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The Crucible

Arthur miller.

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Welcome to the LitCharts study guide on Arthur Miller's The Crucible . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

The Crucible: Introduction

The crucible: plot summary, the crucible: detailed summary & analysis, the crucible: themes, the crucible: quotes, the crucible: characters, the crucible: symbols, the crucible: literary devices, the crucible: theme wheel, brief biography of arthur miller.

Historical Context of The Crucible

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• Full Title: The Crucible
• When Written: 1950-52
• When Published: 1953
• Literary Period: Realist Drama
• Genre: Tragic Drama
• Setting: Salem, Massachusetts in 1692, when it was a Puritan colony
• Climax: The Crucible has an odd structure, in which each of the four acts ends on a climax. Act I: the girls scream out the names of witches. Act II: Proctor vows he will confront Abigail. Act III: Proctor reveals his adultery with Abigail, and Elizabeth Proctor lies. Act IV: Proctor rips up his confession.
• Antagonist: Abigail Williams

Extra Credit for The Crucible

The Real Salem Witch Trials. In his depiction of the witch trials, Miller took many major departures from fact. For instance, John Proctor was nearly 60 and Abigail Williams only 11 at the time of the witch trials. Any affair between the two is highly unlikely, to say the least. Miller was always open about the liberties he took with history, saying that he was writing "a fictional story about an important theme."

Some Like it Hot. Arthur Miller was not a star the way writers are stars today. He was much, much bigger than that. After he wrote Death of a Salesman , he was a tremendous national sensation. In fact, he was such a big star that he married Marilyn Monroe. The couple married in 1956, and stayed together until 1961.

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The Crucible

72 pages • 2 hours read

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Before You Read

Act Summaries & Analyses

Character Analysis

Symbols & Motifs

Important Quotes

Essay Topics

Discussion Questions

From the infectious groupthink of accusers to the fear-mongering speeches of Reverend Parris and Judge Danforth, the Salem witch trials in The Crucible mirror Arthur Miller’s lived experiences as a named “communist” (called before Joseph McCarthy’s Committee on Un-American Activities). Analyze at least three specific moments in The Crucible that gesture toward the actions, attitudes, and rhetoric of McCarthyism.

The word “crucible” has two meanings. The term can either refer to a large (witch’s) cauldron wherein substances boil together, or a challenging test of character (a “trial by fire”). Considering both definitions, how does the title of The Crucible function as a metaphor for the events and developments in Miller’s play?

The Crucible uses the Salem witch trials to closely examine intersecting hierarchies of class, gender, and power in a conservative Puritan community. The least powerful members of society—a slave, a homeless woman, and a sexual deviant—are the first to stand accused, and the accusers themselves are young servant girls (who do not possess a great deal of political power prior to the witch trials). What messages does this play send about obtaining and maintaining power? How do power dynamics fluctuate throughout the play?

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By Arthur Miller

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The Crucible Arthur Miller

The Crucible essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Crucible by Arthur Miller.

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The Crucible Essays

How envy drives unfair judgment: comparing the crucible (drama) and the dressmaker (novel) forest lin 12th grade, the crucible.

In Arthur Miller's "The Crucible" and Rosalie Ham's "The Dressmaker", an unbalanced power distribution stemming from an unjust social hierarchy causes much jealousy displayed amongst the citizens of Salem and Dungatar, influencing their judgements...

The Devil’s Own: Danforth and His Character Transformation in Salem Anonymous 10th Grade

By the time Judge Danforth appears in Act III of The Crucible , the audience has become acquainted with a host of characters, each of which are motivated, in turn, by a desire to better their position, need for attention, saving of reputation, and...

The Universality of Vigilance, Discernment, and Dissent: Analysis of 'The Crucible' and 'Land and Freedom' Sapfira Milman 12th Grade

Political theocracy is an inherently oppressive, autocratic system, rendering individuals ultimately powerless. A composer’s political and personal representation subjectively constructs an audience’s conceptual and contemporary opinion through...

The Salvation of a Name: Analysis of Reputation in 'The Crucible' and 'Molly's Game' Anonymous 10th Grade

“Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies!...I have given you my soul; leave me my name!” (Miller 143)

This quotation is found both in Arthur Miller’s play The Crucible and in Aaron...

Conformity, Imbalance of Power, and Social Injustice Geoff Cowper-Smith

A "Great Drama" is a play in which an audience can find personal relevance. It is something which an audience can relate to. A great drama should having meaning to audiences for multiple generations. Arthur Miller's "The Crucible" successfully...

