal Discussion and written the AP Poetry Analysis essay, they are now ready to begin the novel or play with a solid introduction to the major themes of the work.  Moreover, they will be able to compare and contrast how the author or playwright addresses the Essential Questions with the poet and and the author/speaker of the quotation.  Ultimately, students will have to answer those Essential Questions for themselves, but they now have three different guides to help them along the way.

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Expert's Guide to the AP Literature Exam

Advanced Placement (AP)

If you're planning to take the AP English Literature and Composition exam, you'll need to get familiar with what to expect on the test. Whether the 2023 test date of Wednesday, May 3, is near or far, I'm here to help you get serious about preparing for the exam.

In this guide, I'll go over the test's format and question types, how it's graded, best practices for preparation, and test-day tips. You'll be on your way to AP English Lit success in no time!

AP English Literature: Exam Format and Question Types

The AP Literature Exam is a three-hour exam that contains two sections in this order:

• An hour-long, 55-question multiple-choice section
• A two-hour, three-question free-response section

The exam tests your ability to analyze works and excerpts of literature and cogently communicate that analysis in essay form.

Read on for a breakdown of the two different sections and their question types.

Section I: Multiple Choice

The multiple-choice section, or Section I of the AP Literature exam, is 60 minutes long and has 55 questions. It counts for 45% of your overall exam grade .

You can expect to see five excerpts of prose and poetry. You will always get at least two prose passages (fiction or drama) and two poetry passages. In general, you will not be given the author, date, or title for these works, though occasionally the title of a poem will be given. Unusual words are also sometimes defined for you.

The date ranges of these works could fall from the 16th to the 21st century. Most works will be originally written in English, but you might occasionally see a passage in translation.

There are, generally speaking, eight kinds of questions you can expect to see on the AP English Literature and Composition exam. I'll break each of them down here and give you tips on how to identify and approach them.

"Pretty flowers carried by ladies" is not one of the question types.

The 8 Multiple-Choice Question Types on the AP Literature Exam

Without further delay, here are the eight question types you can expect to see on the AP Lit exam. All questions are taken from the sample questions on the AP Course and Exam Description .

#1: Reading Comprehension

These questions test your ability to understand what the passage is saying on a pretty basic level . They don't require you to do a lot of interpretation—you just need to know what's going on.

You can identify this question type from words and phrases such as "according to," "mentioned," "asserting," and so on. You'll succeed on these questions as long as you carefully read the text . Note that you might have to go back and reread parts to make sure you understand what the passage is saying.

#2: Inference

These questions ask you to infer something—a character or narrator's opinion, an author's intention, etc.—based on what is said in the passage . It will be something that isn't stated directly or concretely but that you can assume based on what's clearly written in the passage. You can identify these questions from words such as "infer" and "imply."

The key to these questions is to not get tripped up by the fact that you are making an inference—there will be a best answer, and it will be the choice that is best supported by what is actually found in the passage .

In many ways, inference questions are like second-level reading comprehension questions: you need to know not just what a passage says, but also what it means.

#3: Identifying and Interpreting Figurative Language

These are questions for which you have to either identify what word or phrase is figurative language or provide the meaning of a figurative phrase . You can identify these as they will either explicitly mention figurative language (or a figurative device, such as a simile or metaphor ) or include a figurative phrase in the question itself.

The meaning of figurative phrases can normally be determined by that phrase's context in the passage—what is said around it? What is the phrase referring to?

Example 1: Identifying

Example 2: Interpreting

#4: Literary Technique

These questions involve identifying why an author does what they do , from using a particular phrase to repeating certain words. Basically, what techniques is the author using to construct the passage/poem, and to what effect?

You can identify these questions by words/phrases such as "serves chiefly to," "effect," "evoke," and "in order to." A good way to approach these questions is to ask yourself: so what? Why did the author use these particular words or this particular structure?

#5: Character Analysis

These questions ask you to describe something about a character . You can spot them because they will refer directly to characters' attitudes, opinions, beliefs, or relationships with other characters .

This is, in many ways, a special kind of inference question , since you are inferring the broader personality of the character based on the evidence in a passage. Also, these crop up much more commonly for prose passages than they do for poetry ones.

#6: Overall Passage Questions

Some questions ask you to identify or describe something about the passage or poem as a whole : its purpose, tone, genre, etc. You can identify these by phrases such as "in the passage" and "as a whole."

To answer these questions, you need to think about the excerpt with a bird's-eye view . What is the overall picture created by all the tiny details?

#7: Structure

Some AP Lit questions will ask you about specific structural elements of the passage: a shift in tone, a digression, the specific form of a poem, etc . Often these questions will specify a part of the passage/poem and ask you to identify what that part is accomplishing.

Being able to identify and understand the significance of any shifts —structural, tonal, in genre, and so on—will be of key importance for these questions.

#8: Grammar/Nuts & Bolts

Very occasionally you will be asked a specific grammar question , such as what word an adjective is modifying. I'd also include in this category super-specific questions such as those that ask about the meter of a poem (e.g., iambic pentameter).

These questions are less about literary artistry and more about the fairly dry technique involved in having a fluent command of the English language .

That covers the eight question types on the multiple-choice section. Now, let's take a look at the free-response section of the AP Literature exam.

Keep track of the nuts and bolts of grammar.

Section II: Free Response

The AP Literature Free Response section is two hours long and involves three free-response essay questions , so you'll have about 40 minutes per essay. That's not a lot of time considering this section of the test counts for 55% of your overall exam grade !

Note, though, that no one will prompt you to move from essay to essay, so you can theoretically divide up the time however you want. Just be sure to leave enough time for each essay! Skipping an essay, or running out of time so you have to rush through one, can really impact your final test score.

The first two essays are literary analysis essays of specific passages, with one poem and one prose excerpt. The final essay is an analysis of a given theme in a work selected by you , the student.

