udaipur case study slideshare

Architecture of Indian Cities Udaipur – City of lakes

“The traveller who goes there first is likened to a man who begins his banquets with master-piece and is worried to find other dishes rather dull.” – Prince of Wales.

Architecture of Indian Cities Udaipur - City of lakes - Sheet1

Lying in the bowl-shaped basin of the Aravalli ranges in Southern Rajasthan, Udaipur, also called the City of Lakes is compared to the European city of Venice for its romantic appeal. The rugged terrain created favorable conditions for the defense and opportunities for the medieval settlement. The city became the capital when King Udai Singh of Mewar moved here from Chittorgarh and was the last capital of the Kingdom of Mewar. Therefore, the image of the city is one that emphasizes Rajput heritage making it a major tourist attraction in the country. The heritage fabric of the city creates an excellent example of harmony between its natural elements and the built form.

Architecture of Indian Cities Udaipur - City of lakes - Sheet2

Like other medieval cities, the ancient city center of Udaipur is a sacred place with respect to administration, architecture, and religion. The most dominating feature of Udaipur is Lake Pichola, the urban fabric along which represents the development of the historic core. The lake influences favorable changes in the micro-climate of the region where people are faced with low humidity, scorching heat and glare. The built form uses the cooling quality of water and the reflecting surface of water increases the visual scale and prominence of the palaces built around it.

The AmbraiGhat, located on the bank of Lake Pichola serves beautiful views for enjoying the sunrise and the sunset, with water soothing the feet and giving an experience like never before.

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The town is often associated with the presence of the marvelous Lake Palace which reflects the wealth and valor of the Mewar Kingdom. It was the former ruler’s summer palace, which was later transformed into a hotel. Another palace that is associated with the center of royal power in the city of Udaipur is the City Palace. It embodies the history of the Sisodia Royal dynasty.

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The City Palace is the structure around which the settlement was found; buildings separated by several chowks, courtyards, and hanging gardens. The historic buildings are a property of the Mewar royal family and are managed by several charitable trusts. This is referred to as the ‘tourist city’ as most of the economic activities related to tourism take place within the narrow streets of these settlements.

The intricacies of this heritage can be better understood during a stroll along the streets of the old city – displaying handmade fine art paintings, mojdis, handmade leather goods, beautiful pieces of silver and stone jewelry, interesting traditional Rajasthani clothes, bed sheets, upholstery, etc.

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The topography and landscape dominate the overall form and settlement pattern in Udaipur with the lake providing ‘a sense of place’ for generating distinctive organic order. The historic core of the city has mixed land-use, but with time increased tourism and change in development pattern has diluted the hierarchies in the built form. Large scale religious and administrative structures stand out as the main elements amidst the hustle-bustle of the city- a representation of grandeur of the bygone era.

The dominance set by the palace is broken down with the appearance of shikharas of the temples. Jagdish Chowk is the main center of the old layout of the city due to the presence of the main temple, Jagdish Mandir. A large number of Indian and foreign tourists visit the temple, especially due to its close proximity to the City Palace. The temple is dedicated to the Garuda bird, a manifestation of God Vishnu, and the architecture of this temple is particularly different from other prominent structures of the city.

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The most prevalent feature of buildings is the ‘cusped’ or ‘peacock’ arch supported by fluted columns – a highlight of Rajput architectural decoration. Windows often have tinted glass, and often used with screens to offer privacy and reduce solar radiation. Other remarkable elements of Rajput architecture visible in the historic monuments and old buildings are expansive balconies that create a visual link with the water bodies, the arched elements over doorways and windows, the use of sandstone, and whitewashed walls of the havelis along with the beautiful chattris on towers and forts.

Architecture of Indian Cities Udaipur - City of lakes - Sheet9

Udaipur is also famous for its local handicrafts and traditional performing arts. The famous Bagore Ki Haveli, hosts daily Rajathani performing arts show in the evening called ‘Dharohar Dance Show’ that attracts a large number of tourists. Built in the 18th century by Amar Chand Badwa, the haveli stands magnificently on the waterfront and has been now converted into a museum. The haveli was restored using local and traditional materials and skills, lakhori bricks, and lime mortar, such that the royal look in the same old architectural style can be retained. It is a symbol of Mewar’s aristocratic culture and has about 138 rooms. The Chamber of the Royal Ladies is worth a visit for its renowned tinted glass windows and two peacocks made with colored mosaic, showing exceptional craftsmanship.