Sins and Ambitions Anthony Haddad

"The belief in a supernatural source of evil is not necessary; men alone are quite capable of every wickedness." - Joseph Conrad

The Salem witchcraft trials illuminate a great human campaign to rid society of the wicked devil and his sinful...

The Stream of Conscience in Arthur Miller's The Crucible Anonymous

In Arthur Miller's powerful stage play The Crucible, written in 1953 as a metaphor for the McCarthy hearings on communism in America, the idea of conscience is greatly emphasized in many of the main characters. Miller himself once said that The...

The Crucible as an Allegory Anonymous

In his classic drama The Crucible, Arthur Miller chronicles the horror of the Salem witch trials, an embarrassing episode of colonial America's history. At first reading, one might only view Miller's work as a vivid account of the tragedy of...

Contemporary Events Leading to The Crucible Lee Wang

When The Crucible opened on January 22, 1953, audiences greeted it with lukewarm applause. Critics did what they do best by berating the new play. What is now arguably the most influential allegorical play on the subject of Communism written...

Society In The Crucible and Death of a Salesman Michael Brooks

Two plays by Arthur Miller, Death of a Salesman and The Crucible, both contend that society is the indifferent, sometimes brutal, force that crushes an individual. Although the plays take place in different time periods, they each convey the force...

The Evolution of Reverend Hale Matt Rigolizzo 11th Grade

How can a trial turn a religious minister into a man separated from a town’s power structure? In The Crucible, Reverend Hale is sent to Salem to deal with an alleged outbreak of witchcraft. At the beginning of the play, Hale is a confidant man,...

Puritans, the Devil, and American Literature Anonymous 11th Grade

“The Devil and Tom Walker” by Washington Irving and “Young Goodman Brown” by Nathaniel Hawthorne are both short stories that illustrate Puritan ideas about the place of evil in human nature. Both short stories revolve around a central character...

Rev. Parris: Greed and Lies in The Crucible Anonymous 10th Grade

Human nature has a tendency, a fad if you will, to display traits of selfishness and a "me first, you later" attitude. This sort of thinking often leads people to do unjust or politically incorrect things, and it gets them in trouble with the law,...

Personal Expediency Among the Puritans Chloe Mourad 10th Grade

Within the Puritan society of the seventeenth century, the fear of the Devil fueled the actions of individuals; this idea is reflected in two significant works of literature, A Year of Wonders by Geraldine Brooks and The Crucible by Arthur Miller....

Fear is Something to be Feared Serena Huang 10th Grade

Fear is Something to be Feared

The word "fear" can be defined as: a distressing emotion aroused by impending danger or pain. In his play The Crucible, Arthur Miller addresses the fear embedded within Puritan society. According to the Public...

The Two Opposing Female Roles in “The Crucible” Sanya Helene Stern 11th Grade

“Does this dress make me look fat?” It’s a common conception; women tell each other to wear black because the contrast is slimming. Politicians run attack ads on components to make themselves look better in comparison. The literary technique of...

A New Perspective on Salem Anonymous College

The name Salem or any mention of the Salem witch trials almost always turns heads, and usually this sudden attention is not due to a reputable history. Most people think of the Salem witch trials and begin to picture an out of control environment....

The Crucible - Pure vs. Tainted Love Anonymous 9th Grade

The concept of redemptive and destructive love is common in all modes of texts, no matter the location or the time period. This is because love itself is timeless; it is a moving force that pushes people to act, an emotion which can cause both...

Hubris vs. Heroism : An Analysis of John Proctor’s shortcomings as Miller’s Tragic Hero Arthur Miller 11th Grade

The famous philosopher Aristotle formally defined the parameters of the tragic hero in his work On Poetics (335 B.C.). Aristotle based his tragic hero model on Oedipus, a king from Greek mythology. He defined the tragic hero as a man of noble...

Ambiguous Political Agendas: Historical Figures in Miller and Atwood Anonymous 12th Grade

Political agendas remain dubious and uncertain, but control is the eventual aim, almost by definition, of political activity. The Crucible by Arthur Miller and Margaret Atwood’s free-verse poem “Helen of Troy Does Countertop Dancing” expose innate...