Essays 1 & 2: Literary Passage Analysis

For the first two essays, you'll be presented with an excerpt and directed to analyze the excerpt for a given theme, device, or development . One of the passages will be poetry, and one will be prose. You will be provided with the author of the work, the approximate date, and some orienting information (i.e., the plot context of an excerpt from a novel).

Below are some sample questions from the 2022 Free Response Questions .

Essay 3: Thematic Analysis

For the third and final essay, you'll be asked to discuss a particular theme in a work that you select . You will be provided with a list of notable works that address the given theme below the prompt, but you can also choose to discuss any "work of literary merit."

So while you do have the power to choose which work you wish to write an essay about , the key words here are "literary merit." That means no genre fiction! Stick to safe bets like authors in the list on pages 10-11 of the old 2014 AP Lit Course Description .

(I know, I know—lots of genre fiction works do have literary merit and Shakespeare actually began as low culture, and so on and so forth. Indeed, you might find academic designations of "literary merit" elitist and problematic, but the time to rage against the literary establishment is not your AP Lit test! Save it for a really, really good college admissions essay instead .)

Here's a sample question from 2022:

As you can see, the list of works provided spans many time periods and countries : there are ancient Greek plays ( Antigone ), modern literary works (such as Margaret Atwood's The Handmaid's Tale ), Shakespeare plays ( The Tempest ), 19th-century English plays ( The Importance of Being Earnest ), etc. So you have a lot to work with!

Also note that you can choose a work of "comparable literary merit." That means you can select a work not on this list as long as it's as difficult and meaningful as the example titles you've been given. So for example, Jane Eyre or East of Eden would be great choices, but Twilight or The Hunger Games would not.

Our advice? If you're not sure what a work of "comparable literary merit" is, stick to the titles on the provided list .

You might even see something by this guy.

How Is the AP Literature Test Graded?

The multiple-choice section of the exam comprises 45% of your total exam score; the three essays, or free-response section, comprise the other 55%. Each essay, then, is worth about 18% of your grade.

As on other AP exams, your raw score will be converted to a score from 1-5 . You don't have to get every point possible to get a 5 by any means. In 2022, 16.9% of students received 5s on the AP English Literature test, the 14th highest 5 score out of the 38 different AP exams.

So, how do you calculate your raw scores?

Multiple-Choice Scoring

For the multiple-choice section, you receive 1 point for each question you answer correctly . There's no guessing penalty, so you should answer every question—but guess only after you're able to eliminate any answer you know is wrong to up your chances of choosing the right one.

Free-Response Scoring

Scoring for multiple choice is pretty straightforward; however, essay scoring is a little more complicated.

Each of your essays will receive a score from 0 to 6 based on the College Board rubric , which also includes question-specific rubrics. All the rubrics are very similar, with only minor differences between them.

Each essay rubric has three elements you'll be graded on:

• Thesis (0-1 points)
• Evidence and Commentary (0-4 points)
• Sophistication (0-1 points)

We'll be looking at the current rubric for the AP Lit exam , which was released in September 2019, and what every score means for each of the three elements above:

To get a high-scoring essay in the 5-6 point range, you'll need to not only come up with an original and intriguing argument that you thoroughly support with textual evidence, but you’ll also need to stay focused, organized, and clear. And all in just 40 minutes per essay!

If getting a high score on this section sounds like a tall order, that's because it is.

Practice makes perfect!

Skill-Building for Success on the AP Literature Exam

There are several things you can do to hone your skills and best prepare for the AP Lit exam.

Read Some Books, Maybe More Than Once

One of the most important steps you can take to prepare for the AP Literature and Composition exam is to read a lot and read well . You'll be reading a wide variety of notable literary works in your AP English Literature course, but additional reading will help you further develop your analytical reading skills .

I suggest checking out this list of notable authors in the 2014 AP Lit Course Description (pages 10-11).

In addition to reading broadly, you'll want to become especially familiar with the details of four to five books with different themes so you'll be prepared to write a strong student-choice essay. You should know the plot, themes, characters, and structural details of these books inside and out.

See my AP English Literature Reading List for more guidance.

Read (and Interpret) Poetry

One thing students might not do very much on their own time but that will help a lot with AP Lit exam prep is to read poetry. Try to read poems from a lot of eras and authors to get familiar with the language.

We know that poetry can be intimidating. That's why we've put together a bunch of guides to help you crack the poetry code (so to speak). You can learn more about poetic devices —like imagery and i ambic pentameter —in our comprehensive guide. Then you can see those analytical skills in action in our expert analysis of " Do not go gentle into that good night " by Dylan Thomas.

When you think you have a grip on basic comprehension, you can then move on to close reading (see below).

Hone Your Close Reading and Analysis Skills

Your AP class will likely focus heavily on close reading and analysis of prose and poetry, but extra practice won't hurt you. Close reading is the ability to identify which techniques the author is using and why. You'll need to be able to do this both to gather evidence for original arguments on the free-response questions and to answer analytical multiple-choice questions.

Here are some helpful close reading resources for prose :

• University of Wisconsin-Madison Writing Center's guide to close reading
• Harvard College Writing Center's close reading guide
• Purdue OWL's article on steering clear of close reading "pitfalls"

And here are some for poetry :

• University of Wisconsin-Madison's poetry-reading guide
• This guide to reading poetry at Poets.org (complete with two poetry close readings)
• Our own expert analyses of famous poems, such as " Ozymandias ", and the 10 famous sonnets you should know

Learn Literary and Poetic Devices

You'll want to be familiar with literary terms so that any test questions that ask about them will make sense to you. Again, you'll probably learn most of these in class, but it doesn't hurt to brush up on them.

Here are some comprehensive lists of literary terms with definitions :

• The 31 Literary Devices You Must Know
• The 20 Poetic Devices You Must Know
• The 9 Literary Elements You'll Find In Every Story
• What Is Imagery?
• Understanding Assonance
• What Is Iambic Pentameter in Poetry?
• Simile vs Metaphor: The 1 Big Difference
• 10 Personification Examples in Poetry, Literature, and More

Practice Writing Essays

The majority of your grade on the AP English Lit exam comes from essays, so it's critical that you practice your timed essay-writing skills . You of course should use the College Board's released free-response questions to practice writing complete timed essays of each type, but you can also practice quickly outlining thorough essays that are well supported with textual evidence.