Architecture of Indian Cities Udaipur - City of lakes - Sheet10

In the outskirts of Udaipur, near Havala village, a one-of-its-kind ethnographic museum called the Shilpagram is located that reflects the culture and heritage of the whole western India. The main objective of the museum was to promote the culture and lifestyle of ethnic minorities and tribal communities, keeping them alive through their art forms – art, handicrafts, music, dance, theatrics, puppetry, and more – all presented in their rawest form.

The historic city of Udaipur has survived pressures of unprecedented growth and today lends itself as a very important tourist city with a unique charm, grand history, and outstanding architectural and cultural heritage. But the strategy of development and preservation must be in lieu of the characteristic heritage of the urban fabric, such that it embraces conservation activities with a more sensitive approach.

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Currently pursuing her major in urban planning, she believes that design and literature are two paradigms which can alter the overall outlook of the world when backed by practical data.

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Udaipur stabbing case: Rajasthan government bans carrying scissors, knives to schools

Udaipur stabbing case: as per the guideline, teachers will check the school bags of students to ensure that no such items are being brought to school. action will be taken against the students who flout the guideline..

Udaipur school stabbing, Udaipur violence case, Rajasthan government bans carrying scissors and kniv

Director of the Secondary Education Department Ashish Modi said that families send their children to school to study. "In such a situation, school premises should be the safest place for students. There should not be any kind of violence there. Keeping the security of students in mind, the Education Department has issued this guideline," he added.

New guideline issued by Rajasthan govt

The new guideline will be pasted on school notice boards and students will also be informed about it during prayer assemblies. On Friday, violence broke out in Udaipur after a Class X student was attacked with a knife by his classmate at a government school. Nearly half-a-dozen cars were set on fire by an angry mob while incidents of stone pelting were reported from certain parts of the city. As per reports, the students were from different communities which led to tension in the city.

Rajasthan: Man ties wife to motorcycle, drags around village for wanting to visit sister | VIDEO

Section 144 imposed in Rajasthan's Udaipur after student stabbed in school, various vehicles torched

Internet suspended in Udaipur for 24 hours after violent protests against student stabbing incident

Udaipur: Schools, colleges shut amid escalating communal tensions after stabbing incident

District Education Officer Lokesh Bharti confirmed that two classmates, both aged 15 years, at a government school in the Bhatiyani Chauhatta area got into a fight during the post-lunch hours following which one student stabbed the other on the thigh with a knife.

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The City Palace in Udaipur is an architectural marvel that has stood the test of time

Every Indian has grown up on legends of Maharana Pratap Singh’s tales of valour, preferring to take on the full might of Akbar’s army than submit to the dictates of the mighty Mughal . A visit to the City Palace in Udaipur built by his father Udai Singh II is a journey to the land of the brave and of architecture of impregnable fortress-like-palaces, located amid the rugged Aravalli Hills. Strategic defence became the main driving force shaping these citadels and their configuration on hill tops.

Also read: Explore the architectural wonders of The Leela Palace in Jaipur

Cusped arch jharoka with views of Lake Pichola.

The original capital city of the Mewar kingdom was Chittorgarh, but by the time Maharana Udai Singh II ascended the throne in 1537, there was so much strife with the Mughal armies that the Maharana decided to build a new, safer capital. Any present day architect -planner will be amazed at the astute site selection by the Maharana, who chose the present site near Lake Pichola for his new capital, as the topography of the location was well protected on all sides by forests, lakes and the Aravalli Hills. Historically, cities have come up along riversides for natural water supply, trade routes for the economy to flourish and vantage points for strategic defence. Udaipur fulfilled all the above criteria.

Sheesh Mahal with glass mirror work.

Sonakshi Sinha puts her 4,200-square-foot Bandra apartment on the market for ₹25 crore

The fortress-palace is located on a fish-shaped hilltop with waterfront on one side ensuring safety from marauders, while enabling expansive views of the shimmering waters of Lake Pichola. Even today, there is an intangible timelessness about Udaipur . The City Palace looms large over the city skyline symbolizing royal blessings to its subjects. Because of the encasing of mountain slopes with stone embankments, the palace looks like a huge citadel atop the ridge. Built with locally available marble, limestone and granite, the superstructure is painted in lime plaster that casts shimmering reflections in the lake waters below on the western side, and rises high above the maize of the city on the eastern side.