The Crucible and Year of Wonders Anonymous 12th Grade

Arthur Miller’s play The Crucible and Geraldine Brooks’ novel Year of Wonders are both works that explore the treatment of individuals under oppressive theocratic ruling. Both Miller’s and Brooks’ works are aligned with key themes of superstition,...

How the Actions of the Court Amplified Hysteria and Expedited the Trials in The Crucible Anonymous 10th Grade

How is it possible that the actions of a single institution can completely decimate the physical and societal structure of an entire town? In Arthur Miller’s play The Crucible, this situation comes to pass in Salem, Massachusetts during the 1690’...

The "Weights" of the World: A Central Motif in 'The Crucible' Evan Kade Bridges 12th Grade

Arthur Miller confronts the “weight of truth," "weight of authority," and the "weight of law" in The Crucible. This play expresses the different complications that come along with having to bear each "weight." Many characters in the play conform...

Compare the ways in which The Crucible and Year of Wonders explore the conflict between appearance and reality. Kulin Gunathilake 12th Grade

Arthur Miller’s allegorical play, The Crucible , illustrates the parallels between the Salem Witch Trials and the HUAC communist crisis, highlighting the injustice of McCarthyism. Alternatively, Geraldine Brooks intertextually takes a cue from the...

The Crucible by Arthur Miller Essay

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Introduction

What issues are being adressed, how the issues are handled, works cited.

The crucible is a play written in the McCarthyism era by Arthur Miller. McCarthyism was a movement in the nineteen-fifties led by Senator Joe McCarthy in search for communists in the government of the United States. A crucible as defined is a vessel whereby heating and melting of metal using high temperatures take place for sole purposes of casting.

Metaphorically, a crucible can also refer to an era in history where the society seems to be melted down and remolded into a new castby the forces of great cultural, social, and political changes. The same word has remarkable similarities with crucifixion, which is the major intention of Miller by choosing it to be the title of his play.

The plays interweaves Christ’s crucifixion with the picture of a bubbling crucible in it a man and a society: the predicament of arriving to the right choice of morality and the inevitability of attaining redemption through sacrifice. These two themes, certainly, occur in the amplified struggle between good and evil.

The crucible puts to lime light countless enduring issue that affects our society at large. These issues include honor and integrity, power issues and its abounding corruption, the characteristics of excellence and wickedness, and the likelihood to evade all sorts of problems by creation of scapegoats. This paper aims at showing how the crucible exposes the above named issues in a dramatic fashion.

The issues of honor and integrity are depicted very well in the Crucible. Conscience is an inward sense of decency which propels most people towards what we term as being right(Miller 1). Nevertheless, in moment of public discord, we end up give our consciousness the rear seat which is naturally expected of us.

For one to stand up for the right thing even in the most challenging opposition, it asks for a strong will of conscience(Miller 2). Although taking such an action is perceived as noble and honorable in retrospection, it is rarely received well by the majority in real and actual events. Miller handles the issue of integrity and honor by bring the character of proctor.

The reason as to why proctor was hanged, it was because he chose to uphold his integrity at the end. If proctor had chosen to compromise his integrity by confessing thus lying, he would not have been blamed by the audience. Proctor realized that by compromising he would betray his close friends therefore he chose to sacrifice his life for his conscience.

By following his conscience, and sacrificing his life, proctor became a real martyr before the audience eyes (Miller 3). This trend repeats itself even in our day to day life. We are very quick at applauding those who chose to uphold their integrity but we do not have enough strength of moral fiber to do so. The death of proctor turns out to be a moral exclamation point, and the modern audiences would be affected profoundly(Archer 5).

A large part of the play is dominated by the issues of power. Domineering criminals in the play have power possession and this prompt Miller to sound a warning on the corrupting qualities behind power. This is depicted clearly when Abigail and the other group of girls after realizing that they posses great power, they seek to use it for their own benefits.

Danforth possessesthe greatest power in the play, and he had the capacity to declare the proceedings at any one given time for the irrationality they were in (Archer 7). However, even at the final point when his actions were plainly and clearly not upright he preferred to proceed with his judgment.

The crucible playdisplayed how excess power is harmful and dangerous, since the temptation is ready waiting to be abused. The individuals in power in Salem, when scrutinized under theocratic government justification are found to absolutely abuse power, and in process destroying innocent people. This gives a clear illustration of how the law is not always correct, and if that is the case, we are supposed to stand up to it(Bly 2).