Take Practice Tests

Taking practice tests is a great way to prepare for the exam. It will help you get familiar with the exam format and overall experience . You can get sample questions from the Course and Exam Description , the College Board website , and our guide to AP English Lit practice test resources .

Be aware that the released exams don't have complete slates of free-response questions, so you might need to supplement these with released free-response questions .

Since there are three complete released exams, you can take one toward the beginning of your prep time to get familiar with the exam and set a benchmark, and one toward the end to make sure the experience is fresh in your mind and to check your progress.

Don't wander like a lonely cloud through your AP Lit prep.

AP Literature: 6 Critical Test-Day Tips

Before we wrap up, here are my six top tips for AP Lit test day:

• #1: On the multiple-choice section, it's to your advantage to answer every question. If you eliminate all the answers you know are wrong before guessing, you'll raise your chances of guessing the correct one.
• #2: Don't rely on your memory of the passage when answering multiple-choice questions (or when writing essays, for that matter). Look back at the passage!
• #3: Interact with the text : circle, mark, underline, make notes—whatever floats your boat. This will help you retain information and actively engage with the passage.
• #4: This was mentioned above, but it's critical that you know four to five books well for the student-choice essay . You'll want to know all the characters, the plot, the themes, and any major devices or motifs the author uses throughout.
• #5: Be sure to plan out your essays! Organization and focus are critical for high-scoring AP Literature essays. An outline will take you a few minutes, but it will help your writing process go much faster.
• #6: Manage your time on essays closely. One strategy is to start with the essay you think will be the easiest to write. This way you'll be able to get through it while thinking about the other two essays.

And don't forget to eat breakfast! Apron optional.

AP Literature Exam: Key Takeaways

The AP Literature exam is a three-hour test that includes an hour-long multiple-choice section based on five prose and poetry passages and with 55 questions, and a two-hour free-response section with three essays : one analyzing a poetry passage, one analyzing a prose passage, and one analyzing a work chosen by you, the student.

The multiple-choice section is worth 45% of your total score , and the free-response section is worth 55% . The three essays are each scored on a rubric of 0-6, and raw scores are converted to a final scaled score from 1 to 5.

Here are some things you can do to prepare for the exam:

• Read books and be particularly familiar with four to five works for the student-choice essays
• Read poetry
• Work on your close reading and analysis skills
• Learn common literary devices
• Practice writing essays
• Take practice tests!

On test day, be sure to really look closely at all the passages and really interact with them by marking the text in a way that makes sense to you. This will help on both multiple-choice questions and the free-response essays. You should also outline your essays before you write them.

With all this in mind, you're well on your way to AP Lit success!

What's Next?

If you're taking other AP exams this year, you might be interested in our other AP resources: from the Ultimate Guide to the US History Exam , to the Ultimate AP Chemistry Study Guide , to the Best AP Psychology Study Guide , we have tons of articles on AP courses and exams for you !

Looking for practice exams? Here are some tips on how to find the best AP practice tests . We've also got comprehensive lists of practice tests for AP Psychology , AP Biology , AP Chemistry , and AP US History .

Deciding which APs to take? Take a look through the complete list of AP courses and tests , read our analysis of which AP classes are the hardest and easiest , and learn how many AP classes you should take .

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Ellen has extensive education mentorship experience and is deeply committed to helping students succeed in all areas of life. She received a BA from Harvard in Folklore and Mythology and is currently pursuing graduate studies at Columbia University.

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Much Ado About Teaching

Ap lit poetry essay review.

Whenever I prepare my students for the AP Literature exam, I don’t really want it to feel like test prep. I want to take the stress out of it all. I want the experience to build confidence. I want the process, starting around February, to have no stakes or very low stakes; it should be practice, not fear mongering. And I want there to be plenty opportunities for improvement.

So what does that look like?

Well, with essay writing we start small — on the sentence-level — at the beginning of the year, working to achieve mastery over thesis statements, evidence, and commentary. Multiple-choice practice is always completed in class, on paper and while scores are recorded, they never go in the grade book. When my students write full-length essays, they have the opportunity to rewrite as long as they conference with me because I learned long ago that a 15 minute conference with a student is far better than anything I could write in the margins.

But this week I was scratching my head trying to figure out how I could make rubric review NOT feel like test prep. My AP Lit classes were reviewing the Q1 essay, which is the poetry prompt. In my experience, rubrics can suck all the life out of a lesson. Students feel like the speaker in the Walt Whitman’s “When I Heard the Learn’d Astronomer.”

When I heard the learn’d astronomer, When the proofs, the figures, were ranged in columns before me, When I was shown the charts and diagrams, to add, divide, and measure them, When I sitting heard the astronomer where he lectured with much applause in the lecture-room, How soon unaccountable I became tired and sick,

The lesson I devised ended up being one of the more memorable ones of the quarter.

Day 1: Rubric Rhymes — I hand out copies of the Q1 rubric and toss highlighters to each student. They have to highlight the key descriptors for each category and point value on the rubric. Once that is done, students have to use their highlights and develop a poem in rhyming couplets that identifies what must be accomplished in order to score a six on this essay.

The poem had to be at least 10 lines long.

I will say, they loved this assignment and it I think its effect will endure.

Here are some samples:

You wants to make a good poetry essay creation? 

That thesis best be full of top notch interpretation 

Don’t just restate or rephrase information 

But rather provide a good explanation 

How many literary elements should you choose?  