The palace built in phases through 400 years by 23 generations of rulers is an agglomeration of numerous courts, chowks, gateways, torans and narrow-winding steps linking the various levels for security, to thwart surprise enemy attacks. The palace facade measures 801 feet in length and 100 feet in height, and has 11 mini-palaces around courts, each with a distinct well-designated role in the functioning of the palace life. Broadly, the City Palace is divided into two distinct zones: Mardana and Zennana Mahals .

Chinni Chitrashala with Chinese and Dutch mosaic tiles.

In contrast to the imposing palace form, the interiors comprise balconies, towers and cupolas exhibiting “delicate mirror -work, marble-work, murals, wall paintings, silver-work, inlay-work and leftover of coloured glass”, describes Shikha Jain, its conservation historian. At various points, a visitor gets to peep out from a lattice work jharokha for a breathtaking view of the lake and the city sprawled beneath. The prominent precincts and palaces are the Rai Angan, the earliest courtyard for royal coronations; the 17th-century Chandran Mahal; Suraj Gokhda or the public address facade; Mor-Chowk; Dilkhush Mahal; Surya Chopar; Sheesh Mahal; Bhim Vilas and Amar Vilas. The Fateh Prakash Palace and the Shiv Niwas Palace , the last two to have been built, now function as heritage hotels.

Promenade of Manak Chowk.

The Baadi Mahal, also known as Garden Palace, is the central palace situated on an 89 foot-high natural rock of the site. Every tourist guide will be at his most excited self here, amazing the tourists with its marvels of art and architecture . A pool with a murmuring fountain in the centre run by the engineering device of pumping up water from below was used for Holi celebrations. Adjoining pavilions are decorated with stained glass fenestrations around a cusp arch allowing breathtaking views of the city spread out below. As you proceed further, the most dazzling part is the royal bedroom called “Kanch ki Burj” with mosaics of mirrors adorning the walls. Throughout the palace, there is the recurrent presence of sun-face emblems in gleaming brass. These are the religious insignias of the Sisodia dynasty whose lineage Mewar kings claim; hailing themselves as Suryavanshis (descendants of the Sun). The largest of this emblem is seen on the wall of the Surya Chopar, a reception centre at the lower level.

Sun emblem in brass.

Also read: 8 centuries-old hotels in India where legacy wears a modern robe

Winding through the narrow corridors, you reach a brightly illuminated enclosure called the Mor Chowk or Peacock Square. The entire facade of one side of the courtyard consists of “three peacocks (representing the three seasons of summer , winter, and monsoon) modelled in high relief, and faced with coloured glass mosaic, built into successive niches in the wall area or jharoka ”. Built during Maharana Sajjan Singh's reign, the peacocks were crafted with myriad pieces of glass that glimmer in green, gold, and blue. It was in this enclosure that the treaty between Maharana Bheem Singh and Captain James Tod of the East India company was signed in 1818.

You also pass through Badi Chitrashali, a square courtyard constructed during the reign of Maharana Sangram Singh (1710-1734). The eastern wing is called Chini Chitrashali because of its cladding with Chinese and Dutch tiles added in the 19th century.

Mural painting on the wall of City Palace court.

The largest public plaza of the entire ensemble is the huge promenade called Manak Chowk. It is an enclosure for formal audiences for the Mewar rulers, and is used extensively even today during traditional festivals, with the participation of the royal family with the locals, making the City Palace an epitome of a living heritage. As you come out of the Palace and walk into the city bazaars, you encounter so many traditional art forms alive and visible—whether murals of horses and elephants on building facades, or artists making miniature paintings with fine brushes made from squirrel tails dipped in colours made from vegetable dyes and minerals. The marvel of Mewar’s art and architecture lives on in its palaces and bazaars.

Mor Chowk with glass work.

Also read: How the Salehkhana in Udaipur’s City Palace was transformed into a state-of-the-art gallery

8 centuries-old hotels in India where legacy wears a modern robe

Vernacular Architecture

Vernacular Architecture of Udaipur

Location: Rajasthan, Situated in a valley , surrounded by the Aravalis
Climate: Largely hot and arid
Type of structure studied: Courtyard Haveli
Time of construction: approx. 200 yrs ago , i.e. 1800s

A view of Udaipur City

Havelis display a unique architectural style that evolved around the courtyards to ensure safety and privacy of the womenfolk and protection from the heat of the long and harsh summers.
Though not indulgent in its embellishments, the front façade has an air of aristocracy to it.

All the following elements are special due to the activities linked with them.