Proctor did exactly that by challenging the court. Power does not usually land on the principled or the prudent, but rather in the control of self centered individuals. Today In our very democratic governments, the authorities are responsible to the entire society for the things they decide to do, and therefore, are under control to a given degree. From the play, we can see clearly that a position assuming excess power and having no oneto be responsible to tends to be corrupted by that power.

It has always been noted that,numerous societies come up with some sort of scapegoat for any atrocity that they face. At that particular time,Salem was notan exception (Bly 5).

At that period, the population was becoming uncomfortable with the extreme measures taken by the government to ascertain that they never deviated, and this caused general crisis. Danforth desire to control this crisis could have led him to execute the condemned ‘witches’ to a point far beyond any comprehension of therational mind would know that the actions were not right(Miller 2).

Danforth might have desired to show the population how rebels like Proctor were punished and the execution through hangings could have acted as warning to anyone planning to carry out a social upheaval. As a matter of fact, the devil has always served as a very easy scapegoat. Thebehavior to always find a scapegoats goes on even today, and there is always someone who takes the blame on our behalf.

Much had to be offered to the audience by the play Crucible in 1996. The issues addressed by the play are very much similar to the issues facing our modern world. There is much the modern audience canidentify with the issue of corruption and power, integrity and honor,the issue of rule governing the society and the methods used to condemn those people who deviate from the rulestogether with our burning desires to blame others by creating a scapegoat.

Important issues to the Americans were addressed by the Crucible. The crucible exposed what the world in general is facing in real sense, people in power are manipulating powers bestowed on them to control other people and impose ideologies which are not sensible. Hunger for power and control have led to people committing crimes against humanity.

Also, the inability of people to withhold their integrity has caused innocent people to suffer in the place of those guilty for committing an atrocity. People in power hide under the shadow of authority to oppress the weak and vulnerable. The crucible has played a very important role in addressing what is actually happening in the world.

Archer. The Crucible : Theme. Web.

Bly, William. Arthur Miller’s The Crucible . USA: Barron’s Educational Series, 1984.

Bradford, Wade. The Crucible – A Challenging Masterpiece . 2011. Web.

Miller, Arthur. The Crucible . A&C Black, 2010.

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At a Festival Amid Industrial Ruins, Ivo van Hove Takes Charge

For the Belgian director’s first edition as leader of the Ruhrtriennale, abandoned sites are “the starting point and the end point,” he says.

By Elisabeth Vincentelli

The calling card of the Ruhrtriennale Festival of the Arts is to present shows in former industrial sites, like power stations or coal plants, among cities in the Ruhr region of northwestern Germany. For the theater-maker Ivo van Hove, who is presenting his first season as the festival’s artistic director, this is churning up feelings of déjà vu.

“I was 20 years old at a time in Belgium when theater was the most old-fashioned thing you could imagine,” van Hove, 65, said. “My generation made a real change and we did that by, for instance, not playing in theaters. My first production was in an abandoned laundry. We played for 30 people and we had 30 actors onstage.”

The scale is much larger at the Ruhrtriennale , but at least van Hove had staged five productions at the festival before taking the helm, so he is familiar with the artistic parameters.

One of them is paying attention to musical theater, which can take on vastly different forms in Europe compared with English-speaking countries. According to Krystian Lada, a Polish director who helped van Hove put together the slate, the Ruhrtriennale is known for presenting “a new vision of music theater” in Germany, where so-called high and low cultures are often rigidly separated. Lada’s own entry in the 2024 festival, “ Abendzauber ,” combines works by Bruckner and Björk.

Van Hove’s “ I Want Absolute Beauty ,” which kicks off the festival on Friday, revolves around the “Anatomy of a Fall” and “The Zone of Interest” star Sandra Hüller (whom he had directed in Eugene O’Neill’s play “Strange Interlude” in 2013) performing a song cycle pulled from P.J. Harvey’s back catalog. (Van Hove’s take on musical theater, or any theater for that matter, is often divisive : A recent review in The New York Times called his musical adaptation of the film “Opening Night,” with new songs by Rufus Wainwright, “ a travesty .”)

Other offerings of note at the festival include “ Legende ,” the dissident Russian director Kirill Serebrennikov’s take on the filmmaker Sergei Parajanov’s work; Anne Teresa De Keersmaeker’s new dance piece “Y”; and Philip Venables and Ted Huffman’s music-theater work “ The Faggots and Their Friends Between Revolutions .”

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