Multiple is what you should use

And sprinkle on some good seasoning 

The one that tastes like strong reasoning

The last criterion to make you do well on your examination 

I s make sure the essay demonstrates that advanced type of sophistication

I be writing a thesis 

Just like I be eating reese’s, in pieces 

If you don’t want evidence that’s horrific 

Then you gotta be spec ific 

I could ask Stabz for assistance  

Or I could remember one word: consistence -y  

Unlike my ex,  

You gotta be complex 

If you tryna get to the graduation  

Then you gotta understand sophistication

Student III

You aint got time to waste

But that doesn’t mean that your essay should be written in haste

40 minutes to read and write

And develop ideas with sophistication and insight

First, make sure your thesis isn’t a bore

To develop a sophisticated interpretation really is a chore .

Answer the prompt, be clear and concise ,

Throw in poetic elements and a d evice

That central idea must be developed

Once stated, evidenced and commentary need to envelop

By not just saying what is true, but how and why

With brilliance so bright it would make an AP Reader cry .

S ummarize and your grade will surely suffe r

Articulate the complexity is much tougher

But do it over and over again

Establishing a line of reason, the n

P olish your thoughts like gems

Make those sentences sweet like M&M s

And never forget to discuss what is complex

All these boxes you must chec k

And a six on this essay will be yours

And you will have the wisdom of a thousand Dumbledors .

Day T wo: Performances/The whole-class essay — Class started with an opportunity for students to read their rap/poem in front of the class for extra credit. Some of the performances were epic.

Then I passed out a previous AP prompt and students had seven minutes to complete my four-step pre-writing organizer . Once those seven minutes were up, the fastest typer in class (we had a contest earlier in the year) came to the class computer and we worked together to develop a whole-class essay. This allowed students to think aloud together, wordsmith key phrases, and discuss their insights in a collaborative and non-threatening environment.

Throughout the process, we kept going back to the rubric to check if we were meeting the requirements.

Here are the intros from each class:

Period 1 — In Paul Lawrence Dunbar’s poem “The Mystery”, the speaker discusses navigating through life by himself. Throughout the poem, the speaker exists in a figurative darkness in which he experiences loneliness and questions the benevolence of a higher power; in this frustrated search for meaning and understanding, he illustrates through personification and imagery that whether or not there is a higher power. His conclusion is that he cannot wallow in his dependency and that he must be self reliant.

Period 6 — In Paul Laurence Dunbar’s poem “The Mystery,” the speaker reflects on life. In a state of existential dread, he feels a sense of purposelessness and seeks navigation from a higher being. Paradoxically, in being given no direction, the speaker achieves solace in the inevitability of death and accepts the power of the present. 

Period 8 — In Paul Laurence Dunbar’s poem, “The Mystery”, the speaker is in a lonely place of uncertainty. While reflecting on the inevitability of death and appealing to a higher power, the speaker gains an awareness, not only of his own solitude, but also his powerlessness in the face of destiny. Through the use of personification, juxtaposition, and imagery, an epiphany is achieved in which he accepts the absurdity of life, thus gaining his autonomy.

Day 3: Essay test day — At this point students know the rubric, they did a practice essay the day before as a class, and now they are ready to do it all on their own.

In the comments section below, please share how you prepare students for the poetry essay on the AP exam.

Brian Sztabnik is just a man trying to do good in and out of the classroom. He was a 2018 finalist for NY Teacher of the Year, a former College Board advisor for AP Lit, and an award-winning basketball coach.

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How to Write a Poetry Essay for the AP Test

Amy sterling casil.

A great score on the AP English Literature and Composition test can get you college credit or advanced placement. The AP English Literature and Composition test lasts three hours. Two hours are devoted to the free response section, which includes at least one essay response to a poem. Learn how to write a high-scoring essay response to a poem on the AP exam.

Explore this article

• Plan Your Response Strategy
• Writing the Essay Response
• Avoid Pitfalls Leading to Low Scores
• Edit and Proofread
• Expert Tips and Advice

1 Plan Your Response Strategy

Follow time-saving strategies to produce the best essay response. Take five minutes to read the question carefully, underlining key terms, including structure, literary techniques and tone. Skim the poem and determine what kind of poem it is. Underline lines, phrases and words that exemplify literary techniques, show the tone and meaning, or are good examples of structure. Select four to five examples to include in your essay. Make careful note of the author's name and poem title.

2 Writing the Essay Response

Responding in depth about a few key elements of the poem will receive a higher score than trying to cover all elements superficially. Form a clear thesis that includes terms found in the prompt and the literary techniques, tone and meaning. Always include the author's name and poem title in the thesis. Write clear explanations of the author's use of literary technique in support of your thesis. Write a strong conclusion that reflects, but does not repeat, your thesis.

3 Avoid Pitfalls Leading to Low Scores

AP essay responses are scored using a matrix of 0 to 9, from not responding at all to an excellent response with sophisticated writing, strong vocabulary and exceptional insight. The College Board reports that students received an average score of 4.33 on the 2010 poetry response essay to Marilyn Waniek's poem "The Century Quilt." Students who wrote about their own childhood blankets and who paraphrased instead of quoting received the lowest scores. Focus on answering the prompt using the author's words before writing about yourself.

4 Edit and Proofread

Lower-scoring responses contain serious errors in grammar and spelling, according to the College Board. "Inept writing" is another criteria that is subjective, but includes poor vocabulary and the inability to express complex or subtle concepts. Take five minutes to proofread your essay and correct errors. Avoid "inept writing" by quoting directly from the poem and then responding. Confirm that you have spelled the author's name and poem title correctly before moving to the next question.

5 Expert Tips and Advice

The single greatest reason students write poor responses to readings, including poems, is a lack of specific focus on the reading itself. Low-scoring AP essays neglect to refer to authors by name or poems by title and fail to include even one quoted example of the poet's writing in their response. The more specific examples you can include in your essay response and the more focused your analysis of the examples, the higher score you will receive.

• 1 2012 AP English Literature and Composition Free Response Questions
• 2 AP English Literature and Composition 2010 Scoring Guidelines

About the Author

Amy Sterling Casil is an award-winning writer with a Master of Fine Arts in creative writing from Chapman University in Orange, Calif. She is a professional author and college writing teacher, and has published 20 nonfiction books for schools and libraries.