THE COURTYARD

One outside the haveli – Meant for tying domestic animals, evening walks, celebrating special occasions.
Central courtyard – For family get-togethers, children playing, offering morning prayer, holding feasts.
Within the zenana – crushing spices, drying masalas, grinding wheat, get together of the women.

The Merdana and the Zenana

WOMEN SPACE

SPATIAL HIERARCHY

THE KITCHEN

A room in the merdana which has been converted into the kitchen.

The kitchen was where the food was prepared and eaten, mutually respected by the members of the house it was never entered into by the men folk.
Food was cooked in chulhas.
It was well ventilated.
There were stones slabs inserted in the depressions in the wall for utensils.

Terraces (Chandni) – opened up for serving food on special occasions, drying of clothes.

Jharokhas used by women to overlook the activities in the outer chowk.
Brilliant guise for the purdah system.

Beautifully crafted arches (Gokhras)

Stack Effect :Courtyard is a low pressure zone during the day, cool air from outside ( low pressure ) replaces this air.
Town Planning : It was done such that minimum area in terms of roof and walls is exposed to the sun.

CHANGES IN LIFESTYLE

The residents have shifted to one part of the house while the rest of it has been locked.
They have cut down the tree in the courtyard to prevent nuisance caused by monkeys.
No need to maintain rest of the house.
Made toilets in existing structure.
The kitchen has been shifted and there is a separate dinning room instead of the traditional eating area outside the kitchen (influence of western lifestyle).

WINDS OF CHANGE

No need for radical thought / ideas.
Blending in with and flowing with the general trend.
Emphasis was on community and not on private lives.
There was no need for artificial regulators like the A.C. and heaters.
Space was not a considerations , so neither were encroachments big issues.
Delicate details and intricate carvings were oft found.
Most buildings were made with local materials.
To show and encourage creativity.
Saving space, artificial controls mandatory , thus energy saving has taken a back seat.
Privacy is very important.
New technology and materials have replaced stone and lime mortar.

Reader Interactions

March 20, 2011 at 11:26 pm

really very nicely compiled really very nicely compiled study….

August 19, 2011 at 4:11 am

I understand that these I understand that these houses built in a different age for a different social life worked very well. But how do the people today deal with issues like rain (courtyards, hence flooding), pigeons (pigeon waste and eggs falling from nests need to be cleaned constantly on the rough stone flooring), mosquitoes, flies, cleaning of the exposed surfaces, etc?

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Metamorphosis Of Old City Udaipur

Nikita Sharma

The study area of Old City, Udaipur is the one which has been greatly influenced by the past and its traces can be seen in the present like the caste based settlements which further impacts the social life of the people living in the precinct. Its diverse streets and land use patterns increase the footfall throughout the day. Due to the tourists coming in the city, the markets and cafes in the precinct are highly affected and further increases traffic issues. The precinct is very different from the one present in the periphery. The topography also plays an important role.

History and Evolution

The Heart of the City - Jagdish Chowk

Locating Precinct & Understanding Diverse Streets

Comparision of roads & Typical Sections

Equity on Streets & Public Transport

Precinct and its Description

Building Use & FSI Comparison

Housing Typology & Choices affecting Lifestyle

Case Studies & Basic Amenities

Process of WTP, STP & SWM in city

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Crafting an Experiencescape for Sustainable Cultural Tourism: A Case Study of Udaipur's Craft Village “Shilpgram”

1. introduction.

Festivals and fairs in India, such as Diwali and the Kumbh Mela, provide considerable economic possibilities while reinforcing cultural values. Despite India’s long history of handicrafts dating back to the Indus Valley civilisation, the industry has failed due to a lack of exposure and marketing. Artist Villages are a possible option, providing workshops and design studios to foster creativity while linking artisans to national and worldwide forums. They give artisans a global platform to present their work, bridging the gap between tradition and modernity and helping preserve and prosper India’s distinct handmade legacy. According to Shastri (2017), an artist village is aptly characterized as

A space for recreation and interaction, where the general masses can come, see the displayed art form, watch the performing Art and interact with the artists. Artisans can reside and enlighten others about their skills. (Shastri, 2017 p. 25)

Shilpgram, Udaipur, is an exceptional illustration of an artist community that is self-sustaining. The art and craft of India, preserved in the hands of rural artisans and explored for potential connections to the modern world today. Moreover, with “Shilpgram - a Craft Village” in Udaipur, the West Zone Cultural Centre (WZCC) embodies this aim by displaying the different cultural traditions of Western Zone states. Shilpgram also holds the annual “Shilpgram Utsav,” which attracts over 500,000 visitors and hundreds of artists and entertainers. WZCC’s headquarters, ‘Bagore-Ki-Haveli,’ also has a museum dedicated to conserving royal legacy (Mehmood & Aazem, 2002). These facilities are critical for preserving and appreciating India’s diverse cultural mix.