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Articles & Advice > Test Prep > Articles

Poetry Study Guide for AP English Language & Literature

Check out our quick poetry review that can help you score high on AP English Tests, both Literature and Language.

by Faith Harron CollegeXpress Student Writer

Last Updated: Jun 7, 2024

Originally Posted: May 8, 2017

Trying to study for Advanced Placement (AP) Tests can be tedious…but if you’ve prepared and need a small refresher, or if you’re in search of a quick poetry history mixed with some review for the English Tests—both Literature and Language—here you go. Let’s begin. 

All about AP Literature

The AP Literature Test includes multiple choice and three types of essays to write. The multiple-choice section can focus on poetry or prose selections, and of the essay types, one will certainly include a poem. The grading scale for the essays ranges from 0–9.

Insider tips

According to long-time teacher of AP English Karri Landeis, the best way to score highly on the essays, particularly the prompt that asks you to analyze poetry, is to maintain focus. “Always read with a pen in hand,” Landeis says, adding that mere underlining often isn’t enough to constitute the beginnings of an essay. If the poem happens to be lengthy or difficult in content, chances are you won’t have enough time to read it multiple times for meaning or go back to a stanza and wonder what the author’s intent may have been.

Instead of simply underlining, Landeis recommends adding small notes, such as where you noticed a poetry device or how the device contributes to the meaning or perspective the prompt asks about. “It’s best to explicitly state the device,” says Landeis. While she acknowledges top essays can be written without doing so, AP readers prefer not to have to dig for your intended meaning when you write. As far as structure goes for the essay itself, a common form includes organizing the paragraphs by each poetic device. However, Landeis recommends that essays rich in complexity are born from chronological order—that is, analyzing the devices in the order they appear and building on previous paragraphs with more insight as the poem continues. 

In the essay’s conclusion, after a restatement of the thesis, Landeis maintains that the greater implications of the theme/perspective from the prompt should be addressed. “Find the one sentence that says it all, and end with that,” Landeis says, adding that doing so ties all the ends up nicely. ¨Write your last sentence like it’s the score you want to receive, because it’s the last thing [AP] readers will see.”

High school poet Zuyi Zhao has already taken both AP English courses. She’s prepared in the past for her exams by both reading and writing in quantity —a practice that has paid off in her eyes. "Analysis comes a lot more easily if you have experience on both sides of the process,” she says, although she adds that it’s important to keep an open mind about poetry as well. "You can’t analyze poetry without enjoying it,” she says.

Related:  Inside Info on AP Courses: Which Ones Should You Take?  

Both of the AP Tests often include vocabulary in the multiple-choice section, and it’s always important to know a variety of literary devices so you can explain them within any of the three essays, Landeis says. Some common terms she uses to prepare her students include:

• Types of stanzas : A stanza is a segment of the poem, often where a line break occurs, and includes a variety of line measurements. Some common line names are given below:  Lines   Name 2          Couplet 3          Tercet 4          Quatrain 5          Quintet 6          Sestet (not sextet) 8          Octave (not octet)   
• Shakespearean/Petrarchan sonnet : These two terms are used interchangeably to describe the same poem. They refer to sonnets that are (as always) 14 lines, but include three stanzas of four lines each (a quatrain) along with a usually rhymed last 2-line stanza (couplet). Landeis uses “abab cdcd efef gg” as a song to remind her students of the common form.
• Italian sonnet : The AP Test will commonly ask students to distinguish between the two. An Italian sonnet consists of a clear octave (8 lines) plus a sestet (6 lines) for the desired 14-line form. Poem identification is another topic the test on Literature often includes, Landeis says.
• Narrative poem: Tells all or part of a story. Many song lyrics (particularly those of circle songs and country music) are narrative poems.
• Lyric poem : Focuses on the individual and thoughts/feelings.
• Metaphysical poetry : Often includes and can be identifiable by its bizarre metaphors (called conceits) and complicated diction.
• Elegy : Lament for something; a poet’s ruminations on something, usually very solemn and dignified.
• Ode : Celebratory poem. Can celebrate/commemorate even the most mundane of objects.

Related: Fun SAT Vocab Prep With the Dictionary of Difficult Words

Poetic devices

Common poetic devices are relevant to both of the AP English Tests, and Landeis reminds students that each device must be identified, stated, and linked to the perspective the prompt asks you to consider. Devices include:

• Alliteration : Repeated identical consonant sounds at the beginnings of words.
• Allusion : A special type of reference to another work of literature, a symbol, an event, or a person. Allusions are commonly from well-known sources.
• Apostrophe : This occurs when a character or speaker calls out to a person (either absent or dead) or inanimate object as if it could respond.
• Caesura : Found exclusively in poetry, a pause in the middle of a line of poetry; often signified with a comma or period.
• Diction : Word choice. The diction should nearly always be preceded by a descriptive adjective signifying its purpose to the work.
• Enjambment: When a thought in poetry does not stop at the end of a line break; it merely continues on in the following line.
• Hyperbole : Deliberate and ridiculous exaggeration. Can be meant seriously or in mockery.
• Metonymy : Associating an object with another word very similar to it (e.g., referring to someone as a “Scrooge” due to their attitude).
• Parallelism : Similar grammar structure between lines or sentences in poetry or prose. Whether a phrase is repeated, or the construction of the phrase is repeated, either works.
• Rhyme and rhythm : Rhyme refers to the similarity or identical nature of sounds at the ends of lines. Rhythm is the pattern of stressed/unstressed syllables. Poetry can have either, while prose mainly concerns itself with rhythm.
• Understatement : The antonym for hyperbole, an understatement is often meant as dry humor when a character or speaker says something is insignificant when it is truly not.  

Knowing these terms should help with the AP English Tests, and remembering to include them in your essay will help you  earn a higher score . They can also assist you when writing your own poetry—after all, if you understand the devices and why an author uses them, you’re one step closer to doing so yourself.