According to UNESCO, oral traditions and expressions, performing arts, social practices, rituals and festive events, knowledge and practices, and traditional handicrafts are all areas of ICH (UNESCO, 1989). In reality, another implicit feature strongly related to the previous domains produces a liveable place for appreciation (i.e., an experiencescape). The significance of ICH lies not only in its cultural form but also in the social and economic worth of culture and tradition transmission for communities or specific social groupings. This chapter aims to apply a case study technique to determine the viability of Shilpgram as an experiencescape model. This evaluation will mostly depend on qualitative interviews with significant Shilpgram stakeholders. Finally, this chapter aims to contribute to a broader understanding of how cultural destinations such as Shilpgram can effectively serve as experiencescape models, preserving and promoting cultural heritage while addressing contemporary challenges and opportunities in the field of cultural tourism.

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City Palace Udaipur: A Case study for Sustainable Heritage Tourism through Services Enhancement

2011, Technology, Internationalization & Customer Experiences: Proceedings of 5th International Conference on Services Management

The City Palace Complex, Udaipur is a heritage property being used as a museum that has undergone a detailed planning exercise through an international grant, with implemented and proposed initiatives. Taking this as a case study, the planning and implementation frameworks for guiding development and management of the property have been analysed and an attempt has been made to establish the link between service enhancements and sustainability of cultural heritage properties. The quality gap model has been applied to the services provided in the Palace Complex, to establish a systematic process for ensuring customer satisfaction. Customer satisfaction is further linked to sustainability by analysing current visitor and financial data trends. The case study illustrates an exemplary process of developing frameworks for guiding management and development of a cultural heritage site. Heritage properties are resources that can act as means of sustaining the cultural heritage and local economies, if developed and managed with appropriate guiding frameworks and management tools. It can be concluded that service enhancements in cultural heritage resources can act as means of sustaining the resources, boosting the local economy and generating livelihoods. The study encourages heritage property owners and entrepreneurs to invest on service enhancements in heritage resources and urges management and service industry professionals to understand the need and process of applying management tools and frameworks in such cases.

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The tourism sector is experiencing a remarkable constant progress and becoming one of the fastest growing economic sectors globally. In this context, it is interest for the academics and destination marketing organizations to undertake a dedicated study that gives a greater understanding of the concept of satisfaction in enhancing tourists’ loyalty. The purpose of this paper is to discuss the impact of service quality as one of the key antecedents affecting tourists’ satisfaction and loyalty towards selected destinations of the World Heritage Site in Malaysia. To confine the scope of the study, the area of interest focuses on a specific type of city, namely the Heritage City. The historical cities of Melaka and George Town inscribed as UNESCO World Heritage City in Malaysia are chosen in order to gain a comprehensive understanding of the tourists’ attitudes towards heritage city. The sample consists of 450 international and domestic tourists who visited the heritage city. Theoretica...

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This paper considers the relationship between heritage tourism and sustainable development, with special reference to World Heritage Sites (WHSs). It notes that while WHS status is not necessarily linked to tourism growth, all WHSs must now develop and implement a management plan to mitigate tourism impacts and sustain site significance. The paper explores the concept of sustainable heritage tourism and identifies two key principles of sustainable practice – a planning process that is long term and holistic, and multiple stakeholder participation in that planning process. Qualitative content analysis is used to determine the extent to which these principles have been integrated into the tourism planning process at six WHSs. The study found that a formal goal-oriented planning process was in evidence at all six sites. However, the process lacked a comprehensive and holistic approach to the wider issues of sustainable development, and genuine engagement with local community stakeholders.

marija Maksin

The process of globalization has created the situation where the expectations of tourists are the same both with respect to the quality of services in all destinations and with respect to the authencity based on local attractions and experiences, which should be unique and different for each destination. The key element in maintaining destination attractiveness is the protection and presentation of natural and cultural heritage and its sustainable utilization for tourism development. The sustainability concept is of equal importance for long-term tourism development, destination competitiveness and heritage protection. The paper deals with the main challenges to achieving sustainable tourism and points to some key responses to them. Participation, cooperation and partnership should be a vital prerequisite for the implementation and performance of sustainable tourism and heritage protection. This attitude has been tested on several examples of good practice in heritage protection and...

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Sustainable tourism development seeks to balance the needs of tourists and host communities while preserving the environment and cultural heritage for future generations. This paper examines the principles and practices of sustainable tourism, with a focus on heritage conservation. It explores the challenges and strategies involved in integrating sustainability into tourism and heritage management, providing a comprehensive overview based on current research and case studies. By delving into theoretical frameworks, practical applications, and real-world examples, the paper aims to offer a holistic understanding of how sustainable tourism can be achieved while safeguarding cultural and natural heritage.

Nur Haziqah Athirah Othman

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Taking lessons from the historic development of the city of Udaipur, water and its catchment and storage in lakes are the in the focus of this proposal for IIM Udaipur campus. The need for water to sustain life on site is recognized and provided for. Check-dams are placed in strategic locations, based on the average annual rainfall and on the analysis of the natural water sheds of the contours, to hold a maximum amount of rainfall. The treatment and recycling of sewage has also been considered to make this a self-sufficient, water sustainable campus. Moreover the lakes benefit climatically in cooling the buildings.

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Avadh Shilpgram / Studio Archohm

Curated by Fernanda Castro
Architects: Studio Archohm
Area Area of this architecture project Area: 29784 m²
Year Completion year of this architecture project Year: 2016
Photographs Photographs: Andre J Fanthome
Manufacturers Brands with products used in this architecture project Manufacturers: Aubrilam , Bajaj , Carrier , JOHNSON , Jaguar , KOMPAN , MARINO , MOON LIGHT HEPER , Parryware , Schréder , Somany , Trilux , UrbanPlay
HVAC : Abid Hussain Consultants
Electrical : Archohm Consults
Landscape : Bios Ecology And Art Landscape Architecture
Structural : Lkt Engineering Consultants Ltd.
Architect In Charge: Sourabh Gupta
Design Team: Suboor Ahmad, Jeevan Das, Dhanbeer Rawat
Principal Architect: Mr. Sourabh Gupta
Civil: Avas Evam Vikas Parishad
Plumbing: Techno Engineering Consultants
Project Management Consultancy: Avas Evam Vikas Parishad
Client: Avas Evam Vikas Parishad
City: Lucknow
Country: India
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Text description provided by the architects. The architecture of urban bazaars works on a scheme of a mélange; it seems to be the leitmotif for such programmes, introducing a kind of ride through spaces and experiences that are controlled and enhanced through architectural forms and materiality. The visual mélange produces an architectural scenario for the activity of leisure and pleasure, an indulgence in shopping as well as the feeling of partaking in actions related to craft and culture. It creates an urban scope that inserts itself within a different reality; like in an amusement park, a bubble of reality within the everyday reality of the city outside.

Avadh Shilpgram / Studio Archohm - Interior Photography, Brick, Facade, Arch, Column, Arcade

During the design process, the layout of the twenty-acre Awadh Shilpgram evolved organically from the commercial, cultural, social and leisurely interactions of people. An elliptical form enables a smooth corner-free circulation; it narrows down while spiraling inward, and emulates the density and vibrancy of the Lucknowi Bazaars of yesteryears; the bazaars with the streets that got progressively narrower. The built environment is an interpretative collage, a gesture saluting the unique traditional architecture of the Roomi Darwaza and the Imambaras. Adequate daylighting, proper air circulation through cross ventilation further adds the dimension of comfort to the design. Its articulation has been realised through a contemporary interpretation of traditional elements of arches and Jaalis .

With nearly two-hundred craft shops of which some are air conditioned, craft courts, a dormitory hostel, an auditorium, and a food court with stalls serving cuisine from different states, Avadh Shilpgram indeed provides generous facilities to visitors and artisans.

The arch, being an important element of the architecture of the city of Lucknow , is introduced as a skin to the inner face of the buildings. It is given a 'make-over' in a contemporary style even while continuous access is allowed beneath it.

An independent structure is arranged to look like an integrated one. Each arch allows entry into the corridor at the ground-floor level. The zigzag form of jaali arches is derived by modifying the basic lines of traditional mughal arches from which one can pass through in the corridors; the double height nature lets one experience the grand feeling of arches like in the Buland Darwaza at Agra. The steel structure is clad with Red Agra sand stone in a Jaali pattern, with motifs inspired by the renowned Lucknowi embroidery craft called ‘ Chikan kari’ .

The unique concept along with the form, scale, materials and elements that render the architecture give an iconic building to the city of Nawabs and the people of Lucknow.