Related:  English Grammar Cheat Sheet for Students  

Writing poetry

To Zhao, who has been writing extensively for about three years—primarily poetry—she enjoys unrhymed free verse but sometimes likes to experiment with different structures. “I don’t write nearly as often as I would like to, but I can write at least for an hour or so a week,” she says, and she would recommend that others do at least some reading and writing as well, especially to help with the AP Tests. To go about writing a poem is a rather obscure process, even to the poet, Zhao says. “Sometimes the [ideas] just come to me,” she says. “Other times, though, the ideas sort of stem from brief phrases or lines that I think of first, kind of like working backward from a poem’s title to the poem’s content.” She recommends drawing from character archetypes for inspiration if you’re interested in writing but stuck . Common history also provides ideas: poems that incorporate famous historical figures like Helen of Troy, Cleopatra, or other historical events have inspired many poets in the past and present.

Once your poem has been written, it’s time for what Zhao calls her favorite part: revision. “Even though as I’m revising, I think I hate the experience, I enjoy the process of finding a clearer and more eloquent way of conveying a sentiment within a poem,” she says. It’s an important sentiment to remember for taking either AP English exam as well: keeping an open mind and ensuring the organization in your essay remains clear and precise makes for a high-achieving score.

Related: 9 Study Tips to Help You Conquer AP Tests

There you have it—with these insider tips, you'll be ready to score high on your AP English Language and Literature Tests. Be sure to practice with this example of a full exam  from the College Board. Good luck!

Find more general AP and other test-taking tips in our Test Prep section to make sure you're never underprepared for an exam again.

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How to Encourage Students to Master the AP Lit Thesis

• December 1, 2021
• AP Literature , Writing

For years, I have used a Poem of the Week as part of my poetry instruction in AP Literature .  Last year, because the pandemic resulted in hybrid instruction and only 50% (or fewer) of my kids were in class at a time, I wanted to be sure that I put some significant emphasis on AP Lit thesis writing.

As part of our weekly poem study, the Friday prompt became an AP-style poetry essay prompt.  Students only needed to write a thesis.  And early in the year, it became evident that our thesis statements needed work.

AP Literature Thesis Statements and “The Point”

When the College Board came out with the new rubrics in 2019, they set aside a point that is designated for the thesis.  It’s one point and students either get it or they don’t.  And truthfully, it is not that hard to “get” the point.  Students must simply “provide a defensible interpretation in response to the prompt” which could be supported by the text (for more, see AP Central).  So in other words, students must be able to find *something* in the text that they can write about beyond a summary.

Early on, I observed two things: 1. Not all AP Lit thesis statement are created equal (even if they do earn the point) and 2.  Students needed help moving from making a base claim to making a strong claims that lead to better analysis later in the essay.

AP Lit Thesis Starting Points

At the beginning of the year, my kids were writing things like

• The author uses metaphors to reveal that life gives you new, and endless opportunities each and every day. 
• Merriam’s use of her metaphor for a new day in “Metaphor” reveals her positive outlook on life.
• eve marriam’s use of metaphor shows that she feels that every day is new day to write your own story.
• Love can cause pain
• Lowell uses diction and figurative language to show her intimate and spiritual connection to her partner in the poem
• Through Lowell’s uses of poetic elements and techniques, she’s able to carefully convert the speaker’s complex relationship with whoever they’re addressing. 

While indeed some of these would earn the thesis point, they do no convey the depth that a good, strong AP Lit thesis will.  We want students to address the complexity of the text and these just don’t cut it. 

The Issue of Complexity

So the first step in helping students to develop a strong thesis is to get beyond just repeating the topic with a few elements of author’s craft thrown in.  They have to be sure that they are fully addressing the complexity of the topic highlighted by the task.

The first set of thesis statements above go with Eve Merriam’s poem “Metaphor.”   This is my favorite poem to start the school year with because it reflects where we are.  Each school year is also like a “new sheet of paper.”

We spend the week discussing the poem ( My daily prompts are available here. ) Then on Friday, I present students with the following prompt:

In Eve Merriam’s poem “Metaphor” (1986), the speaker portrays the blankness of a new day.  In a well written essay, analyze how Merriam uses poetic elements and techniques to convey the speaker’s complex attitude toward life.

And while all of the above thesis statements DO say something about her attitude toward life, none of them get to how it is complex.  So the first step is to get students thinking about contrasts within the poem and other elements that help add to the depth of the text.  A good way to do this might be through the Interstate, Microscope and Compass Technique from Gina at Lit and More.

AP® Lit Literary Argument

Once students see complexity in a text, they can move into developing a more complex AP® literature thesis statement. 

It is also important to remind them that the College Board calls these essays “literary argument.”  And an argument is by definition something that has two sides.  When we teach argument writing to our English 11 students in preparation for the New York State English Regents we encourage them to include the counterargument in their thesis.  And although a literary argument doesn’t necessarily have a counterargument, it should have two sides.  In other words, complexity.

In these early stages, it is sometimes useful to give the students complexity starters that they can use as the basis of their thesis statements.  This is a list that I provide to my students:

• even though x, y is also true
• not only j, but also k
• although d, also e
• nevertheless
• notwithstanding
• in contrast

This list along with other helpful tips on writing AP Literature Thesis Statements is included in my AP Thesis Anchor charts here .

AP® Lit Thesis Examples

As we work through the year, thesis statements that once read “love can cause pain” become 

“Even though Edith Matilda Thomas’s poem entitled “Winter Sleep” appears to be a simplistic take about growing old she also uses poetic elements such as symbolism, diction, and parallel structure to convey a complex attitude towards aging as she looks back on her life.” 

“Although the speaker is reflecting on the spring-like happiness of her youth, she understands that death is coming as she moves into the metaphorical winter of her life due to her old age.”

Building on Complexity

The key to helping students earn the thesis point on the AP Literature Rubric is to help them understand that they are writing a literary argument and that an argument by its very nature has two sides or two part.  Then include both of those sides in your thesis.

For more help in AP Lit Writing, be sure to check out these other AP Lit Essay Writing Anchor Charts.  

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Is there a way to get working links. Both the link to the poem and the link to the daily prompts are both broken and give an error message when clicked.

Thank you for bringing that to my attention. These links are fixed now.

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• Lesson Plans
• Teacher's Guides
• Media Resources

Twenty-One Poems for AP Literature and Composition

A Poem as it was Presented to His Sacred Majesty on the Discovery of the Plott / written by a Lady of Quality (1679).

Wikimedia Commons

The selections within this listing represent frequently taught poets and poems in AP English Literature and Composition. 

For each of the twenty-one poems or poetic forms for AP Literature and Composition, students and teachers will find a link to the poem and multimedia resources. These include EDSITEment lessons as well as EDSITEment-reviewed websites that discuss the poem, the poet, and its context. Media incorporated in these resources include audio clips and video as well as primary source documents and photographs, along with other useful tools such as timelines. They offer both the content and skills needed to support student success in AP English Literature and Composition.

1.  Matthew Arnold: “Dover Beach”

• About this Poet  from the Poetry Foundation
• Arnold’s “Dover Beach”: A Commentary from Victorian Web
• Dover Beach from Representative Poetry Online

2.  Elizabeth Bishop: “In the Waiting Room”

• Elizabeth Bishop from Voices and Visions
• On “In the Waiting Room” from Modern American Poetry

3.  Gwendolyn Brooks: “We Real Cool”

• Tyehimba Jess on "We Real Cool " from the American Academy Poets
• The Impact of a Poem's Line Breaks: Enjambment and Gwendolyn Brooks' "We Real Cool "
• On “We Real Cool ” from Modern American Poetry

The above video is an animation of what the creators imagine inspired Gwendolyn Brooks to write "We Real Cool."

4.  Robert Browning: “My Last Duchess”

• Browning's "My Last Duchess" and Dramatic Monologue
• My Last Duchess audio clip from the American Academy of Poets
• “ My Last Duchess ” from Representative Poetry Online

5.   Emily Dickinson: “Safe in their Alabaster Chambers” (124)

• About this Poem from the Poetry Foundation
• Emily Dickinson from Voices and Visions
• “Safe in their Alabaster Chambers” (216) audio clip from the American Academy of Poets
• Letters from Emily Dickinson: “Will you be my preceptor? ”  
• Lesson 2: Responding to Emily Dickinson: Poetic Analysis

6.  John Donne: “A Valediction: Forbidding Mourning”

• "A Valediction: Forbidden Mourning " audio clip from the Poetry Foundation
• A Brief Guide to Metaphysical Poets from the American Academy of Poets
• “ A Valediction: Forbidding Mourning ” from Representative Poetry Online

7.  T.S. Eliot: “The Love Song of J. Alfred Prufrock ”

• The Poem  (with audio option)
• Introduction to Modernist Poetry :  Lesson 3: Navigating Modernism with J. Alfred Prufrock
• “ The Love Song of J. Alfred Prufrock ” from Representative Poetry Online
• T. S. Eliot from Voices and Visions

8.  Carolyn Forché: “The Colonel”

• Carolyn Forché from Modern American Poetry

9.  Robert Frost: “Mending Wall”

• On “Mending Wall ” from Modern American Poetry
• Robert Frost's "Mending Wall": A Marriage of Poetic Form and Content
• Robert Frost from Voices and Visions

10.  Robert Hayden: “Those Winter Sundays”

• Close Reading Notes for “Those Winter Sundays ” from ReadWriteThink

11.  Langston Hughes: “Let America Be America Again”

• On “Let America be American Again ” from Modern American Poetry
• Langston Hughes from Voices and Visions
• EDSITEment's Teacher's Guide on Langston Hughes  
• Walt Whitman to Langston Hughes: Poems for a Democracy

12.  John Keats: “Ode on a Grecian Urn”

• Ekphrasis: Poetry Confronting Art from the American Academy of Poets
• “Ode on a Grecian Urn ” from Romantic Circles

13.  Andrew Marvell: “To His Coy Mistress”

• “To His Coy Mistress ” from Representative Poetry Online

14.  Wilfred Owen: “Dulce et Decorum Est”

• Poetry of The Great War: “From Darkness to Light”?
• Introduction to Modernist Poetry .   Lesson 1: Understanding the Context of Modernist Poetry

15.  John Crowe Ransom: “Bells for John Whiteside’s Daughter”

• A Brief Guide to the Fugitives from the Cummings Institute
• John Crowe Ransom from Modern American Poetry

16. William Shakespeare: Sonnets

• Shakespeare’s Sonnets from the Folger Shakespeare Library
• Listening to Poetry: Sounds of a Sonnet
• Poetic Form: Sonnet from American Academy of Poets
• A Teacher's Guide for Shakespeare
• William Shakespeare from the Poetry Foundation

17. Percy Bysshe Shelley: “Ozymandias”

• Poem Guide About this Poem --> from the Poetry Foundation
• Percy Bysshe Shelley from Victorian Web
• “Ozymandias ” from Representative Poetry Online

18.  Wallace Stevens: “Sunday Morning”

• On “Sunday Morning ” from Modern American Poetry
• Introduction to Modernist Poetry .   Lesson 2: Thirteen Ways of Reading a Modernist Poem
• “ Sunday Morning ” from Representative Poetry Online

19.  Dylan Thomas: “Do not go gentle into that good night”

• About this Poet from the Poetry Foundation
• Death in Poetry: A.E. Housman's "To an Athlete Dying Young" and Dylan Thomas' "Do not go gentle into that good night "

20. William Carlos Williams: “Danse Russe”

• Seeing Sense in Photographs and Poems
• William Carlos Williams from Voices and Visions

21. William Butler Yeats: “The Second Coming”

• The Poem (with audio option)
• William Butler Yeats from Poetry Foundation
• Yeats: the Life and Works of William Butler Yeats  (online interactive from The National Library of Ireland)

Related on EDSITEment

Twenty-one more poems for ap english, a literary glossary for literature and language arts, fiction and nonfiction for ap english literature and composition, the works of langston hughes, incredible bridges: poets creating community, “remember” by joy harjo.