Originally published on August 24, 2016.

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Project location

Address: lucknow, uttar pradesh 226002, india.

Materials and Tags

Sustainability

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Avadh Shilpgram集贸市场 / Archohm

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Shilpgram, Udaipur- An artisan’s village

Globally recognised as a princely state in India, Udaipur is a district situated in the Indian state of Rajasthan. As a historic capital of the Mewar kingdom in the former Rajputana Agency, it was Maharana Udai Singh of the Sisodia clan of Rajputs who founded the city of Udaipur in 1559 AD. Popular as an impressive tourist destination, Udaipur is known for its rich history, scenic beauty and the Rajputana-era palaces.

One of the prime attractions of Udaipur is the Shilpgram. Inaugurated by Rajiv Gandhi in 1989, it is basically a rural arts and crafts complex that is situated in the west 3km from Udaipur, near Hawala village. Spread over a whopping terrain of 7-acres of land, Shilpgram is surrounded by the very well-known Aravali mountain range. The main purpose of setting up Shilpgram is to increase the knowledge and awareness of the rural arts and crafts for the younger generation. The centre witnesses several workshops specially conducted for children who are interested in learning arts, crafts, music and theatre. Serving as an excellent platform for the amalgamation of rural and urban artists, Udaipur’s Shilpgram is dedicated to promote modern potters, visual artists, urban ceramists and designers.

Getting There

Address: Shilpgram- The craft village, Rani Road, Udaipur- 312605.

Phone Number : 8511068969, 0294 243 1304

Distance from Udaipur airport – About 26 kilometres
Distance from Udaipur City Railway Station- 8 kilometres
Distance from City Palace – 10 kilometres

Visitors can conveniently reach Shilpgram via the regular buses, auto-rickshaws, tongas and taxis from the Udaipur city. While a majority of people prefer walking or cycling out to reach Shilpgram, a regular return autorickshaw trip that includes a 30 minute stop from the old Udaipur city would cost you a marginal price of Rs 250. The best time to visit Shilpgram is during the month of November and December when the Shilpgram Festival is being organised. Held from 21 December to 31 December every year, the Shilpgram Festival has the Shilpgram Fair as one of its vital components. A viable destination for the embroideries, handicrafts and hand woven clothes, the Shilpgram Mela/Fair is specially held to motivate the visual artists, urban potters and the designers of Rajasthan.

Layout of Shilpgram

The Shilpgram complex comprises an open Amphitheatre with a total seating capacity of approximately 8000 people. Also, there are huts built by each member state of the West Zone. These huts are central to the Indian culture and have several household articles like textile, decorative objects, metal items, terracotta etc. featured with them-offering a life-like glimpse of people and their unique assets. In addition to Udaipur’s own huts, Shilpgram also houses seven representative huts from Gujarat, five from Goa and another five from the vast state of Maharashtra.

Major Attractions

Shilpdarshan- As a continuing activity at Shilpgram, Shilpdarshan has the artisans and craftsmen in attendance. These performers are regularly invited for impressive exhibition of their skills and talent. They are also offered a unique flexibility to sell their work and charge a good price for the same.Initiated with the sole aim of encouraging rural artisans and craftsmen, Shilpdarshan is a must-attend for every visitor of Shilpgram.
Shilpgram Crafts Mela- As an ideal destination for craft lovers, the Shilpgram Crafts Mela allows you to try out numerous forms of handicrafts like apparels, accessories, interior decoration stuff etc. Eye-catching items at the Crafts Mela include the camel leather stuff and the hand woven garments.
Crafts Bazar- Also known as ‘Haat’, the Crafts Bazaar is the place where the tourists/visitors can go ahead with purchasing traditional crafts belonging to a particular zone. At the Crafts Bazaar, you can find a good strength of craftsmen who are invited for showcasing their work and selling the same at the Shilpgram.
Shilpi Restaurant- Located next to Shilpgram, this is a restaurant that serves mouth-watering cuisines including Indian, Chinese and Continental. With a marginal admission fee of Rs 100, the Shilpi Restaurant offers you the flexibility of choosing between vegetarian and non-vegetarian food. The in-house swimming pool is a major delight to the visitors.