Lit & More

October 4, 2020 ·

Discussing Complexity in AP Lit

Prose Analysis Lessons & Resources

One of the most common words in AP* Lit essay prompts is “complex,” usually paired with the word “relationship.” When we prepare for writing our first FRQs, I tell my students that the word “complex” is the most important word in the prompt. But when asked what complexity means, my students are often confused. Some interpret complex writing to simply be advanced or “fancy-sounding.” Others think it has to do with the inclusion of literary elements. However, there’s one simple way to help your students understand complexity and score high on an essay.

Complexity simply means pairing two things in your analysis.

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How it Looks in Writing

For example, take a look at the first paragraph from this released essay from the 2020 exam, which scored a 1-4-1 (a perfect score).

In this paragraph, we see the student’s claim. He or she says that the narrator, Philip Hutton, is experiencing anger and resentment as well as peace and reconciliation. This is a complex argument! This blending of different emotions makes it unique and complicated, thus the complex attitude that College Board is looking for.

So How Do I Teach Complexity To My Students?

Once you’ve grasped the concept of complexity, your students will probably still need practice in making complex claims. I recently attempted this with my AP ® class in our discussion of Tillie Olsen’s “I Stand Here Ironing.”

First, I asked students to analyze the narrator’s attitude towards motherhood. After a lengthy discussion, I asked them to shout out any word they could use to describe or associate with the mother from “I Stand Here Ironing.” Then, we talked about how a complex argument would say the mother felt a sense of both guilt and pride. Or we could talk about how she shows feelings of inadequacy but also a lack of regret for her daughter’s trauma. Another wanted to talk about she seems helpless and defensive at times, but proud and assertive at others. What complex arguments!

Other Ideas for Complexity

If you’re looking for more ways to discuss complexity with your students, consider analyzing non-literary texts, such as music, movies, or art. Here are some ideas I came up with, but I’m sure there are plenty of other and better options out there too!

One of my favorite songs of the moment is “If the World Was Ending” by JP Saxe and Julia Michaels. As a mother of three kids, I don’t get to drive alone very often. However, when I do, this is one I love to jam out to.

The lyrics of this song are very relatable and easy for teenagers to understand. Essentially, both singers in the song express understanding that the other isn’t a good fit for a relationship. However, a physical desire remains. The chorus of the song is, “If the world was ending you’d come over, right?” The singers end almost every question like this with the word, “right,” showing their hesitancy and fear of looking vulnerable. I love the complexity in these lyrics. They capture the mixed emotions of desire and fear of looking vulnerable, which is one of the most relatable complex feelings.

Another example of complexity, and possibly interpretation, comes from both an art piece and a movie. One of my favorite movies is Ferris Bueller’s Day Off . In one scene from that movie, Cameron looks into this famous painting while Ferris and his girlfriend make out. The message is clearly on introspection and peace, until the camera begins a gradual zoom-in on Cameron and a figure in the painting.

As the camera zooms closer into Cameron, it also zooms closer into the child in the center of the painting. If you get extremely close, it looks as though the child is screaming, presenting a new perspective to the painting. Is it simply a trick of the pointillism used in the art? Or is it a complex perspective behind the painting, that a peaceful afternoon in the park cannot be interrupted by the distraction of your screaming child? Cameron’s backstory in the movie adds to this complexity, as Cameron, too, is silently screaming throughout his whole existence.

I had a hard time picking a clip to show complexity from movies. In the end, I like this one from Jordan Peele’s Get Out , a brilliant thriller. In this scene, Chris has traveled to his girlfriend’s parents’ house for the first time. Upon meeting his girlfriends’s parents and their friends, race becomes an uncomfortable barrier between Chris and almost every other character. Things move from awkward to spooky when the few other African American characters behave strangely towards Chris, almost as if they’re struggling to say something they cannot.

In this clip, Chris depicts his complex feelings of both fear and intrigue when he talks to the housekeeper. For context, the housekeeper is inhabited by another person’s brain, which has taken over her entire personality. She gravitates towards Chris because her original body, or host, is trying to find a way to warn him that his girlfriend’s family wants to lobotomize him and do the same thing to him. Chris is completely creeped out by this woman’s strange behavior, but her eerie desperation seeps out through her fake smile. Her depiction is complex, as is Chris’ curiosity and revulsion.

More on Teaching Complexity in AP Lit

Looking for more lesson plans and strategies for teaching complexity? Check out these other web pages for more information! You can also learn more about complexity, making claims, and the elusive sophistication point in my AP ® Lit Test Prep materials , available for purchase from Teachers Pay Teachers.

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AP® English Literature

How to approach ap® english literature free-response questions.

• The Albert Team
• Last Updated On: February 28, 2023

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What is the Format of AP® English Literature?

What content is covered in the free-response section of ap® english literature.

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Focus on critical reading, utilize your syllabus, take notes as you read, carefully consider principal ideas, explore the context, read out loud, reread when necessary, consult your dictionary, thesaurus or encyclopedia, write, review, and rewrite regularly, how to answer ap® english literature free-response questions.

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Outline your essay, write clearly and eloquently, what are ap® english literature free-response questions like.

How Can I practice AP® English Literature Free-Response?

Looking for ap® english literature practice, interested in a school license​, 2 thoughts on “how to approach ap® english literature free-response questions”.

Are you expected to have read the actual work previously for free response question #1 and #2? (For instance, would the test writers expect you have read Thomas Hardy’s The Mayor of Casterbridge (1886) for 2016 essay?)

Can you still pull out score 5, even if you haven’t read the work before and write your response solely based on the given passage?

Hi Jen, you would not have had to have read the passage before. You’d be expected to be able to interpret from the passage provided — this is how they assess you on your analysis skills.

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