As a perfect site for Arts and Crafts fair in Udaipur, Shilpgram is an interesting place to visit if you want to dig deeper into the secrets of India’s rich history, culture and tradition. The puppet shows held at Shilpgram make it a perfect place for kids. Plus, there are artisans selling their hand-made paintings at fair prices. The Crafts Village has an in-house local market which has a huge collection of different kinds of handicrafts handmade by the villagers. Additionally, the Shilpgram-based Dhaba offers you yummy local Rajasthani food at affordable prices. You can even avail the flexibility of wearing local Rajasthani clothes for getting clicked by the camera. Last but not the least, the fun-filled and exciting camel rides would turn to be absolutely memorable.

Visitor Information

Shilpgram is open on all seven days of the week.

Timings: 11.00 hrs – 19.00 hrs Entry Fee: Foreigners Rs. 25/-, Adult Rs. 15/-, Child Rs. 7/-

The popular Haat Bazaar at Shilpgram is open for public from 12:00pm everyday.

Shilpgram Udaipur – The Art Hub

On the outskirts of Udaipur lies a premise brimful of craft, art and tradition! A captivating ride to the-authentic traditions of India, you’ll receive immense knowledge as well as amusement. Shilpgram is located 3 kms west from Udaipur; you can easily get a ride to the location. Here are some keynotes on why you must visit this place.

Shilpgram Udaipur

1. shilpgram festival (mahotsava), 2. the huts, 3. a peaceful village experience, 4. the place never rests.

Apart from the Shilpgram fest, if you’ll visit the location, you can try the authentic Rajasthani food and also enjoy various dance and other performances by artists. Entering each hut and exploring the traditions of various states is a must-do thing. You can also indulge in the acts of the artists and learn to swirl like they do!

Let us know ‘What is the best thing you bought in the Shilpgram Udaipur Fest?’ in the comment section below, you can also share pictures of the stupendous location with us!

The arts and crafts village

Shilpgram Udaipur
Shilpgram Festival 2012
Shilpgram Festival 2013
Shilpgram Festival 2014
Shilpgram Festival Videos

Shilpgram – the Rural Arts and Crafts Complex. Shilpgram depict the lifestyles of the folk and tribal people of the West Zone. The Shilpgram Festival organised every year from 21st December to December 30th, attracts massive crowd creating a scene of rural market fair and festival with live performance of folk artist from different parts of the country. There are several huts constructed in the traditional architectural style using mud and local building material to reflect the geographical and ethnic diversity of the different states of west zone of India.

Shilpgram – the Rural Arts and Crafts Complex.

Shilpgram Festival
Shilpgram Festival 2011
Shilpgram Utsav
Shilpgram Utsav 2011
Shilpgram Utsav 2012
Shilpgram Utsav 2013

Udaipur Sightseeing Tour

December 2014
December 2012

Shilpgram Festival, Udaipur
Shilpgram | Contact Us
West Zone Cultural Centre (WZCC) India

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Avadh Shilpgram / Studio Archohm
It creates an urban scope that inserts itself within a different reality; like in an amusement park, a bubble of reality within the everyday reality of the city outside. During the design process ...
Shilpgram, Udaipur- An artisan's village
Address: Shilpgram- The craft village, Rani Road, Udaipur- 312605. Phone Number: 8511068969, 0294 243 1304. Distance from Udaipur airport - About 26 kilometres. Distance from Udaipur City ...
Shilpgram Udaipur
Here you will know about shilpgram udaipur. On the outskirts of Udaipur lies a premise brimful of craft, art and tradition! A captivating ride to the-authentic traditions of India, you'll receive immense knowledge as well as amusement. Shilpgram is located 3 kms west from Udaipur; you can easily get a ride to the location. Here are some keynotes on why you must visit this place.
Shilpgram Udaipur
Shilpgram - the Rural Arts and Crafts Complex. Shilpgram depict the lifestyles of the folk and tribal people of the West Zone. The Shilpgram Festival organised every year from 21st December to December 30th, attracts massive crowd creating a scene of rural market fair and festival with live performance of folk artist from different parts of the country.
Surfaces Reporter
News that keeps you informed." Surfaces Reporter is one of India's leading media in Print & Digital Telecast for News on Interiors & Architecture Projects, Products, Building Materials, and the Business of Design! Since 2011, it serves as a referral for designers & architects to know about inspiring projects and source new products.
PDF Conservation and Management of Resources : a Case Study of Udaipur City
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Case Study
Challenge. IIM is an institution that needs no introduction. The challenge that was onto us was to understand the deeply rooted legacy of first generation IIMs, align it with IIM Udaipur's vision and take it a notch higher. When we started working with them, the first thing we figured was, they did not have a unique brand identity like a lot of ...